In Groove We Trust, A Joe Bowie Experience

The Happy Child is a story of "New Wave" rock genre predominant in the ex-Yugoslavia during the socialist 70's and 80's.

Have you ever wondered who are the people who appear as characters in Azra's songs? This documentary provides the answer to at least some of the questions.

This documentary offers a behind-the-scenes look at Björk and her touring entourage for the 2001 Vespertine tour. It includes interviews with harpist Zeena Parkins, the Inuit choir from Greenland, electronic duo Matmos, and an ongoing conversation with Björk herself about her recordings and her tours. The documentary is interspersed with live footage of songs from the tour shot by Ragnheidur Gestsdóttir, which themselves correspond to the performances chosen for the Vespertine Live album.

Schizophrenia. It may be one word, but it immediately conjures up multiple connotations. Mad. Incurable. Violent. Suicidal. Chemical imbalances. Crazy. A lifelong condition. Inevitable dependency on Medicines. Dark. Terrible. 'A Drop of Sunshine' challenges these notions. It questions the mainstream view of the condition and seeks alternate ways of recovering from it. Through the powerful story of its young and gutsy protagonist, Reshma Valiappan, it seeks to give viewers a new vocabulary to address the stigmatized mental illness. The film proposes that the only treatment method that can work in Schizophrenia is one where the so-called 'patient' is encouraged and empowered to become an equal partner in the process of healing.

Muse's live act at Wembley Stadium, 17 June 2007.

Saxophone player Charlie ‘Bird’ Parker comes to New York in 1940 and is quickly noticed for his remarkable way of playing. He becomes a drug addict but his loving wife Chan tries to help him.

Weapons of Mass Disruption

The executive producers of High School Musical keep the good times rolling with this upbeat musical comedy set in the one place every American teenager's home away from home - the local shopping mall. Ally (Nina Dobrev) is an optimistic adolescent singer/songwriter whose hard working mother owns the mall music shop frequented by every teen in town. When Ally shares her music with Joey (Rob Mayes), a janitor in the mall who harbors rock star ambitions, she is thrilled to find someone who can truly relate to her songs as well as her heart. Trouble looms on the horizon, however, in the form of the mall owner's spoiled rotten daughter Madison (Autumn Reeser). Madison is the kind of girl who's used to getting whatever she wants, and what she wants now could prove disastrous for both Ally's ambitions, and her mother's popular music store.

This show was filmed live on October 9, 2005 at Obras Stadium, Buenos Aires, Argentina before a rabid audience of over 25,000 fans. The 90-plus minute film features songs encompassing MEGADETH's career, ranging from their 1986 album Peace Sells…But Who's Buying through 2004's The System Has Failed . “This was one of the greatest nights of my life,” says MEGADETH founder and frontman DAVE MUSTAINE . “I am glad I was able to document it and share it with you. ‘That One Night' is a lesson in metal fanaticism by some of the best participating, most frenzied, and intense concert-goers in the world!

A small but growing Texas town, filled with strange and musical characters, celebrates its sesquicentennial and converge on a local parade and talent show.

Terror Mandelão addresses sound, technology, and the job market in the universe of baile funk in São Paulo's favelas. The film follows the journey of DJ K, one of the main DJs of Baile do Helipa, the street party of Heliópolis favela, and his friend Zero K, who got his first hit after 10 years as MC. Combining documentary, fictional elements, and visual experimentation, it portrays the ups and downs faced by young artists on the outskirts.

BABYMETAL's "Live at Tokyo Dome: Red Night" concert was a monumental event in the band's career, showcasing their impressive rise in the music world. Held at the iconic Tokyo Dome, this performance drew a massive audience, highlighting the group's immense popularity in Japan and internationally. The "Red Night" theme was reflected in the stage design and lighting, creating a dramatic and visually captivating setting. Su-metal, Moametal, and their backing band, the Kami Band, performed a dynamic setlist that included hits like "Karate" and "Road of Resistance," delivering a powerful blend of vocal prowess, intense metal riffs, and synchronized dance moves. This concert not only demonstrated BABYMETAL's unique genre fusion but also cemented their status as a major live act in the global music scene.

The "Live at Tokyo Dome: Black Night" concert was a monumental finale to BABYMETAL's World Tour 2016, held at one of Japan's most iconic venues. This performance, part of a two-night event, showcased BABYMETAL at the peak of their theatrical and musical prowess. Su-metal, Moametal, and Yuimetal performed a diverse setlist that spanned their entire repertoire, including epic renditions of songs like "Karate" and "THE ONE." The massive stage production, complete with elaborate lighting, pyrotechnics, and moving platforms, created a visually stunning spectacle that matched the intensity of their music. The Black Night concert was not only a display of BABYMETAL's dynamic ability to fuse metal and pop but also a celebration of their global success and cultural impact, drawing thousands of fans from around the world.

LEGEND "1999" YUIMETAL & MOAMETAL Birthday Festival (LEGEND "1999" YUIMETAL & MOAMETAL 聖誕祭; LEGEND "1999" YUIMETAL & MOAMETAL Seitansai) was a concert held on June 30, 2013 at NHK Hall in Tokyo, Japan. This show celebrated the 14th birthdays of YUIMETAL and MOAMETAL. The concert started with BABYBONES, followed by the appearance of the KAMI BAND beginning with NO RAIN, NO RAINBOW. At the concert's end, it was announced that the LEGEND "1997" SU-METAL Birthday Festival would be held on December 21st.

LEGEND "1997" SU-METAL Birthday Festival (LEGEND "1997" SU-METAL 聖誕祭; LEGEND "1997" SU-METAL Seitansai) was a concert held on December 21, 2013 at Makuhari Messe in Chiba, Japan. This show celebrated SU-METAL's 16th birthday and marked BABYMETAL's first solo arena live performance.

Depeche Mode's 'Touring The Angel' was one of the most successful, highly grossing and critically acclaimed tours of 2006. Hailed as the greatest live performances of their career, it was recorded at Milan's Fila Forum on February 18th and 19th 2006 and sees the band at their live best with a pulsing sound, electric stage presence and ecstatic audience.

Marijuana is the most controversial drug of the 20th century. Smoked by generations to little discernible ill effect, it continues to be reviled by many governments on Earth. In this Genie Award-winning documentary, veteran Canadian director Ron Mann and narrator Woody Harrelson mix humour and historical footage together to recount how the United States has demonized a relatively harmless drug.

Made on a wind-up Bolex camera, The Sound of Seeing announced the arrival of 21-year-old filmmaker Tony Williams. Based around a painter and a composer wandering the city (and beyond), the film meshes music and imagery to show the duo taking inspiration from their surroundings.

An enterprising producer believes he has hit upon a winning concept: a program of original animated shorts set to classical music. Undeterred by warnings that this has already been done by an American named 'Prisney,' he rallies an orchestra of geriatric women, a bullish conductor, and an animator that he keeps locked in the dungeon. What could go wrong?

In 1991 three teen girls called Midi, Maxiand Efti became celebrities over night and the suburb Akalla was suddenly known all over Sweden. Fifteen years later two old friends try to make a film about the phenomenon. But Midi, Maxi and Efti no longer have contact, and they are not at all interested in talking about the past. A melancholically journey to the past by two friends who have a hard time letting go. "I like it like it is and I like it like it was but I'm not so sure any more any any more..." From the song "Bad Bad Boys" by Midi, Maxi & Efti.