Fort Algiers

The feature film “The seven ramparts of the citadel”, a fiction recounting the conflict between an Algerian family expropriated from its land and a bloodthirsty settler; by director Ahmed Rachedi. Adapted from the eponymous novel by Mohamed Maarafia, the film, whose plot begins in 1954, tells the story of two characters, Thebti and Lucien, “the fellaga and the colonist”, a story of crossed destinies. “After having engaged in a fight to the death, after having both traveled a long path of embers, (they) finally find themselves face to face and above all each face to themselves”.

These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.

Le Chant du Hoggar, a fictionalized documentary directed by Pierre Ichac, which takes as its theme the adventurous life of the Tuaregs of yesteryear, the setting being the lesser-known mountains and valleys of the Hoggar, and the actors being the Tuaregs themselves. This production, of considerable interest, was filmed last year by Pierre Ichac, a project manager for the General Government of Algeria. For six months, the young director, who traveled more than 7,000 kilometers by car and about 1,000 kilometers by Méhari through the Hoggar mountains, recorded 8,000 meters of film. The beautiful Fatimata reigns over all hearts in the wandering Tuareg tribe, with her herds, in the high valleys of the Hoggar. But she loves The Lion, the bravest of the young warriors of an enemy tribe. And it is Fatimata's name that The Lion lovingly carves on the rocks of the mountain.

Documentary on the French Alpine expedition to Hoggar in Algeria, starring Roger Frison-Roche, Raymond Coche, Pierre Lewden, and François de Chasseloup-Laubat. The 1935 French Alpine Expedition to Hoggar was conceived and prepared by Lieutenant Raymond Coche, the ideal leader for an expedition that would combine alpine and Saharan terrain in Algeria. Among his goals, he set himself the task of leading a French rope team to the still-untouched summits of Atakor and Tefedest and planting the French flag there. His old friend, Pierre Lewden, an athlete and journalist, was soon on the team, and to complete their project and complete the trio, they called on Roger Frison-Roche, a guide from Chamonix and one of the best climbers of this generation. A few days before their departure from Paris, filmmaker Pierre Ichac joined them.

A French teacher in a small Algerian village during the Algerian War forms an unexpected bond with a dissident who is ordered to be turned in to the authorities.

Djamila, a young Algerian woman living with her brother Hadi and her uncle Mustafa in the Casbah district of Algiers under the French occupation of Algeria, sees the full extent of injustice, tyranny and cruelty on his compatriots by French soldiers. Jamila's nationalist spirit will be strengthened when French forces invade her university to arrest her classmate Amina who commits suicide by ingesting poison. Shortly after the prominent Algerian guerrilla leader Youssef takes refuge with her, she realizes that her uncle Mustafa is part of this network of anti-colonial rebel fighters. Her uncle linked her to the National Liberation Front (FLN). A series of events illustrate Jamila's participation in resistance operations against the occupier before she was finally captured and tortured. Finally, despite the efforts of her French lawyer, Jamila is sentenced to death...

“La Voix du Peuple,” composed of archival photographs by René Vauthier and others, exposes the root causes of the armed conflict of the Algerian resistance. Participating in a war of real images against French colonial propaganda, these images aimed to show the images that the occupier had censored or distorted, by showing the extortions of the French occupation army: torture, arrests and arbitrary executions, napalm bombings, roundabout fires, erasing entire villages from the map, etc. This is what the French media described as a “pacification campaign”.

It's the unforgivable story of the two hundred thousands harkis, the Arabs who fought alongside the French in the bitter Algerian war, from 1954 to 1962. Why did they make that choice? Why were they slaughtered after Algeria's independence? Why were they abandonned by the French government? Some fifty to sixty thousands were saved and transferred in France, often at pitiful conditions. This is for the first time, the story of this tragedy, told in the brilliant style of the authors of "Apocalypse".

In Algeria in 1954, in a village in the Aurès region, poverty reigns over peasants enslaved by colonial administrators and Algerian landowners. Noua, in love with the son of a peasant dispossessed of his land, must be sold to a wealthy landowner.

The story of WWI Pilot Gervais Raoul Lufbery, a triple confirmed WWI ace, mechanic and world traveler. Explores the Lafayette Escadrille squadron, a formation of volunteer pilots serving in France on behalf of the United States whose service marked the early origins of the U.S. Air Force.

This film, is about the courage and the determination of a young woman in djurdjur"as mountain in Algeria, fighting for her ancestor land during the earlier years of french occupation.

