Mad Jack

After moving to a new town, troublemaking teen Jim Stark is supposed to have a clean slate, although being the new kid in town brings its own problems. While searching for some stability, Stark forms a bond with a disturbed classmate, Plato, and falls for local girl Judy. However, Judy is the girlfriend of neighborhood tough, Buzz. When Buzz violently confronts Jim and challenges him to a drag race, the new kid's real troubles begin.

Historical evocation of Ludwig, king of Bavaria, from his crowning in 1864 until his death in 1886, as a romantic hero. Fan of Richard Wagner, betrayed by him, in love with his cousin Elisabeth of Austria, abandoned by her, tormented by his homosexuality, he will little by little slip towards madness.

Martin, a young blind photographer, is divided between his friendship with restaurant worker Andy and the exclusive love that Celia—who is terribly jealous of this new friendship—has for him.

Donnie Rose went to prison for beating a young man so brutally it left him handicapped for life. Nine years later, Donnie is out. He's a different man with only one place to go: back home to the same violent and racist neighborhood that created him. At the other end of town, the black community still wants revenge. The instrument of justice will be Ossie Paris, a devastatingly talented boxer who challenges Donnie to a match; a match Donnie's family and peers won't let him refuse. George Carvery has waited nine years to avenge his son's fate at the hands of Donnie. When finally they meet face to face, however, both realize they share a similar desire to overcome the past.

Tommy Riley has moved with his dad to Chicago from a 'nice place'. He keeps to himself, goes to school. However, after a street fight, he's noticed and quickly falls into the world of illegal underground boxing — where punches can kill.

An aspiring Jewish actor moves out of his parents' Brooklyn apartment to seek his fortune in the bohemian life of Greenwich Village in 1953.

In their spare time, after their studies or their work, children and adolescents between the ages of eight and sixteen meet at the School of Bullfighting in Madrid to learn the Art of Cúchares: Torear. In their stomachs there is no hunger as in the past, their dreams do not lie in having a farmhouse and being famous. Their only dreams are to be in front of a bull, animal with which death goes, fact of which they are fully aware, as their teachers continually remind them. These, retired bullfighters, some by age, others by force and all with their bodies full of scars produced by the horns of a bull. The nude bullfighting scene is fascinating without being exploitive, and it serves as an analogy for the vulnerability these young bullfighters have when in the ring with the bulls.

Ernest, Ted and August fulfill their friend Carl's dying wish and take him to Heidelberg, where they all first met 45 years ago, to see his old girlfriend one last time. However, the locals won't talk about her, due to a WW2 secret.

Australia, 1953. Thirteen-year-old Tom Allen attends a strict Catholic seminary for boys administered by De La Salle Brothers. The adolescent students and their adult instructors struggle deeply with sexual repression and religious doubt.

A romantic and nocturnal encounter between Arthus, a "masculine" young man and Marin, a drag-queen. Their discussion around gender and sexuality slowly leads them to understand and tame each other.

John McVicar was a London Bad Boy. he graduated to armed bank robbery and was Britain's "Public Enemy No. 1". He was captured and put into a high security prison. Will even the highest security prison be able to hold him? This is the true story of his life, his criminal exploits and his eventual rehabilitation.

Adrift in the lush, nocturnal urban landscape of THE GRAFFITI ARTIST, Nick (Ruben Bansie-Snellman) is a post-modern urban hero asserting his anarchistic agenda on the endless maze of virgin exterior walls that comprise downtown Seattle and Portland. For this iconoclastic young visionary, the vast wall surfaces of deserted alleys and train yards are at once a daunting symbol of capitalist oppression and a texturally rich, seamless tableau ripe for exploitation to amplify his artistic dialectic of anger and rebellion.

It's summer. Sébastien loves the singer Sheila. Lucia loves boys. As for Frédéric, all he wants to do is work on his tan.

Antoine is an accountant, uptight and withdrawn, married to Edith, who picks out his clothes and shoes. He's assigned to a fitness gymnasium for a month to straighten out their books. The owner, M. Roland, encourages Antoine to use the facilities, including the massages, so Antoine goes to Dominique, a muscular African. In these sessions, Antoine discovers that the pain is comforting, and Dominique finds the accountant ideal for his own sadism. When Dominique breaks Antoine's arm and then goes to the hospital to take Antoine away, Antoine confesses his fascination with and fear of death. With Dominique's help, the accountant breaks all earthly ties to confront his fear.

Wilfred Owen and Siegfried Sassoon, two of England's most important World War I poets are sent, along with other traumatized combatants, to a rest home in order to treat their emotional troubles, caused by the psychological fatigue that suffer the soldiers fighting in the no man's land.

In a desolate supermarket, a religious woman's peaceful evening is interrupted by the sudden arrival of three punks, who are running away from the police and hiding something much more valuable than money.

Devising a fantastic universe, in which ancient make-up and costumes share the screen with contemporary elements such as limousines, helicopters and mobile phones, 'Philosophy in the Boudoir' intends to blur the borders of realism and make the spectator get closer to timeless issues. The boudoir inside an industrial plant brings an aggressive aesthetics to the teachings and orgies. The takes are developed in different ways. The franzy of orgies has a fast editing, whilst philosophical moments are long sequence shots. By bringing to the contemporary world a 200-year-old romance, we intend to trigger questions about the real moral changes in Western society. It is also interesting to highlight Sade's feminism. His female heroes are independent women, masters of their own sexual drive. At last, due to the solid theatrical background of the artists, the film was inevitably contaminated by unusual procedures, contributing to new possibilities of exchange between arts.

Two brothers, Harry and Max, who are both teen idols, come to terms with their dysfunctional family past and deep affection for each other

Singer-songwriter Winslow Leach seeks revenge on the nefarious music producer Swan, who steals both Winslow's music and his favorite singer for the grand opening of Swan's new rock palace, the Paradise.

The film is a day in the life of a young artist, Jean-Michel Basquiat, who needs to raise money to reclaim the apartment from which he has been evicted. He wanders the downtown streets carrying a painting he hopes to sell, encountering friends, whose lives (and performances) we peek into.