This is a 1952 Hong Kong drama film directed by Bu Wancang, Kuang-Chi Tu, Wang Yin and Shankun Zhang. It stars Chou Man-Hua and Li Li-Hua.
It is the story of the novelist Luo Ping (played by Wong Ho) who meets and falls in love with Liu Rose (played by Chou Man-Hua) in the coffee room. She was abandoned by Hakama son Liu Qijie and lives under threat from the evil force Zhang Shengde (played by Wang Yuan-Long).
Li Qingqing, an orphan, just arrives in Hong Kong and becomes a singer who sacrifices everything for her man.
A poor orphan seeks help from her wealthy uncle and his sons.
Li Xunhuan comes back to his home after three years of wandering. He had decided to have a normal life, but a group of skilled martial arts fighters and leaders are bent on killing him, so they can be ranked top by Bai Xiaosheng in his renowned list of the best warriors in the martial arts world. Li Xunhuan battles them as he searches for his estranged friend A'fei, who is now married and living in seclusion. Li asks A'fei to join forces and fight against a new threat that wants to rule the world: the Money Clan.
A mischievous, prank loving kung fu master creates fake training for a gullible teenager who still believes fantastical myths about martial arts.
The story centers on the passionate and turbulent romance between a tea-picker girl, Yu Lan, and a fisherman, Chun Yang.Complications soon arise when a love rival, Hu San Bao, appears.
Hong Kong cinemas had a wide range of glamorous female stars during the golden age of the 60's and 70's. The series will take the audience on a sentimental journey to the good old days and once again look at the expansive epic costume dramas and huangmei operas in which actresses played both the male and female roles. Rare interviews with Sir Run Run Shaw, stars Ivy Ling Po, Shaw Yin Yin, Tanny Tie Ni and Cheng Pei Pei are also featured.
A female Knight comes to the rescue of a woman who is about to take her own life after the announcement of a forced marriage. Most likely the first wuxia film ever released.
Based on the novel by Güzide Sabri Aygün, the film tells the relationship of a mentally-ill woman and the doctor whom she loved in her youth.
In "The Bride with the Black Veil" (1975), director Süreyya Duru continues to focus on social issues, exposing problems of the peasants and feodal relations.
A Russian Police Major is enlisted by the LAPD to help solve a series of gruesome murders perpetrated against young women by a sadistic sociopathic killer on the mean streets of Hollywood.
Based on Yılmaz Güney's script and filmed in semi-documentary style, the movie provides a fresh perspective on the history of labor issues in 1970s.
The film traces the destiny of Kapila, an outcast child who had been deemed by his fellow villagers to have supernatural powers of destruction, because of the timing of his solar eclipse birth.
A brothel disguised as a teahouse is staffed with old ladies long past their prime. However, things begin to change and become chaotic when the owner takes in a young girl.
With the help of his assistant Anja, Ottocaro Weiss intends to put the plague on stage: circumstances beyond his control and a lack of fresh talent have forced him to close down his flea circus. For Weiss, the plague means the «extinction of everything that makes life miserable and low and freedom along with it. Unbeknownst to him, he has won the support of a patron who is of the exact opposite opinion: for Johannes Wagner, the plague is an organising principle, and, aided by his agent Moosbrugger, he is able to smuggle a new number onto the programme. Whereas Ottocaro Weiss means to represent the plague theatrically, what appears on stage is the scientific reality of the rat-borne infestation.