Thierry Damilano and his team of Tuareg guides will take you on a trek in the Algerian Sahara, to discover the local culture with a mandatory visit to the hermitage of Father de Foucauld facing Assekrem, then climbing the legendary peaks of the Hoggar massif.

"Djazaïrouna", produced by the cinema service of the Provisional Government of the Algerian Republic (GPRA), is a montage film intended to inform the international community at the UN in 1959 on the objectives pursued by the Algerian resistance during the war of 'Algeria. Independence in Algeria (1954-1962). In 1959, Djamel-Eddine Chanderli and Mohammed Lakdar-Hamina produced Djazaïrouna (Our Algeria) from images taken by René Vautier and Doctor Pierre Chaulet. This film, completed a little later and will result in the film “The Voice of the People”. This documentary on the history of Algeria through a montage of current events, traces the political and military actions of the A.L.N, the demonstrations of December 1960, and the attack on a fortified French base on the border between Algeria and Tunisia.

In 1950, in Algeria, in a village in Kabylia, Algerian resistance fighters resisted the French occupation army. Bachir returns to the village to escape the clashes ravaging Algiers. In Thala, he has two brothers, Ali and Belaïd. The first is engaged with the ALN (The National Liberation Army) and fights against the colonizer. His second brother, Belaïd, the eldest, is convinced of a French Algeria. His family torn apart, Bachir decides to join the war and takes sides against the repression of the French army. The French army is trying in vain to turn the population against the insurgents by using disinformation. The more time passes, the more the inhabitants of the village and surrounding areas, oppressed, rally to the cause of the FLN, their houses and their fields will be burned... Adaptation to the cinema of the eponymous novel Opium and the Stick, published in 1965, by Mouloud Mammeri, the film was dubbed into Tamazight (Berber), a first for Algerian cinema.

The true story of explorer, journalist and writer Isabelle Eberhardt, originally from Switzerland. She moved to Annaba in Algeria in 1897 with her mother, who preferred to live in the Algerian neighborhoods rather than the European neighborhoods that she hated, and converted to Islam. Her lifestyle shocked the French colonialists: she dressed like a man, frequented cafes and smoke shops. Fascinated by the desert, she traveled the Sahara under the identity of Si Mahmoud, she published articles and books on the world she discovered in southern Algeria, strongly criticizing the colonial authorities. Arriving in El Oued, the soldiers prevent him from continuing his journey. She disobeys and overhears officers shooting Arab prisoners. Arrested, she was accused of espionage and was expelled from Algeria. She married Slimane, a Muslim non-commissioned officer in 1901. Having become French through this marriage, she could now reside in Algeria.

While he tries by all means to stay out of the bloody upheavals caused by the battle of Algiers, Hassan, an honest and naive father, unknowingly offers hospitality to a mujahid actively sought by the army. French. A series of events and misunderstandings quickly catapult him to the forefront, presenting him under the pseudonym “Hassan Terro”, a great fictitious terrorist who would have sworn the doom of the French army...

After a painful journey through Europe, Aleksei, a Belarusian, joins the Foreign Legion in France and clings to a confused hope of a European identity. Jomo, a Nigerian, fights for the survival and durability of his people in the Niger Delta and is ready to die to defend his ideas. These two young people who are sacrificed and smashed together will, against all odds, meet and their destinies will merge to continue across borders, bodies, life and death...

'Reformed Colonel' Raoul Duplan is found dead in Paris, a couple of decades after Algeria's struggle for independence was won from France. Assigned to investigate, Lieutenant Galois receives the diary of Lieutenent Guy Rossi, who served under Duplan in Algeria in 1956, and has been reported as MIA since 1957. The revelations in Rossi's diary far surpass Duplan's actions in Algeria, and give insight on how dirty Algeria's War for Independence really was.

The film traces the story of a patrol of the Algerian National Liberation Army (ALN), whose mission is to transport a prisoner French soldier to the Tunisian border. Through the march of this group of guerrillas we witness the spirit of sacrifice and combativeness of these men from the people. The patrol will be decimated, but a young peasant will take over and complete the mission.

In Algiers, during the Algerian War of Independence, one of the leaders of the FLN was arrested by the French colonial army, which used the most violent methods to make the prisoners speak. The use of torture poses a conscience problem for a French officer. Playing shot-reverse-shot, between the tortured and his torturer, in a suffocating camera, Mohammed Lakhdar-Hamina approaches torture by drawing inspiration from the story of his father, who died of abuse.