The Hub

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

In the Kosovo War, human dignity was shattered by the terrors of the Serbian government and the Albanian liberation army. Truths about the victims’ fates faded away, which is why a Finnish forensic research group led by Helena Ranta got a mission to act as an unbiased agent and investigate the real course of events.

A documentary-narrative film which looks at real events and personal phenomena of artist Zarko Lausevic. "Laush" above all tells a story of an evil time we've all been through, represents both sides and is made with empathy and respect towards everyone involved in the tragic incident. Through recreations, narration, memories of colleagues and quotes from the book "A Year Passes, a Day Will Never Pass" which the artist wrote during the hardest stage of his life, the weight of his fate is presented. The aim of this project is to portray the life of brilliant actor, who in the midst of great fame, disappeared from the scene through the cruelty of dubious times.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

An archival road trip with Stevan Labudović, cameraman to Yugoslav President Tito and cinematic eye of the Algerian revolution, investigating the role of cinema in the liberation struggles of the Third World and reconstructing the birth of the Non-Aligned Movement.

A day in the life of a train station.

In 1910, the Pennsylvania Railroad successfully accomplished the enormous engineering feat of building tunnels under New York City's Hudson and East Rivers, connecting the railroad to New York and New England, knitting together the entire eastern half of the United States. The tunnels terminated in what was one of the greatest architectural achievements of its time, Pennsylvania Station. Penn Station covered nearly eight acres, extended two city blocks, and housed one of the largest public spaces in the world. But just 53 years after the station’s opening, the monumental building that was supposed to last forever, to herald and represent the American Empire, was slated to be destroyed.

Yugoslav Partisan propaganda film about the post-World War II events in Pula.

Yugoslav Partisan propaganda film about the liberation of Istria at the end of the World War II.

German war documentary about Yugoslavia from 1941.

A documentary about punk and subculture scene of Pula, Croatia from 1978 to 1991, the city that gave birth to one of the most vivid punk and alternative rock scenes in former Yugoslavia, despite having population of just over 60,000 residents.

A research-based essay film, but also a very personal perspective on the history of socialist Yugoslavia, its dramatic end, and its recent transformation into a few democratic nation states.

Bosnian Croat writer Miljenko Jergović and Serbian writer Marko Vidojković replace one another by the steering wheel of Yugo, a symbol of their common past while driving on the Brotherhood and Unity Highway that stretched across five of six republics of Yugoslavia.

Documentary that follows events after the fall of Slobodan Milosevic, while looking back on the previous fifteen years, tracing his rise to power. Personal testimony alternates with analysis of a disintegrating society.

The Happy Child is a story of "New Wave" rock genre predominant in the ex-Yugoslavia during the socialist 70's and 80's.

Film director Branko Belan follows the journey of fishermen as they set out to catch tuna around the Velebit Channel.

Hundreds of frozen and starved people floating on boats in the middle of the Mediterranean Sea fleeing from the war... Familiar scenes that we are used to seeing in recent times. But the year is 1944, and the refugees are travelling from Europe to Africa. After Italian capitulation,and before the arrival of German army, 28 000 Dalmatian Croats left their home villages and towns to live for two years under the tents in the middle of Egyptian desert, in a kind of a communist model village that was formed to show the Allies how the new Yugoslavia will look like when the war ends. This is a story about them.

A movie follows a regular working day of a woman who works in a factory. She wakes up at 3am and goes to sleep at 10pm.

Shot in various villages throughout Yugoslavia, this is a disturbing document of a time when people were stabbing each other with knives without any real reason. Murderers, people who witness these murders and the families of victims all talk about the senseless violence and the human condition.

Marija grew up in a family that lives Yugoslav ideals even today. Given that Marija and her family are of Serbian origin, who continued to live in Croatia, regardless of the pressures of the recent war, the Yugoslav identity is the one they felt closest to. She had always felt that her family's ideals were her own, until her life path turned her in a different direction. When she founded her own family with her husband, she began to question her parents' and grandparents' values, as well as her own, and if that was the environment in which she wanted to raise her son. Within a journey through the family history, Marija opts for a "new beginning" in a totally different environment and sets up a new home - in Sweden. This film is a story about growing up, separation from the nest, and accepting one's own value system, and how to get there, in the atmosphere of a stable and loving family.