This film narrates the story of a community on the coast of the Special Capital Region of Jakarta, experiencing the direct impact of land subsidence and global climate change that jeopardize their area. In an effort to face this crisis, they come up with a unique solution by using green mussels shells for raising the ground to prevent the disaster from engulfing their homes.
La Part des singes
A look at the everyday life of Tahitian natives.
Lotte (18) and Roos (16) are sisters and both have Usher syndrome. That means they will soon become deaf and blind. It is not known how fast that will go, but they already see and hear a lot worse than their peers. How do these two high-spirited girls deal with their development into adulthood, while the time bomb of deafness and blindness ticks inexorably? They are not deterred from getting the most out of life: Lotte is studying to become a photographer and Roos is passing her final exams. At the same time, they also want to do a few things before it is too late, such as seeing the Northern Lights with their own eyes. Director Kim Smeekes followed Lotte and Roos for the film for two years.
Documentary about the writer Thomas Verbogt and the creation of his latest work. The film shows how Verbogt takes a radical experience from his earliest childhood as the starting point for a novel. Drawn animations, combined with filmed scenes, depict how the writer's imagination sprouts from a literary character.
A documentary on the life of the people of the Aran Islands, who were believed to contain the essence of the ancient Irish life, represented by a pure uncorrupted peasant existence centred around the struggle between man and his hostile but magnificent surroundings. A blend of documentary and fictional narrative, the film captures the everyday trials of life on Ireland's unforgiving Aran Islands.
At a 2005 Carnival night, something mysterious happens at Porto Formoso bay, leaving the fishing boats wrecked. Fishermen decide to build bigger boats, but at the small village harbor it is impossible to deck them. They demand the construction of a new harbor, but many inhabitants are opposed due to a Castle ruins that lay there. If to some residents ruins look worthless, for others they are the village soul and future, as a lot of tourists would like to visit them...While the landscape transforms, we follow the Director voice through the story of the last seven years of this community.
21 Days, based on the story of six young fishermen who left Gros-Islet fishing village on a routine fishing expedition and simply vanished. The young men disappeared on February 15, 1985, after they set out on a fishing expedition.
Eight years ago director Daan Jongbloed stumbled upon an abandoned farm, which surprisingly was inhabited by 97-year-old farmer Peer. The peacefulness and sobriety in which Peer lives fascinated Daan tremendously. His view of Peer’s rural lifestyle is rather idyllic, but to Peer this is reality. Why does he live the way he does? Who is Peer and what’s troubling him? In an attempt to understand Peer and his perception of life Daan has followed him on and off for the past eight years. Peer cautiously reveals a glimpse of his lonely life and disturbing past.
A psychological quest for the motivation and character traits of goalkeepers: a young goalkeeper from Terschelling during his toughest game ever, the oldest goalkeeper in the Netherlands who keeps diving, a goalkeeper from the Eredivisie Women, and the former goalkeeper of the Syrian national team. Goalkeeper and football journalist Sjoerd Mossou teaches us that goalkeeper gloves can come out 'different' every time and commentator (and former goalkeeper) Leo Oldenburger explains why goalkeepers look so much like firefighters.
From the book by the same name by Ninni Ravazza, "Diario di Tonnara" tells the story of the towns, villages, communities and adventures that dictate the daily lives of the tuna fishermen in Italy.
Producer Oscar Holleman (Within Temptation an Krezip) instantly recognizes 21 year old Sharon Kovacs as a talented singer. Even comparing her voice to Amy Winehouse. The movie is a documentation of them recording during two very hectic years.
More than 40 years ago, Bas Jan Ader decided to go on an adventure. In a tiny sailing boat, the Dutchman set sail across the ocean. Nine months later the boat was found adrift at sea. There was no sign of Ader. It’s a story that has always fascinated filmmaker Martijn Blekendaal, not just because of the disappearance itself, but also because of the entire mystery that surrounds it. Blekendaal embarks on an investigation that follows his footsteps to Hollywood. It turns out that, in order to understand what drove this man to his fateful voyage, the filmmaker has to overcome his fear of looking beyond his own horizon. In a whirlwind montage of images jumping from one time, place and person to another, Blekendaal shows us that Bas Jan left behind something more special than just a mystery.
On the Magdalen Islands, during the short lobster season, fishermen and plant workers ensure the economic prosperity of an entire people. In the reality of a global market driven by the United States, the fragility of the fishing industry is palpable, as is the future of seafaring and island culture.
A documentary on the beauty of nature on Texel, especially highlighting the many birds on the island.
With spring, the first lapwing eggs appear. A short impression of the Friesian tradition of egg collecting.
The ruined harbor of Rotterdam obstructs the recovery of The Netherlands after the war. Rapidly and with borrowed strength the harbor takes its rightful place in the city of Rotterdam.
An experimental portrait of the North American commercial fishing industry through the lens of GoPro cameras placed on a fishing vessel off the coast of New England.
With Pete Smith providing dry off-screen commentary, we watch some serious fishing: a marlin caught near Catalina, a hammerhead shark caught then wrestled in a small rowboat near Baja, the largest (721 pounds) great white shark caught to date in California waters, Chinook Indians catching salmon at Celilo Falls in Oregon - each with his designated place on the river where his ancestors stood, and, last, a crew on a boat off Mexico hoisting and hurling tuna using unbarbed hooks (baited only with a feather) as fast as they can as long as the school is there - backbreaking work - but a $25,000 catch.
In this short film Bert Haanstra gives his vision - from the water – of a tranquil Holland. During filming he held the camera upside down and afterwards put the images ‘up right’ again in the film. By doing this, we see the ‘usual’ waterfront, but transformed by the rippling of the water. In this way Mirror of Holland became a modern looking experimental film. However this did not devalue the Dutch sentiment regarding waterfronts that are so trusted to so many.