Red Diaries

Exposé of two news photographers covering the People's Revolution in the Philippines.

Four high school friends hatch a plan for a farcical heist that sends them spiraling into a series of surreal events littered with clowns, fast food, and ‘rakenrol’, in an even more absurd nation of squalor and entertainment.

A young woman recalls how her father (a fallen priest), her mother (a woman with a secret past) and her teenage sister returned with her to live in their ancestral home after the family business failed. She was plagued with mysterious problems of sleepwalking and began a romance with a young man who tried to cure her.

A Filipino teenager is shot to death on the sidewalk of New Jersey, USA. An investigation starts into his death. His family members and friends are interviewed. Along the way, we find out not only more about him but about the community of Filipinos in America in general, including the destructive effect of the drug "shabu" on its youth. The detective who handles the case also has his own personal demons to settle with his violent past.

Salve and Sion is a sister living with their grandparents. Trying to make ends meet, they take in any job even if it's not high paying. Ben is a long-time friend/ admirer of Sion. He supports her in her every endeavor. When Ben's cousin, Carding arrives to Ben's place, he meets Salve and is easily smitten by her charm, when he rescues her from trouble. One day both sisters come face-to-face with criminals, they try to run away from them and report to authorities.

Due to a delayed flight a group of German flight passengers have to wait in the hall of the airport of Manila. The crowd is quite mixed, ranging from an cultivated east German teacher couple up to sleazy sex tourists. As the waiting prolongs, more and more aggressions and long repressed behaviors shed their way to the surface.

It's the story of a young woman, whose husband, is arrested by the soldiers of a Japanese garrison, on the suspicion that he is a guerilla. Dizon pleads her case to the garrison's commander, who sympathizes and lets Yllana go; when the commander's wife dies and leaves their son motherless, Dizon, is hired to feed the baby from her own breast.

Tour guide Berta is having a tough time making ends meet. She’s forced to let her son Omel travel to the big city to take a job at an electronics store. Luis is studying to be a seaman, but can’t seem to pass his exams. His girlfriend Dolores is working as an intern at a resort, and dreams of going abroad as well. Sandra, following a painful event back in Manila, returns to her native Bohol, taking her spoiled son Eric with her.

The film splits itself between two timelines. In 2006, Ada is basing her thesis on a massacre that occurred twenty years prior in a village called Acacia. Her mother Cecilia was part of a fact-finding mission into a massacre, and Ada’s inquiries bring up her history as a member of the NPA. The other timeline traces the relationship of Ka Felix and Ka Jimmy, two rebels who fall in love, despite the movement’s laws against such a pairing.

Teresa (Rustica Carpio) has worked for the Bautista family since she was seventeen. She was the nanny of siblings Stella, Vince and Andre (Jackie Lou Blanco, Bobby Andrews and Ryan Agoncillo), and their mother. The three have all moved abroad in their adulthood, but all reunite back at home with the passing of their mother. With no one left to stay in the country, it is decided that all of their properties will be sold, including the house they grew up in. But they are faced with the problem of what to do with the elderly Teresa, who has no money saved, and little contact with her relatives.

Desiree and Gilbert are in love but no one seems to believe it. Desiree's friends thinks Gilbert is just using her. Gilbert is studying to become a doctor and Desiree is financing his tuition fee and daily expenses. Gilbert's family thinks Desiree is interested in the family fortune. Gilbert is a rich kid but he left home when his girlfriend committed suicide after being insulted by his mother Gracia.

About young people learning that happiness comes from learning how to give of one's self. MANYIKA is about an enchanted doll who came to life and taught two orphans the value of love. BANANA-CUE is about a rich girl who found happiness in the company of a classmate who sold sweetened bananas in order to see himself through high school.

A famous dress designer who adopted the illegitimate daughter of one of her models. The little girl became her only joy after she turned into a recluse when she lost her fiance. Unknown to her that was only the beginning of her troubles with Dina. Dina returned from time to time with threats of blackmail kidnapping and other evil deeds.

Babae...Ngayon at Kailanman is a film adaptation of three Filipino short story masterpieces: Nick Joaquin's "May Day Eve", Amador Daguio's "Wedding Dance" and Wilfrido Nollega's "Juego de Prenda.

An environmentally conscious movie about Butanding, or whale shark.

Orphan Carding befriends Army Captain Samuel Corazon, who’s stationed in his town to root out the remaining Huk guerrillas. At the dance hall, Corazon woos dancer Lauriana, and they soon move in together. The two become sort of surrogate parents for the orphan Carding, with Corazon teaching him the ways of men. But the soldier has a dark side, and Carding becomes witness to the violence occurring in their home, and a heinous act committed by the soldier on his common-law wife.

A woman whose whole life is her art, but when she loses it she goes into a self-exile, only to be, hopefully, reinvigorated by a young boy daring to bring it all back.

Three stories of love starring Sharon Cuneta. The first, "I Love You, Moo-Moo" (directed by Leroy Salvador), is about a young bride who died on her honeymoon; the second, "Ang Silid" (directed by Lino Brocka) is about an interior decorator who investigates a forbidden room owned by a mysterious woman whose sister was murdered; and the third, "Katumbas ng Kahapon" (directed by Emmanuel Borlaza) follows a young woman torn between her abusive husband and her former lover who returned from the US.

The title “Kamera Obskura” is a Filipino spelling of the latin “Camera Obscura” which simply means “dark room”. The film’s concept adheres to formalist cinema, where the filmmaker’s thesis is to make a semblance of a vintage film seemingly produced sometime in the late 1920s to early 1930s in the Philippines. The thesis is to conjure up a film from a period that did not really exist in Philippine cinema’s historical cultural heritage as we know it, such as a pseudo-expressionist / experimental Filipino cinema of the silent film era. It is a film within a film. The narrative plays with the idea of a retro-futurist world where a prisoner locked away in a dark chamber for over two decades only sees the reality of the world outside through the small hole in his cell, which projects an image of the city on his wall, the phenomenon of the “camera obscura”.

Every night, Nana Lusing lies on her bed sleepless because she sees a dark figure looming in her room. Who is this shadow? Is this the devil? Her late husband? A manifestation of her anxieties? Or simply a figment of her imagination?