Benjamin

Remarkable life story of Henri Diamant-Berger, a director and screenwriter whose devotion to cinema led him to collaborate with some of the greatest actors and filmmakers of his time.

Shot with stunning elegance and clarity, NAKED SPACES explores the rhythm and ritual of life in the rural environments of six West African countries (Mauritania, Mali, Burkino Faso, Togo, Benin and Senegal). The nonlinear structure of NAKED SPACES challenges the traditions of ethnographic filmmaking, while sensuous sights and sounds lead the viewer on a poetic journey to the most inaccessible parts of the African continent: the private interaction of people in their living spaces.

“Out of the Blue” is about a determined woman fighting her way through a series of unique physical challenges to stop a mad man. Her skills are put to the test when discovering a loved one in danger. The female character’s mission takes a surprising turn that leaves us wondering if it was all just a game.

The story starts as a seemingly simple crime of passion, Jimmy, the persistent suitor, is stabbed to death by Salome, the young and pretty wife of Kario, an ordinary farmer. But as the story unfolds, conflicting versions of the crime are given.

Five women whose lives revolve around an absent man constantly battle each other in their decaying old mansion. The first Argentinian sound film directed by a woman.

A group of villagers from Maranur, India, and their clash with a neighbouring village leader as their community begins to prosper. Soon, money and greed threaten a will for peaceful coexistence between the two rivalling communities.

1971. Three pregnant teenagers are interned in a flat in Bilbao to hide what in that time was a terrible disgrace, to be a single mother. Current time. Violet, NORA NAVAS, is a brave, strong woman that will insist on finding the truth. Helped by Angel, MIKEL LOSADA, what happened in that flat in Bilbao during the last days of Franco regime.

Fumando Espero

Teatro Amazonas is an elaborate, intriguing formalist experiment investigating the cinematic gaze and cultural exchange, and offering an unconventional ethnographic record of its Amazonian subjects engaged (and disengaged) in the act of spectatorship.

A down on their luck couple from South Georgia go on the run to get the money to repay a gambling debt, and decide to film their escapade, in hopes of selling their 'reality movie' to Hollywood for a quick buck. However, the danger becomes very real when their misguided foray into drug dealing does not go as planned, and they quickly find out they are in over their heads.

Evelyn, an ex-burlesque queen, bewitches single dad Al and his teenage son Fin with her zest for life. When father and son discover they are competing for the affections of the same woman, it reopens old wounds over the death of Fin's mother.

The troubled adventures of a country novice who goes to the big city to work as a nanny, taking care of the young and rebel sons of a widow businessman.

On what seems to be just another ordinary day, a man is exposed to sexism and sexual violence in a society ruled by women.

Joey Cooper is a small boy who wants more than anything to be a member of the "Wilderness Club." But he has failed over and over again to pass the test and was not allowed to join. But when Joey gets home after his latest failure, he finds his mother has bought him all new camping equipment for his trip. Joey can't bring himself to tell her he didn't make the club so he takes the gear and leaves for the trip anyway, hiding on the bus. When a couple of kidnappers grab the kids, Joey is still in hiding and it's left for Joey to save them all.

A meditation on freedom and technological approaches to manifest destiny.

A joyful insight into the creative world of Barry and Joan Grantham, two British eccentrics who have kept the skills of vaudeville alive for over seventy years. Since becoming stage-struck lovers in 1948, Barry and Joan have taught, danced and acted alongside the greats of British film and theatre. They are the last of the golden generation of vaudeville, eager to pass their legacy on to future generations.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.

A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.