God@Heaven

Mairy, a thirty-year-old woman from Philippines, works in a village in Cyprus. She takes care of Mr. Michalis, an eigthy-five-year-old man with arteriosclerosis. Mr. Michalis spends his days in front of the television, watching time and again a soap opera with a heroine named Anna. He soon becomes obsessed with this heroine, to the point of calling Mairy 'Anna', despite the remarks of his daughter Melpo. When Mairy finds some old photographs she makes an important discovery...

Giano and Luc are traveling through the woods when a storm breaks, forcing them to take shelter in Luc's villa. Gradually and insidiously, a competition emerges between them, with terrible consequences.

Gula

Diogo Alves is a Spanish fugitive that comes to the Portuguese capital terrorizing the inhabitants by his cut-throat methods against rich and poor people alike. He attacks the women launderers on the Lisbon Aqueduct and throws the bodies over the high wall, and assaults homes with his large band of criminals. Eventually arrested, he, his female companion and his henchmen are condemned to death by the court.

This film is the pearl of his pioneer work in Madeira Island and captures the most of his methodology: good stories taking the most of Madeira's natural scenery, and provoking the audience with some ironic and "double-sense" scenes. The film tells the story of an English girl travelling with her father, a botanic, and a guide from madeira in the deep mountains of the island. The girl has some mental disturbs and is always scaring about an attack from the native man, appearing as a half-man/half-monster.

Three men hammer on an anvil and pass a bottle of beer around. Notable for being the first film in which a scene is being acted out.

A distraught squatter tries to cope with his werewolf nature through drugs and music.

Unable to decipher reality and delusion after his son and wife die, a successful businessman struggles to find peace with his own conscience.

During a game of hide and seek, a new bride hides in a chest and remains undiscovered until a strange visitation thirty years later.

The film tells the story of a man and woman who don't know each other. After being matched by a matchmaker, after going through a series of red tape, they were sent to the bridal chamber and began a difficult life as a couple. Despite the primitive shooting methods and lack of training of the actors, the film has a very important place in the history of Chinese film.

Through a series of auditions, a young actor in New York City struggles with his identity.

A hobo takes revenge to a miller who didn't give him something to eat.

Edward James Olmos narrates this multi-fest winner about an immigrant who recalls a vivid and momentous memory where he discovered his boundaries.

An animated short based on Hans Christian Andersen's tale about a poor young girl with a burning desire to find comfort and happiness in her life. Desperate to keep warm, the girl lights the matches she sells, and envisions a very different life for herself in the fiery flames filled with images of loving relatives, bountiful food, and a place to call home.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

A mother who writes children’s storybooks, ironically, doesn’t have enough time to create stories for her own son. The restless child finds a chance to create his own stories when his grandfather, comes up with a game. They fill an old milk can with pieces of paper, each containing a word which will be a “story-starter”. Tales of heroes and villains, magic and places fill up the child’s imagination. But the child’s made-up story is in need of a happy ending. Now, it depends on the storyteller mother to create the greatest ending of them all.

Short film spinoff of CONFESSIONAL featuring one of the minor characters.

Camila broke up with her boyfriend recently. She's been going out and spending time with her girlfriends and her dog.

The intersecting lives of two otherwise unrelated people in a rural Bolivian village adjacent to the Uyani salt flats are presented. The first is Carlos, a poor salt miner. Unlike his colleagues, he is unwilling to take the one time compensation package from an American conglomerate who wants to purchase the mining rights. Carlos would rather get paid for doing actual work than risk living off a one time payment without a guarantee of any other work in the area. Carlos being the one holdout irks his fellow miners, who cannot get their compensation until Carlos also agrees to the terms. Carlos views all gringos in a bad light because of this situation. The second is Marc, an American doctor who has worked in various third world countries providing aide where needed. Marc is completing his term here. Carlos and Marc have a turbulent few meetings based on Carlos' feelings toward gringos and his want for a simple stable life.

Aïssa is a Congolese immigrant in France. She says that she is under eighteen but the authorities consider her an adult. To determine if she can be deported, a doctor must give her a physical examination.