Displaced Person

Hutton's most impressive work ... the filmmaker's style takes on an assertive edge that marks his maturity. The landscape has a majesty that serves to reflect the meditative interiority of the artist independent of any human presence. ... New York is framed in the dark nights of a lonely winter. The pulse of street life finds no role in NEW YORK PORTRAIT; the dense metropolitan population and imposing urban locale disappear before Hutton's concern for the primal force of a universal presence. With an eye for the ordinary, Hutton can point his camera toward the clouds finding flocks of birds, or turn back to the simple objects around his apartment struggling to elicit a personal intuition from their presence. ... Hutton finds a harmonious, if at times melancholy, rapport with the natural elements that retain their grace in spite of the city's artificial environment. The city becomes a ghost town that the filmmaker transforms into a vehicle reflecting his personal mood.

Two Letters for Ana

In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min

In commemoration of the 100th anniversary of H. Spencer Lewis's initiation into the Rosicrucian Tradition, the Rosicrucian Order, AMORC presents this inspiring DVD about the life of H. Spencer Lewis and the mystical experiences that led him to seek out the Rosicrucians in France and then to establish the Rosicrucian Order, AMORC in America.

A documentary on the history on mankind's attempts to reach high speeds. Starting with the invention of the bicycle, going on to sports cars, cars with jet engines, rocket-powered cars, attempts to break the sound barrier, and rocket-engine airplanes. Each achievement is documented by title card indicating the speed reached in miles per hour.

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.

The grail is not the gold, nor the books of ancient wisdom, but the 3,000 year old DNA of the mummies, which may lead to a cure for malaria.

Gouge - a documentary tracing The Pixies' story featuring interviews with Bono, David Bowie, Thom Yorke and Jonny Greenwood (Radiohead), Graham Coxon and Alex James (Blur), Fran Healy and Andy Dunlop (Travis), P J Harvey, Tim Wheeler (Ash), Gavin Rosdale (Bush) and Badly Drawn Boy.

Documentary examining the medieval myth of the Philosopher's Stone, a Holy Grail-type relic which supposedly held the key to alchemy and immortality. Many noted alchemists and adventurers searched obsessively for the artifact hoping to learn its powerful secrets, a quest which allegedly drove some to madness and others to celestial encounters.

Until 1942 around 100 German propaganda films were made, that were set in Africa. They were produced in Germany, with Black Germans and Africans living in Germany. Who were these Black extras and how did they come to Germany? Why did they work in film-making? Which roles did they play and what messages did they send? What were their daily experiences as Black people during the Weimar Republic and the Nazi Regime?

A camera on an overhead crane travels down a large, long aisle where men are shown working on large machinery on either side. Carts carrying equipment are shown traveling on rails down the aisles. There are also men walking in the aisles. From Bitzer's Westinghouse Works series.

On the left of the screen, a small group of men lift the top off of what appears to be a turbine with a crane and continue to check the machine, tightening various parts with wrenches. On the right side, a few men appear to be testing the workings of what may be a turbine.

Barnstorming is the true story of an unexpected friendship that developed between a farm family and two pilots who literally dropped out of the sky. Their friendship has created a new tradition out of an old one long gone: barnstorming.

Six young women programmed the world's first all-electronic programmable computer, ENIAC, as part of a secret US WWII project. They changed the world, but were never introduced and never received credit. These pioneers deserve to be known and celebrated: Betty Snyder Holberton, Jean Jennings Barik, Kay McNulty Mauchly Antonelli, Marlyn Wescoff Meltzer, Ruth Lichterman Teitelbaum, and Frances Bilas Spence.

WWII from Space delivers World War II in a way you've never experienced it before. This HISTORY special uses an all-seeing CGI eye that offers a satellite view of the conflict, allowing you to experience it in a way that puts key events and tipping points in a global perspective. By re-creating groundbreaking moments that could never have been captured on camera, and by illustrating the importance of simultaneity and the hidden effects of crucial incidents, HISTORY presents the war's monumental moments in a never-before-seen context. And with new information brought to the forefront, you'll better understand how a nation ranked 19th in the world's militaries in 1939 emerged six years later as the planet's only atomic superpower.

The subject is two grotesque-looking human beings who are sitting on the deck of a ship. The two weird individuals sit cross-legged and do the bidding of a man in oriental costume. The point of the film seems to be directed at the fact that the bone structure of the two subjects makes them look like monkeys or apes, and the spectators seem to be trying to get them to behave like monkeys, that is, scratch themselves, etc.

La face cachée de Hiroshima

With the British government promoting an inaccurate revisionist version of the 1807 Abolition of the 'Slave Trade' Act many are determined to ensure that Truth prevails in 2007. With contributions from community activists, project workers, teachers, historians and the business community, this documentary confronts the myths about British slavery, presents the true history of the Maafa and African resistance and examines the politics of the government's bicentenary celebrations. On Screen Contributors: Dr Abiola Ogunshola, emma pierre, Bro Hakim, Dr Hakim Adi, Henry Bonsu, Ms Serwah, Bro Omowale, Kwaku Bonsu, Kubara Zamani, Dr Kimani Nehusi, Bro Ldr Mbandaka, Michael Eboda, Onyeka, shaka Marday, Stephen Henry, Teleica Kirkland and Dr William Lez Henry. Directed by Toyin Agbetu Produced by emma pierre

Maafa Legacy exposes the euro-academic view that British slavery was just ‘trade’ as a lie and reveals why the crimes both past and present that continue to be committed against Mama Africa and her children stand as the most heinous ever in World history. This documentary also provides a retrospective view of Wilberfest 2007 and explores the enduring legacy of the Maafa on African people residing in the Diaspora. On Screen Contributors: Dr Abiola Ogunshola, Sis Ayen Meke, Christopher Cole, emma pierre, Bro Hakim, Hakim Adi, Sis Jendayi Serwah, Kimani Nehusi, Kubara Zamani, Kwaku Bonsu, Kwaku-Jesse Konadu Olaleye, Dr Lez Henry, Manga Clem Marshall, Bro Mbandaka, Michael Eboda, Morenike Fasuyi, Netsanet Solomon, Oleander William, Onyeka, Bro Omowale, Sis Panyin Aikins, Royson James, Sis Dr. Sandra Richards, Teleica Kirkland, Tony Warner, Toyin Agbetu, Tracey Jarrett Directed and produced by Toyin Agbetu

In a two part documentary, specifically made for a Pan African audience, we follow the writer and activist, Toyin Agbetu as he shares the results of his three year journey across three continents in seek of solutions to the many problems African people currently face as a result of Maafa. Rejecting the classic ten point plan method, Maisha Solutions instead features contributions from various voices across the world with a strong emphasis placed upon independent learning and the empowerment of young people and women. This two part film offers insights into various topics and invites viewers to take leadership roles by becoming Pan African community workers that utilise our progressive traditional customs in order to successfully tackle many of the challenges we face today. Directed and Produced by Toyin Agbetu