Thank You for Bombing

First-year acting student Stanley mines his girlfriend's family scandal as material for the end-of-year show at drama school. The result is a moral minefield.

The Díaz are an influential family who control much of the poultry industry in the island. Arcadio is the family patriarch, an authoritative and conservative man who rules over his family's destiny as he does over the chickens on his farm. Teresa, his eldest, left home during her college years to become an astrophysicist against her father's wishes. Now, after a 7-year absence, she returns home for a few weeks in order to reveal a secret long kept from her family and to invite them to her wedding with Daniela. But, once back, her intentions turn to dust when she finds herself trapped in the family's old habit of lying. No one in the family is as they seem, nor are they willing to unveil their true selves. Within this world of half-truths, Teresa encounters Andrés, her nephew, a boy with Asperger's Syndrome who shares her passion for the stars.

Peru in the early 1980s… a time of difficulties.

Today, Julie is strong, She is independent. She can go back home. Her family is waiting for her, they love her : her mother, her brother, her sister... and her father.

A woman with a strange look is sat drinking in a soulless bar on a desert area road. She’s waiting for the arrival of a man, maybe an old love that abandoned her there, leaving the place looking for a different life. The reencounter is tense, almost like a duel, and arises the resentment of the one that stays, the guilt of the one that leaves, the overcoming of the instilled tradition...

The leopard shall lie down with the goat. The wolves shall live with the lambs. And the young boy will lead them. 12+1 kids and the carcass of a whale washed ashore…

A courier takes a hitchhiker on the road. When the hitchhiker warns him that the end of the world is around the corner, the courier labels him as crazy, without knowing this accidental encounter will change his life forever.

On a wedding day, women are confined to the kitchen to prepare the meal while the men wait to be served. While men talk politics and sports, women talk about their condition. A teenager observes the gap between the sexes. Co-directed by two actresses, Paule Baillargeon and Frederique Collin, The Red Kitchen is the birth of the Quebec women's cinema. The birth of the film was difficult, and funding has been largely achieved through donations from friends and a benefit concert. This war of the sexes takes place in a demanding formal research, based on the improvisation of the actors, whose preparation took place over long sessions in the workshop. The end result mixes black humour, horror and a very expressive fantasy that gave rise to heated debates.

Truth is slippery at the prestigious firm of Martín and Associates, a place where Lucía Aldarando intends to make her mark. Although go-getter Ricardo Martín heads the company, Lucía is ready to move up the corporate ladder, calling upon her smarts and her wiles to make her dream come true. Ambition, however, has a way of changing one's character, and not for the better.

In this story of love, life, and friendship, three Puerto Rican women from very distinct socioeconomic classes are united when they must fight the same battle. Their lives collide at a doctor's office when they are diagnosed with a life threatening illness. Each has her own struggles, but they come together to survive and support one another on a luxurious weekend away in a beautiful beach resort. When they return to reality...how much have they changed?

Tragedy strikes when the helicopter that Nickis riding suddenly crashed in a remote island and authorities reported no survivor. The apparent death of Nick caused great grief to Vanessa, a socialte already betrothed to the young man. On the remote island, Nick meets Dr. Mallari, a marine biologist. Because of his memory loss, Nick introduces himself as Darwin. Dr. Mallari takes Darwin to his home where he introduces his daughter, Diosa, a beautiful painter. Darwin admits that he cannot recall his past and Diosa initially doubted his story. However, as time passes by, the two develop feelings for each other and have a child together. Darwin becomes involved in another accident that triggers the return of his past memories. He remembers that he is a wealthy businessman named Nick who is about to marry his beloved girlfriend Vanessa. With the return of his memory, Darwin's identity as well as Diosa and their child no longer exist in Nick's recollection.

Fatma and her mother are Kurdish refugees living in Italy. One day at the hospital, Fatma learns her mother has breast cancer.

A woman in line in the bank, looks at the neck of the man in front of her and starts to remember from where she knows him.

Mice have taken over the household. Its silence is thick with words unspoken. A mother, a child, and a lover are pulled together and pushed apart by their love and soon find themselves trapped in a labyrinth of listlessness.

When suburban mother, Caren (Missy Yager), meets a teenager working the streets of Las Vegas, Barbie (Mariah Kirstie), the result is a mother daughter relationship that may save both their lives.

Coming of age tale told through the eyes of 'Tu', an ambitious young man from Auckland who dreams of being a professional hip-hop dancer.

Brother is a humanoid robot who can't build anything that works correctly. He must find it within himself to make his creations come to life.

Eva and Max Gruber enjoy a healthy marriage. While she works as a journalist in the cultural sector, he is an independent artist teaching at a local college. The unconventional yet well-liked pedagogue can get his students to enjoy almost anything, even nude drawing. Until one day the police turn up – and accuse him of sexual misconduct. Max and Eva are shocked when the allegation comes at them like a bolt out of the blue. Following several interviews, however, it soon becomes clear that the girl did spend a night at Max’s atelier the previous weekend. Sabine Boss’s TV drama shows how social and media instigation can back a teacher into a corner.

Waking up under an unusual decorated tree in the middle of nowhere, Alexis, a teenage girl, receives the news from Matthew, a young boy, that she's dead. They're in In-between: a place for the dead who are unable to crossover because they are still attached to the lives they had. Through their new friendship, Alexis and Matthew confront their pasts and, in their exploration of love and death, consider their futures.

For her latest project, commissioned by Arte and starring members of the Comédie-Française, Valeria Bruni Tedeschi (A Castle in Italy, Rendez-Vous 2014) shot an idiosyncratic, half-modernized adaptation of one of Chekhov’s greatest, most expansively melancholy plays.