Pals of the Golden West

Bank robber Graham Dorsey spends a few hours with beautiful widow Amanda Starbuck, in which time his gang takes part in a disastrous holdup. Learning of his comrades' demise, Dorsey goes on the lam. Believing her short-term lover was killed by the law, Amanda decides to make the most of having had a liaison with the supposedly deceased desperado by writing a book about him. Much to his confusion, the still-living Dorsey watches as his name becomes legendary.

An oppressed Mexican peasant village hires seven gunfighters to help defend their homes.

Following the Civil War, headstrong rancher Thomas Dunson decides to lead a perilous cattle drive from Texas to Missouri. During the exhausting journey, his persistence becomes tyrannical in the eyes of Matthew Garth, his adopted son and protégé.

Set in 1890, this is the story of a Pony Express courier who travels to Arabia to compete with his horse, Hidalgo, in a dangerous race for a massive contest prize, in an adventure that sends the pair around the world...

A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.

An orphan trains a racehorse so he can win the money to build a new church.

Whopper, Stan Bradford, and Smokey are delivering a herd of pack horses to telegraph lineman Jeff Corbin when intercepted by smooth-talking Cobb Wayne, who is in a deadly competition with Corbin.

Bantam-weight western star Don "Red" Barry certainly deserved his designation as "The Cowboy Cagney" in Republic's Desert Bandit. Barry is cast as two-fisted Texas Ranger Bob Crandall, who after being dishonorably discharged heads to the Mexican border to start life anew. He falls in with a gang of gun runners, headed by corrupt lawman Largo (William Haade). It turns out, of course, that Crandall's "disgrace" was merely a ruse to allow him to work undercover in bringing Largo and his minions to justice.

An ex-con returns to his rural Ontario roots and outwits a corrupt and wealthy thoroughbred owner trying to take over a slew of local farms. Ray Dokes, a charming ex-ballplayer, returns from jail to discover the rural landscape of his childhood transformed by urban development. Determined to stay out of trouble, Ray heads to the farm of his old friend Pete Culpepper, a crusty Texas cowboy who trains losing racehorses and whose debts are growing faster than his corn.

When his cattlemen abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his cowboys in order to get his herd to market in time to avoid financial disaster. The boys learn to do a man's job under Andersen's tutelage, however, neither he nor the boys know that a gang of cattle thieves is stalking them.

One man wants to control all the land in the state to graze all his cattle. His band of outlaws are raiding ranchers and homesteaders, trying to drive them out. Rocky and Fuzzy are brought in to help stop the raiders and keep the land for the small ranchers and homesteaders.

Trailing outlaws, Lucky runs into a trap and loses his horse. The outlaws then use his horse to frame him for murder. During his fight with the outlaws he recognized one of them and he now has Cannonball get him out of jail. Then he gets Cannonball to lead the outlaw out of town where he hopes to beat a confession out of him. After clearing himself he plans to go after the boss of the gang.

Set on the Mexican border in 1850, Bad Men of the Border was the first of seven Universal Westerns starring handsome Kirby Grant, a former singer from Montana who had earlier acted under the name Robert Stanton. The series, Universal's last attempt at competing with Republic Pictures' many streamlined B-Westerns, also featured the bucolic Fuzzy Knight as Grant's sidekick. Grant and Knight are undercover U.S. marshals tracking down a gang of counterfeiters. To their surprise, they are soon assisted by a beautiful Mexican dancehall performer, Dolores Mendoza (Armida), who proves to be an undercover agent as well, in her case for the Mexican rurales headed by Captain Garcia (Francis McDonald).

Ben (Glenn Ford) and Marion (Henry Fonda) are two cowboys who make a meager living breaking wild horses. Their frequent employer Jim (Chill Wills), who always gets the better of them, talks them into taking a nondescript horse in lieu of some of their wages. Ben finds that the horse is un-rideable, he comes up with the idea of taking it to a rodeo and betting other cowhands they cannot ride it.

This film is about Zagor’s revenge upon four men that persecuted his family. Rodrigo, Lopez and Şerif take the mine that Zagor discovers. They don’t even give him a share. They deposit him famished, thirsty and on foot in the desert. Along the journey, he meets Mr. Taylor and his daughter. Mr. Taylor teaches Zagor how to use a gun quickly. Zagor goes back and settles the score with those who have done him wrong. But the villains do not sit idle. They kill Zagor’s sibling Katito, mother, and father. They also kill Mr. Taylor and steal his horse. Zagor marries Mr. Taylor’s daughter. He then exacts revenge on Rodrigo, Lopez, Şerif and Karlo one by one

Fueled by stunning footage, this stirring documentary considers wild horses' role in the American psyche and their dwindling numbers in today's West. In an artful blend of exquisite nature documentary and character-driven narrative, the majestic wild horses of the American West are revealed in stereoscopic 3D as never before. The wonder in a girl’s eye pulls us into the drama that unfolds on hundreds of millions of acres of public land. The battle lines have long been carved into the landscape, and the players are deeply entrenched. Yet as the subtle choreography that has evolved over thousands of years begins, we are captivated. The intricate dance between a man and a wild horse presents lessons for us all, even the battle-hardened special interest groups fighting for the place of the AMERICAN MUSTANG.

It took a lot of courage to set up a new production company devoted to "B" westerns in 1949, a year when the genre was showing signs of winding down. Filmed in Trucolor, Stallion Canyon was the maiden effort from Kanab Productions, a Utah-based organization. Former Sons of the Pioneers vocalist Ken Curtis made his starring debut in this one, playing a ranch foreman who does his best to track down a rogue stallion. The rest of the cast is comprised of unknowns, save for villains Ted Adams and Forrest Taylor. Cheaply produced, Stallion Canyon has the twin advantages of a relatively new leading man and excellent location photography.

Ken Maynard's exceptionally intelligent horse, Tarzan the Wonder Horse, is the star of this western about evil cowboy Steve Frazer (Welch) who gathers horses for slaughter, whose meat is sold to pet food manufacturers. The wild horse Tarzan frees the doomed horses from their corrals, and Frazer convinces the Sheriff that Tarzan is a threat and can be shot on sight. Local cowboy Ken Benson (Maynard) and rancher Pat Riley (Kennedy) work together to clear Tarzan's good name and put Frazier behind bars for his evil deeds.

Mountie Matt O'Brien is assigned to escort Miss Owens to a remote outpost. But when he finds an illegal mining operation there that is smuggling gold across the border, his superior Sgt. Means orders him to leave.

Old Surehand and his faithful old friend Old Wabble are on the trail of a cold-blooded killer with the nickname 'The General'. The brother of Old Surehand was murdered by him. On the way Old Surehand and Old Wabble are involved in the running conflict between settlers and Comanches who are likely to go on the war path. Old Surehand can count on the support of his friend and blood brother Winnetou, the amiable chief of the Apaches. Written by Robert