Lost In Hong Kong

Three people get together to read the play that one of them wrote; a play that recounts the love that these three experienced in the past. But perhaps not everything is as it is written there, perhaps not everything - or almost nothing - was like that.

Matías meets his cousin Violeta at the Plaza de la Ópera in Madrid. He is 25. She is 18. He's a divorced journalist trying to write a thriller. She studies violin. She's a vegetarian. He loves meat. Many things separate them, but he moves into her apartment.

Lisa is a young, Christian woman. Bobby, her boyfriend, however, is a street hoodlum. Lisa prays constantly that Bobby will accept God in his life. She soon gets what she wants, but discovers that Bobby's conversion means that she has to get her life in order as well. As a result, she is forced to resolve not only her relationship with Bobby, but with everyone in her life.

During World War II, a secret agent must seduce, then assassinate an official who works for the Japanese puppet government in Shanghai. Her mission becomes clouded when she finds herself falling in love with the man she is assigned to kill.

A married young academic falls under the sexual thrall of a much older man whose air of jaded ennui conceals a secret desire for vengeance.

¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.

Set against the glittering backdrop of Seoul, ‘Love Story: Fragments’ intertwines three touching love stories that converge on a single, unforgettable summer night. Yon and Chung Myeong take the delicate first steps of their relationship, while Choo Yon and Kim face the challenges of jealousy that threaten their bond. Meanwhile, Mimì and DonYul grapple with the pain of a final farewell.

During a trip to Brazil in 2022, Augusto (15), an introspective and dreamy young man, becomes enchanted by Antônio (16), a magnetic and unpredictable boy from Belém. Amid the heat of the World Cup and the waters reflecting a fleeting encounter, a fragile connection is born, stretching across distance when Augusto returns to Italy, turning desire into obsession. While Augusto loses himself in idealizations and the emptiness of delayed responses, Antônio continues his life between parties, friends, and fleeting loves. What begins as a promising romance crumbles under the weight of time, silence, and the things that were never said. As the years pass, Augusto is forced to face an inevitable truth: some loves do not belong to the future, they exist only in memory. An intimate and visceral portrait of love, loss, and growth, Anchorless delves into the fragility of first feelings and the pain of learning that not every story is destined to last.

Maggie’s from the West Country; Craig’s from the Future - and together they might just save the planet. But should she take a chance on the handsome man with the far-out backstory? Or is she just desperate for a connection? As their bond deepens, the danger escalates, smashing the boundaries between reality and delusion, science and possibility, betrayal and True Love.

Soviet High School girls are sent to the U.S. where they are taught to become secret agents and use sex to find information.

An ambitious U.S. Senator reflects back on his life after the death of a woman whom he loved and kept in contact with only through correspondence.

Every night while the city sleeps, Ahmad, a former Pakistani rock star turned immigrant, drags his heavy cart along the streets of New York. And every morning, he sells coffee and donuts to a city he cannot call his own. One day, however, the pattern of this harsh existence is broken by a glimmer of hope for a better life.

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.

After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies -- the very building blocks of love.

The youngest child, torn between family expectations and her existing relationship, faces an unexpected arranged marriage on the day of her father's death.

An American man returns to the village of his birth in Ireland, where he finds love and conflict.

Emilio Fernandez directs Dolores Del Rio and Pedro Armendariz in a classic tale of family and obsession. Raimunda's daughter Acacia hates her stepfather Esteban, and in order to escape her suffocating home life she's accepted a marriage proposal from a man she doesn't even love. But Esteban has become obsessed with Acacia, and in order to ensure that she doesn't leave he's plotting to murder the girl's unsuspecting fiancée. As Esteban's true nature emerges, mother and daughter must band together to support one another and make sure that their family bond remains strong even in the darkest of times.

Helena wants to propose to Leticia, until tragedy strikes in their lives: they both have a car accident and end up dying. Now they both need to rest, but Helena suffers from wanting to propose while her beloved tries to convince her to move on to the other plane without revealing what has happened. Leticia, having already accepted death, understands what is happening and subtly tries to make Helena understand that it is necessary to leave. In the course of the story, while each of them deals with their own internal conflicts, the apartment they used to live in begins to be emptied so that new people can move in.

The film tells the story of pure small nurse Ye Xiaotong found that migrant workers boyfriend Fang Qiang derailed to break up.

Antoine - a grieving loner - spends his days in a cafe on Place Clichy watching people. Every day, he sees a woman he calls Albertine get out of the subway and go to the movies. Today, he takes it upon himself to talk to her. Thus began Antoine's down-going.