That Tender Age

This is a 1952 Hong Kong drama film directed by Bu Wancang, Kuang-Chi Tu, Wang Yin and Shankun Zhang. It stars Chou Man-Hua and Li Li-Hua.

It is the story of the novelist Luo Ping (played by Wong Ho) who meets and falls in love with Liu Rose (played by Chou Man-Hua) in the coffee room. She was abandoned by Hakama son Liu Qijie and lives under threat from the evil force Zhang Shengde (played by Wang Yuan-Long).

A poor orphan seeks help from her wealthy uncle and his sons.

Li Qingqing, an orphan, just arrives in Hong Kong and becomes a singer who sacrifices everything for her man.

Li Xunhuan comes back to his home after three years of wandering. He had decided to have a normal life, but a group of skilled martial arts fighters and leaders are bent on killing him, so they can be ranked top by Bai Xiaosheng in his renowned list of the best warriors in the martial arts world. Li Xunhuan battles them as he searches for his estranged friend A'fei, who is now married and living in seclusion. Li asks A'fei to join forces and fight against a new threat that wants to rule the world: the Money Clan.

A mischievous, prank loving kung fu master creates fake training for a gullible teenager who still believes fantastical myths about martial arts.

Most likely the first wuxia film ever released. A female Knight comes to the rescue of a woman who is about to take her own life after the announcement of a forced marriage.

The story centers on the passionate and turbulent romance between a tea-picker girl, Yu Lan, and a fisherman, Chun Yang.Complications soon arise when a love rival, Hu San Bao, appears.

Cahya gets a job as a maid working in an isolated old mansion. Pregnant and a recent widow, she is desperate to reconnect with her husband, opening a doorway to the spirit world. And in doing so, inadvertently awakens the tormented ghosts of her current employer, the previous maids.

The blight of Sylvia Steem's otherwise happy young life, is her husband's crave for drink.

This picture tells the very human story, or romance, of an unloved wife and mother, who, although possessing wealth and social position, craved the love of her husband.

Bill Williams, a poor inventor with a large family, suddenly comes into great wealth through the sale of an invention. Sudden affluence turns his head, and he changes at once from the plodding mechanic of the dingy shop into an ultra-fashionable man of the town.

Aurora Floyd elopes from boarding school with John Conyers, but hardly a week has elapsed before she discovers that she has married a worthless libertine. She appeals to her father for aid and advice and he finally pays Conyers to leave the country for a year, so that she can secure a divorce on the ground of desertion.

Azam Salameh, a Palestinian theater director, directs an autobiographical play in the mixed Jewish-Arab city of Acre. The play takes place in 1947, during the final days of the British Mandate, and tells a love story between his grandmother, the singer Layla and Dr. Alfasi, the last Jewish citizen who remained in the city of Acre during the War of 1948. The play comes under threat and never sees the stage. This film is the only remaining testimony. —Haifa International Film Festival

An animatronic cowboy at a Western-themed family entertainment center struggles to maintain his creative freedom.

К экзамену готов

Nélida is in her 70’s and has lived alone in her small apartment for so long, that the pandemic that puts the world into confinement brings no change to her routine, except for her daughter’s visits becoming more frequent. Until the day she gets a call from a radio show that intends to introduce her to a love suitor, dynamiting the wall she built around herself and cornering her own perception of reality.

1912 silent drama

Andy Brannigan was a good-natured policeman, large of frame, but limited in nerve. He has, however, been very successful in posing as a hero, and deceives all but his wife, who laughs at him when he tells her that he has been awarded a medal for bravery.

The sensational crux of jealous revenge in "The False Order" is a head-on collision of two enormous locomotives. A realistic effect that heavily discounts any stage device ever materialized to thrill.