The Hub

Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Hundreds of frozen and starved people floating on boats in the middle of the Mediterranean Sea fleeing from the war... Familiar scenes that we are used to seeing in recent times. But the year is 1944, and the refugees are travelling from Europe to Africa. After Italian capitulation,and before the arrival of German army, 28 000 Dalmatian Croats left their home villages and towns to live for two years under the tents in the middle of Egyptian desert, in a kind of a communist model village that was formed to show the Allies how the new Yugoslavia will look like when the war ends. This is a story about them.

Film director Branko Belan follows the journey of fishermen as they set out to catch tuna around the Velebit Channel.

Documentary that follows events after the fall of Slobodan Milosevic, while looking back on the previous fifteen years, tracing his rise to power. Personal testimony alternates with analysis of a disintegrating society.

A documentary about punk and subculture scene of Pula, Croatia from 1978 to 1991, the city that gave birth to one of the most vivid punk and alternative rock scenes in former Yugoslavia, despite having population of just over 60,000 residents.

In 1910, the Pennsylvania Railroad successfully accomplished the enormous engineering feat of building tunnels under New York City's Hudson and East Rivers, connecting the railroad to New York and New England, knitting together the entire eastern half of the United States. The tunnels terminated in what was one of the greatest architectural achievements of its time, Pennsylvania Station. Penn Station covered nearly eight acres, extended two city blocks, and housed one of the largest public spaces in the world. But just 53 years after the station’s opening, the monumental building that was supposed to last forever, to herald and represent the American Empire, was slated to be destroyed.

Bosnian Croat writer Miljenko Jergović and Serbian writer Marko Vidojković replace one another by the steering wheel of Yugo, a symbol of their common past while driving on the Brotherhood and Unity Highway that stretched across five of six republics of Yugoslavia.

A movie follows a regular working day of a woman who works in a factory. She wakes up at 3am and goes to sleep at 10pm.

The Happy Child is a story of "New Wave" rock genre predominant in the ex-Yugoslavia during the socialist 70's and 80's.

In 1992, the Yugoslav army and Serbian paramilitary forces captured one-third of Croatia as the country was engulfed in a state of war. A squad of fighters is defending their position in the small but strategically significant village of Sunja, where the invaders have surrounded them on three sides. Ivan Salaj, a young and gifted director who was still enrolled in film school at the time, chooses to use their story as the subject of his student film. Considered one of the most important films from a period when Croatian independence was still at stake, it provides an accurate portrayal of life on the front lines. What makes Hotel Sunja even more special is that it was made by a group of students who risked their lives to make the movie.

A study of the psychology of a champion ski-flyer, whose full-time occupation is carpentry.

Drazen Petrovic and Vlade Divac were two friends who grew up together sharing the common bond of basketball. Together, they lifted the Yugoslavian National team to unimaginable heights. After conquering Europe, they both went to USA where they became the first two foreign players to attain NBA stardom. But with the fall of the Soviet Union on Christmas Day 1991, Yugoslavia split up. A war broke out between Petrovic's Croatia and Divac's Serbia. Long buried ethnic tensions surfaced. And these two men, once brothers, were now on opposite sides of a deadly civil war. As Petrovic and Divac continued to face each other on the basketball courts of the NBA, no words passed between the two. Then, on the fateful night of June 7, 1993, Drazen Petrovic was killed in an auto accident. This film will tell the gripping tale of these men, how circumstances beyond their control tore them apart, and whether Divac has ever come to terms with the death of a friend before they had a chance to reconcile.

The Weight of Chains is a Canadian documentary film that takes a critical look at the role that the US, NATO and the EU played in the tragic breakup of a once peaceful and prosperous European state - Yugoslavia. The film, bursting with rare stock footage never before seen by Western audiences, is a creative first-hand look at why the West intervened in the Yugoslav conflict, with an impressive roster of interviews with academics, diplomats, media personalities and ordinary citizens of the former Yugoslav republics. This film also presents positive stories from the Yugoslav wars - people helping each other regardless of their ethnic background, stories of bravery and self-sacrifice.

While new, monster housings are being erected, people grow a small farm in their vicinity. Soon the bulldozers come and ransack it.

Shot in various villages throughout Yugoslavia, this is a disturbing document of a time when people were stabbing each other with knives without any real reason. Murderers, people who witness these murders and the families of victims all talk about the senseless violence and the human condition.

Can a language save your life? Yes it can, even an ancient one from the 15th century. Saved by Language tells the story of Moris Albahari, a Sephardic Jew from Sarajevo (born 1930), who spoke Ladino/Judeo-Spanish, his mother tongue, to survive the Holocaust. Moris used Ladino to communicate with an Italian Colonel who helped him escape to a Partizan refuge after he ran away from the train taking Yugoslavian Jews to Nazi death camps. By speaking in Ladino to a Spanish-speaking US pilot in 1944 he was able to survive and lead the pilot, along with his American and British colleagues, to a safe Partizan airport.

For Serbian filmmaker Mila Turajlic, a locked door in her mother's apartment in Belgrade provides the gateway to both her remarkable family history and her country's tumultuous political inheritance.

A documentary about Goran Ivandic 'Ipe', the drummer of most popular Yugoslav rock band of all time, Sarajevo-based "Bijelo dugme" (White Button). Ivandic's fatal jump from the balcony of hotel Metropol in Belgrade in 1994 sparked much controversy around his fate.

The protagonists of this docudrama are old farmers who migrated to Banat after the First World War, in 1922. The film is focused on a couple of important events in their impressive lives, which are woven into lively scenes and stories full of wise instances. Their statements become spontaneous recounts of the lives of people in this region.