Ave

Rodrigo, a teenager staying at his father's house during vacation, is bewildered after being forced to kill a chicken for dinner, questioning the meaning of power, good, evil, and the existence of god. Feeling guilty for his acts, he discusses with his dad about the capability of taking lives away, making his mind hallucinate over the chicken scene, that tortures him along a rainy and painful night.

PK, an English orphan terrorized for his family's political beliefs in Africa, turns to his only friend, a kindly world-wise prisoner, Geel Piet. Geel teaches him how to box with the motto “fight with your fists and lead with your heart”. As he grows to manhood, PK uses these words to take on the system and the injustices he sees around him - and finds that one person really can make a difference.

Ira wanders around the streets of Moscow. She's pregnant with the child of Adrissa, an african student.

Ort Flack is 12 years old and lives with his mother and his sister Tegwyn in the Australian outback. The three of them also have to take care of their old grandma and their paralyzed father. It is not easy for one mother to take care of everybody. But one day a mysterious stranger, Henry, comes to their desolate house to help them...

A mother lives quietly with her son. One day, a girl is brutally killed, and the boy is charged with the murder. Now, it's his mother's mission to prove him innocent.

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.

Over the course of three days Ross, a college dropout addicted to crystal-meth, encounters a variety of oddball folks - including a stripper named Nikki and her boyfriend, the local meth producer, The Cook - but all he really wants to do is hook up with his old girlfriend, Amy.

Chronicling the troubled existence of Duncan Mudge, a 14-year-old misfit who—while vying for the attention of his vacant father—struggles to fill the void brought on by his mother's sudden death.

A man who trains fighting cocks vows to remain silent until one of his birds wins a championship.

A stark portrayal of life among a group of heroin addicts who hang out in Needle Park in New York City. Played against this setting is a low-key love story between Bobby, a young addict and small-time hustler, and Helen, a homeless girl who finds in her relationship with Bobby the stability she craves.

‘65 year old Mdm Tan lives alone in Sin Ming. One day, the local authorities came to catch the free-ranging chickens in a bid to curb their population. Shocked, Mdm Tan decides to do something radical: to catch as many chickens as she can and put inside her flat to save them temporarily.

In the Second World War, probably in a concentration camp somewhere, Gary Sinise is a soldier who conducts Jews everyday to some place where only clothes come back, under the eyes of an young prisoner boy (Elijah Wood). This witness disturbs the soldier, driving the story to a tragic and sad end and a new beginning.

When Milo the cat and Otis the dog are separated, they each set off on an adventurous and often perilous quest across mountains, plains, and snow-covered lands to reunite with one another.

In 1970s Belfast two young boys discover the facts of life, aided by the help of their pet chickens.

A fathers love for his chicken causes tension between him and his son.

Sudanese filmmaker Ibrahim Shaddad provides a dramatic and powerful account of the trials and tribulations of a Sudanese villager in a large alien city. Shot entirely without dialogue, the film's innovative use of sound helps tell the story of a shepherd who leaves his wife and herd to settle in a nearby town. Since its premiere at the Alexandria Film Festival, Human Being (إنسان / Insan) has been shown in a number of festivals in the Middle East and Europe. This film is a prime example of experimental Arab cinema.

A boy heads out of his home excitedly after an argument with his mother, on a simple errand: buy chicken for the first time in his life. The excitement is shattered when he watches it die—violently. The moment forces him to choose between disgust and desire.

A Cambodian immigrant plays chess in the heart of New York .....

The Last Stand of Norway, two teenage friends, Kenneth and Lenny, must defend their homeland when American forces, led by the power-hungry General Max, trying to invade Norway. Max’s goal is to take over the country to open fast food chains and dominate the market by controlling the rights to Norway’s pristine natural resources, with KFC (Kentucky Fried Chicken) being a key part of his plan to expand his empire. As the invasion progresses, Kenneth and Lenny uncover a darker motive behind Max’s actions, he’s not just after Norway’s resources, but there could be a deeper more personal reason for the invasion.

A splendid 10-minute animated film by Sharon Smith. It is an adaptation of a tale by Frank Key. Narrated by Key himself, it has been screened at film festivals and competitions all over the world, including Annecy, Edinburgh, Brazil and last month’s Raindance in London.