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Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorsese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.

Shoot Yourself

Elvis! Elvis! Elvis! Yes it's the King of Rock & Roll as never seen before in this collection of rare outtakes and negatives from the fabulous MGM vaults. "Elvis: The Lost Performances" includes footage which was filmed for "Elvis: That's the Way It Is" (1970) and "Elvis on Tour" (1972) but was never used in those films. Included are clips of Presley singing such hits as "Teddy Bear," "Heartbreak Hotel," "All Shook Up" and more.

Featuring performances by popular artists of the 1960s, this concert film highlights the music of the 1967 California festival. Although not all musicians who performed at the Monterey Pop Festival are on film, some of the notable acts include the Mamas and the Papas, Simon & Garfunkel, Jefferson Airplane, the Who, Otis Redding, and the Jimi Hendrix Experience. Hendrix's post-performance antics -- lighting a guitar on fire, breaking it and tossing a part into the audience -- are captured.

This film features unreleased concert footage of Elvis Presley's afternoon performance at the 'Mississippi-Alabama Fair and Dairy Show' held at the Fairgrounds in Tupelo, Mississippi on September 26, 1956. The professionally filmed black and white newsreel footage was synchronized with an amateur audio recording of the concert that had previously appeared on the 'Elvis Presley: A Golden Celebration' LP/CD box set.

In a hypercompetitive world, drugs like Adderall offer students, athletes, coders and others a way to do more -- faster and better. But at what cost?

Performance conceived by Erich Wonder & Heiner Müller for the 300th anniversary of the Akademie der bildenden Künste in Vienna. The band, Einstürzende Neubauten, is located on a glass palace/stage on wheels (accompanied by the slavish trotting of huskies) which is slowly moving on the nightly ring road of Vienna.

On November 30, 2017 the National Park Service and National Park Foundation will present the annual National Christmas Tree Lighting. Popular entertainers and a United States military band add to the celebratory evening.

Made in Japan is the remarkable story of Tomi Fujiyama, the first female Japanese country music star. From playing the USO circuit throughout Asia to headlining in Las Vegas and recording 7 albums for Columbia records, Tomi’s career culminates in a 1964 performance at The Grand Ole Opry where she followed Johnny Cash and received the only standing ovation of the night. Forty years later, Tomi and her husband set out on a journey through Japan and across the United States to fulfill a dream of performing at The Opry one more time. Made in Japan is a funny yet poignant multi-cultural journey through music, marriage, and the impact of the corporate world on the dreams of one woman.

George Carlin's first ever comedy special, filmed live at the University of Southern California. Here, he talks about monopoly, flying on planes, random thoughts, walking, and other things.

From his photo-text canvases in the 1960s to his video works in the 1970s to his installations in the 1980s, John Baldessari’s (b.1931) varied work has been seminal in the field of conceptual art. Integrating semiology and mass media imagery, he employed such strategies as appropriation, deconstruction, decontextualization, sequentiality, and text/image juxtaposition. With an ironic wit, Baldessari's work considers the gathering, sorting, and reorganizing of information. “Something that is part of my personality is seeing the world slightly askew. It’s a perceptual stance. The real world is absurd sometimes, so I don’t make a conscious attempt, but because I come at it in a certain way, it seems really strange,” Baldessari says in this interview with Nancy Bowen. A historical interview originally recorded in 1979 and re-edited in 2003 with support from the Lyn Blumenthal Memorial Fund.

Elvis In Concert is a posthumous 1977 TV special starring Elvis Presley. It was Elvis' third and final TV special, following Elvis (aka The '68 Comeback Special) and Aloha From Hawaii. It was filmed during Presley's final tour in the cities of Omaha, Nebraska, on June 19, 1977, and Rapid City, South Dakota, on June 21, 1977. It was shown on CBS on October 3, 1977, two months after Presley died. It is one of the few videos of Elvis which remain unlikely to ever be released for home viewing and is only available in bootleg form.

On May 19, 1997, Blaine's first television special, David Blaine: Street Magic aired on the ABC network. According to the New York Daily News, “Blaine can lay claim to his own brand of wizardry. The magic he offers in tonight’s show operates on an uncommonly personal level.” When asked about his performance style, David explained, “I'd like to bring magic back to the place it used to be 100 years ago.”'

The epic life of a world-class artist, jammed into six minutes.

For one historic evening, American music legends Earl Scruggs, Doc Watson, and Ricky Skaggs joined forces as The Three Pickers, to film a concert for public television. The music they made before a North Carolina audience is as relaxed as a front porch picking session. Informed by the skill and good humor of the three master musicians who contributed so much to the creation and evolution of bluegrass music. With special guest Alison Krauss.

Davina McCall chats to Ariana Grande in this musical extravaganza. Ariana performs songs from her latest album Sweetener and some of her biggest hits accompanied by her band and an all-female orchestra.

Druga linija aka The Other Line is a product of many years of research of neo-avant-garde cultural and art scene in Novi Sad, Serbia (late 60s and 70s), which has been marginalized until today. This artistic movement was directly connected not only with important art centers of the former Yugoslavia, but also with existing flows of world art during its brief and productive activities (7e Biennale de Paris, 19th Berlinale). The cultural and artistic emancipation of that time had implied individual freedom of expression and strong reaction to established boundaries. This avant-garde movement had become threat to communist establishment, the authors' work were sabotaged, the films were sealed off, five artists were taken to trial, two were sent in prison. How is it that the retrograde mechanism of shutting down and removing the most creative and representative progressive impulses of our surrounding is still so current to this day?

Conceptual visual artist Ján Mančuška died in 2011. However, in his short 39 years of existence, he managed to create a number of remarkable works, many of which have been exhibited in renowned galleries around the world – including the Centre Pompidou in Paris and MoMA in New York. In his homeland, however, his work reflecting everyday life, social reality or the meaning of language has never achieved comparable fame. Together with the children of an artist who was not afraid to confront the public with the question of the meaning of art, the director embarks on a journey that aims not only to get closer to Mančuška, but also to reveal him in hitherto unrecognised shades, thus filling in the gaps that are increasingly appearing in the context of the fading memory of his personality.

A group of brave and committed musicians take on an 80 year curse in an attempt to stage one of the longest, largest and most technically difficult symphonies ever composed.

Artist Katinka Simonse, alias Tinkebell, is a controversial, very mediagenic phenomenon. In her universe there is no distinction between life, art and activism; Tinkebell is her own work of art. Everything she encounters on her life path can become part of her story. Filmmaker Judith de Leeuw was given access to all images about Tinkebell, including her entire private archive. She thus constructed an archive film about how as a human being, living on the ruins of the past, you can be a character in your own story. What is the price you can afford if you continue to believe at any cost?