Foottit et Chocolat, IV. Guillaume Tell

A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.

Informed by her husband Ed that they will not be honeymooning at Niagara Falls as promised, but rather at the County Fair, newlywed Peggy decides it is time to assert her independence and steals away to the falls alone, leaving her bewildered husband to follow. After the honeymoon, Ed takes his bride to the home that had been his mother's, and Peggy redecorates the entire house in her husband's absence. Gradually, Ed learns to submit to his wife's modern attitudes until he discovers that her continual visits to the city have not been to the dentist's, as she had said, but to the studio of portrait painter Perry Pipp. Ed angrily confronts Peggy with her deception, forcing her to return home to her parent's house. Later, when Ed learns that Peggy has been posing for a portrait as a birthday surprise, he begs his wife's forgiveness, which she bestows, along with the information that a baby is on it's way.

Grandmother Koba has to take care of her grandchild Emma's digital horse farm.

A series of family entanglements develop around the changing will of Roger Bernhuses de Sars (Karl Mantzius), who wants his heritage to go to his illegitimate daughter Blenda (Greta Almroth). But love and fate also plays their cards. One of the most surprising films of Sjöström, close to Stroheim and some of the silent comedies of Lubitsch. Belonging to the golden age of Swedish film, this comedy offers one of the earliest explorations of the relationship between masters and servants on the screen, later developed by French masters like Renoir and Guitry. After acting in the diptych of Thomas Graal, Sjöström shows that he also dominates the “light genre” as director.

Newlyweds receive a build-it-yourself house as a wedding gift—and the house can, supposedly, be built in "one week". A rejected suitor secretly re-numbers packing crates, and the husband struggles to assemble the house according to this new 'arrangement' of its parts.

An oil heir and the daughter of a social climbing family are set to marry.

Run ’Em Ragged, Snub Pollard’s 39th starring vehicle, uses familiar slapstick-- Over-the-top make-up, ethnic humor, and a chase across Los Angeles’s Echo Park-- But there is more here than knockabout; Sophisticated sight gags test the limits of the characters’ perception, making expert use of such props as a seemingly bottomless rowboat.

"Mary Meacham, the most popular girl in college, goes to live with her maiden aunt, Miss Myra. Auntie is a man-hater who has various theories for testing the desirable qualities of the male sex. Mary sees a dreary man-less time before her and sends an S. O. S. to various sisters and their brothers to visit her while Auntie is away.

A man who has little compassion for his friend's and wife's toothache, soon learns how bad it can be when he gets one of his own.

Slim Cody works in the movie industry, doubling for the performers. He has a dream in which he portrays Romeo in a movie version of "Romeo and Juliet," and arranges for someone to double for him when the fight scenes get scary. ....

Elmer Slocum has just served a jail sentence for speeding. On his first day of liberty he encounters a physician whose car has broken down and offers to take him to his patient; he is pursued by motorcops for speeding, wrecks his car in a closed street, and knocks down and believes he has killed a policeman. Elmer boards a freight train and makes his way to a small town in Iowa, where he meets Margaret Andrews.....

When theatrical agent Sterling, a ladies man known for signing his latest paramours onto his agency's talent roster, returns to New York from a trip to Europe, he tells his more down-to-earth partner, Lawson, that he has hired a beautiful Neopolitan acrobat he saw onstage in Italy. When the acrobat, Tina Bambinetti, arrives in their office, though, Sterling is shocked to find that, offstage, she is plain, unkempt and badly dressed. Crushed by Sterling's dismissive treatment, Tina performs some acrobatics that almost destroy the office...

Goldwyn produced a 1923 film adaptation of Potash and Perlmutter, and a 1924 sequel called In Hollywood with Potash and Perlmutter. In Partners Again the two are in the automobile industry -- This is a lost Film.

The film is based on an ethnic Jewish comedy with characters created by Montague Glass and Charles Klein.

Overwhelmed by grief following the death of his wife, Donnelly shares a train carriage home with a troubled young man identified only as the 'Kid'. As the Kid becomes more agitated and foul-mouthed, the journey takes on a violent and dangerous hue – for the bereaved Donnelly and for other hapless passengers on the train. Academy Award Winner: Best Live Action Short Film – 2005

Charlie is a clumsy waiter in a cheap cabaret, suffering the strict orders from his boss. He meets a pretty girl in the park and tries to impress her by pretending to be an ambassador. Unfortunately she has a jealous fiancé.

Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them.

At Thanksgiving, a tramp arrives in a homeless-hostile town.

An opportunistic umbrella salesman attempts to save a musician and his daughter from blackmail.

Attracted by his wealth, avaricious Germaine marries D'Artois, then leaves him for a more sophisticated man. D'Artois retaliates by moving to the city and learning the proper social graces. His new life style proves to be too expensive for him, and at the end he is left with nothing but one suit of evening clothes and his now contrite wife.