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One of a series of ‘falls’ by Bas Jan Ader that he recorded on film, this work was filmed in West Kapelle, Holland in 1970.

Shot in his garage-studio, the camera records Ader painstakingly hoisting a large brick over his shoulder. His figure is harshly lit by two tangles of light bulbs. He drops the brick, crushing one strand of lights. He again lifts the brick, allowing tension to accrue. The climax inevitable—the brick falls and crushes the second set of lights. Here the film abruptly ends, all illumination extinguished.

This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.

Bas Jan Ader hangs from the branch of a tall tree, until he loses his grip and falls into a river below.

Cirque du Soleil presents The Mystery of Mystère, a captivating documentary that explores how arts and science merge together using Mystère, the critically acclaimed Las Vegas show at Treasure Island, as the outlet for this message.

This film features unreleased concert footage of Elvis Presley's afternoon performance at the 'Mississippi-Alabama Fair and Dairy Show' held at the Fairgrounds in Tupelo, Mississippi on September 26, 1956. The professionally filmed black and white newsreel footage was synchronized with an amateur audio recording of the concert that had previously appeared on the 'Elvis Presley: A Golden Celebration' LP/CD box set.

Elvis! Elvis! Elvis! Yes it's the King of Rock & Roll as never seen before in this collection of rare outtakes and negatives from the fabulous MGM vaults. "Elvis: The Lost Performances" includes footage which was filmed for "Elvis: That's the Way It Is" (1970) and "Elvis on Tour" (1972) but was never used in those films. Included are clips of Presley singing such hits as "Teddy Bear," "Heartbreak Hotel," "All Shook Up" and more.

Martin Scorsese’s electrifying concert documentary captures The Rolling Stones live at New York’s Beacon Theatre during their A Bigger Bang tour. Filmed over two nights in 2006 with an all-star team of cinematographers, the film combines dynamic performances with archival footage and rare glimpses behind the scenes, offering a vibrant portrait of the band’s enduring energy and legacy.

The Art of Self-Harm is an uncompromising and unflinching look at the art collective known as "White Gardenia". A group of artists who explore their cathartic expressions through acts of blood drinking, self-mutilation, and other forms of paraphilia. This documentary takes an in-depth look at this groups body of work, as well as conducts detailed interviews with group members to understand the inspirations and motivations behind the art that is "White Gardenia".

Performance conceived by Erich Wonder & Heiner Müller for the 300th anniversary of the Akademie der bildenden Künste in Vienna. The band, Einstürzende Neubauten, is located on a glass palace/stage on wheels (accompanied by the slavish trotting of huskies) which is slowly moving on the nightly ring road of Vienna.

Made in Japan is the remarkable story of Tomi Fujiyama, the first female Japanese country music star. From playing the USO circuit throughout Asia to headlining in Las Vegas and recording 7 albums for Columbia records, Tomi’s career culminates in a 1964 performance at The Grand Ole Opry where she followed Johnny Cash and received the only standing ovation of the night. Forty years later, Tomi and her husband set out on a journey through Japan and across the United States to fulfill a dream of performing at The Opry one more time. Made in Japan is a funny yet poignant multi-cultural journey through music, marriage, and the impact of the corporate world on the dreams of one woman.

Pajace

In a hypercompetitive world, drugs like Adderall offer students, athletes, coders and others a way to do more -- faster and better. But at what cost?

George Carlin's first ever comedy special, filmed live at the University of Southern California. Here, he talks about monopoly, flying on planes, random thoughts, walking, and other things.

Ninety-five-year-old Holocaust survivor Inge Ginsberg attempts to break out as a death metal singer by entering America's Got Talent.

Richard Rhodes, AKA Cookie MonStar, has been in the drag industry for 21 years. This Documentary follows the highs and lows of his successes and failures. It focuses on following your dreams, what it is to be a man and the pressures of life within the industry. This is an insight into the entertainment industry; shows you the underground and commercial drag scenes; asks you what it is to dream and inspires you to question yourself and your beliefs.

Artist Katinka Simonse, alias Tinkebell, is a controversial, very mediagenic phenomenon. In her universe there is no distinction between life, art and activism; Tinkebell is her own work of art. Everything she encounters on her life path can become part of her story. Filmmaker Judith de Leeuw was given access to all images about Tinkebell, including her entire private archive. She thus constructed an archive film about how as a human being, living on the ruins of the past, you can be a character in your own story. What is the price you can afford if you continue to believe at any cost?

Three young people visit three cities over three months as part of an ambitious and transformative art project that creates musical and performance pieces.

Conceptual-structural film by Branko Karabatić exploring media and television.

Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.