Rotterdam aan den Slag

This film deals with the atrocities of war as portrayed by a film student who spends some time working as a medic. One of the duties he performed was to carry amputated limbs to the cremation furnace. This is a film about the collective madness that engulfed Sarajevo. A one-armed boy is troubled because he can't make big, firm snowballs; a man who lost both legs demonstrates walking on his stumps... The film and the director's story help us understand the commotion and tumult that have occurred in the minds of Sarajevans.

Brest, 1950. The war ended five years ago and nothing remains of the city. Massive bombings and intense fighting lasting more than a month turned the city, its docks, its arsenal, into ashes. Thousands of workers will build it up again, brick by brick. But with awful work conditions protests quickly arise and a strike begins. Violent confrontations happen during manifestations. Until one man falls. The next day René Vautier lands at Brest clandestinely to make a movie about the movement.

Posing as West German journalists, East German documentary filmmakers Heynowski and Scheumann pay a visit to the notorious Nazi-turned-mercenary Siegfried “Kongo” Müller, pump him with booze, and get him to talk about his life and war campaigns in Africa.

After 52 years of armed conflict the FARC guerrillas are about to hand over their arms in exchange for political participation and social inclusion of the poor. Ernesto is one of them. The much celebrated Colombian peace agreement throws Ernesto and the polarised society around him into chaos in which everyone is afraid of the future and their own survival.

The Survivors of the WW2 Battle of Arnhem tell their stories of the brutal and exhausting conflict.

Artist Katinka Simonse, alias Tinkebell, is a controversial, very mediagenic phenomenon. In her universe there is no distinction between life, art and activism; Tinkebell is her own work of art. Everything she encounters on her life path can become part of her story. Filmmaker Judith de Leeuw was given access to all images about Tinkebell, including her entire private archive. She thus constructed an archive film about how as a human being, living on the ruins of the past, you can be a character in your own story. What is the price you can afford if you continue to believe at any cost?

Tilburg artist Tommy van der Loo searches for the influence of superiority thinking, racism and colour in his life. Van der Loo is an emerging artist and his work has been purchased by Boijmans van Beuningen in Rotterdam. He also had an exhibition at the Kunsthal. He also made the memorial for the abolition of slavery in Eindhoven. He has had multiple experiences with discrimination and incorporates that into his sculptures. Identity and image formation are important to him: How do you look at others, how do others look at you. The search is the inspiration for his new sculpture.

The film Crustaceans treats itself like an impressionist picture or a Japanese Haiku. Crustaceans is a matter of reflection on an instance in life with the social-economical crisis as a landscape. The heartbreak in times of crisis. The film was filmed as demonstrations in the streets against crisis and social welfare cuts took place. For two years, it filmed street demonstrations and incorporated actors in the social landscape. The result, is a film in which the collective and the intimate come together. Both the characters and the people in the street, like identical crustaceans, take to the street to express their shame and rage for what is happening and try to find a solution. A time of anxiety, uncertainty and protest that conforms the landscape in which the characters, such as crustaceans hide their wounds under their hard shell is seen.

2010 documentary film on the Armenian Genocide by the Young Turk government of the Ottoman Empire during World War I. It is based on eyewitness reports by European and American personnel stationed in the Near East at the time, Armenian survivors and other contemporary witnesses which are recited by modern German actors.

Documentary on the main principles of Sun Tsu "Art of War" illustrated with examples from the second world war, the Vietnam war and the American civil war.

It is an unknown chapter of the German post-war history: On April 23rd, 1949, the kingdom of the Netherlands occupied German soil as a pledge for demanded war reparations. Part of the annexed territories was also the small municipality of Elten. While the people of Elten were initially afraid of the occupation, the time “with Holland” actually became a miracle of prosperity and economy about which many people from Elten still rave today. The occupation period ended with the largest organized smuggling in the history of the federal republic of Germany. The Documentary shows this in never before released 8 mm footage!

February 8, 2024 will mark ten years since Els Borst was murdered. This documentary highlights the remarkable career and life of the former Minister of Health, based on conversations with people who knew her well. It shows Borst's personal side and her impressive contribution to Dutch society. In addition to the successful cases, what were they encountering? How did Borst deal with political opposition? What did this do to her personally? The documentary provides a tangible image of Els Borst as a politician and a person, with attention to her legacy and the tragic end of her life.

Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

A young man, who served as a peacekeeper in Bosnia and Herzegovina for a few months during the war, recounts his experiences. Throughout the film, we only see his face filmed in close-up, along with a few photos. The interview acts as a strong testimony to the failure of the international community in the Yugoslav crisis.

This episode from the Czech Journal series examines how a military spirit is slowly returning to our society. Attempts to renew military training or compulsory military service and in general to prepare the nation for the next big war go hand in hand with society’s fear of the Russians, the Muslims, or whatever other “enemies”. This observational flight over the machine gun nest of Czech militarism becomes a grotesque, unsettling military parade. It can be considered not only to be a message about how easily people allow themselves to be manipulated into a state of paranoia by the media, but also a warning against the possibility that extremism will become a part of the regular school curriculum.

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

The story of 600 men who protected and rescued civilians during the Rwandan genocide before helping to liberate their country in 1994.

This short-form documentary focuses on the true story of Alfons Heck, who as an impressionable 10-year-old boy became a high-ranking member of the Hitler youth movement during World War II. The story is told in his own words. This film originally aired as part of the "America Undercover" series on HBO.

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

The documentary that answers the question: is having month-long double paid vacations, no fear of homelessness, and universal health care the nightmare we've been warned about? The answer may surprise you.