Fox, Hare and Rooster

Shirshendu Mukhopadhyay's famous tale of 3 generations of women & their changing position in society,seen in relation to a box of jewels, handed down from one generation to the next. A film by Aparna Sen.

Wicket the Ewok and his friends agree to help two shipwrecked human children, Mace and Cindel, on a quest to find their parents.

When the neighborhood's beloved dogs are stolen by a comic book-inspired villain with an evil plan, it is up to eight brave and adventurous kids to set out on a mission to rescue their furry friends.

The Steadfast Tin Soldier, Hans Christian Andersen's tale of heroic love and perseverance, comes to life in this adaptation set to music and dance. The tin soldier, separated from his beloved paper ballerina and thrust into a dangerous world filled with goblins and rats, must fight for his freedom against overwhelming odds.

In 1970s Iran, Marjane 'Marji' Statrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.

To the toccata portion of Bach's "Toccata and fugue in D minor," we watch a play of sorts. Blue smoke forms a background; a grid of black lines is the foreground. Behind the lines, a triangle appears, then patterns of multiple triangles. Their movements reflect the music's rhythm. Behind the barrier of the black lines, the triangle moves, jumps, and takes on multiple shapes. In contrast with the blue and the black, the triangles are warm: orange, red, yellow. The black lines bend, swirl into a vortex, then disappear. The triangle pulsates and a set of many of them rises.

Parabola is a celebration of film’s ability to create new ways of seeing the forms around us. Creating juxtapositions between light/shadow, stasis/motion, and form/music, this black-and-white short invites us to see the parabolic curve, or “nature’s poetry,” as both invigorating and beguiling.

A hen's chicks hatch, but one of them is actually an ostrich. She treats it as her own, but the ostrich keeps getting into trouble.

On the east coast of New Zealand, the Whangara people believe their presence there dates back a thousand years or more to a single ancestor, Paikea, who escaped death when his canoe capsized by riding to shore on the back of a whale. From then on, Whangara chiefs, always the first-born, always male, have been considered Paikea's direct descendants. Pai, an 11-year-old girl in a patriarchal New Zealand tribe, believes she is destined to be the new chief. But her grandfather Koro is bound by tradition to pick a male leader. Pai loves Koro more than anyone in the world, but she must fight him and a thousand years of tradition to fulfill her destiny.

On their way home by bike through a deserted industrial area, a mother and her son starts to talk about what happened when our dream of eternal economic growth collided with the peak, and following decline in global oil production. In a sad but quite plausible picture of the near future, our children make us accountable for today's irresponsible way of living.

Ronia lives happily in her father's castle until she comes across a new playmate, Birk, in the nearby dark forest. The two explore the wilderness, braving dangerous Witchbirds and Rump-Gnomes. But when their families find out Birk and Ronia have been playing together, they forbid them to see each other again. Indeed, their fathers are competing robber chieftains and bitter enemies. Now the two spunky children must try to tear down the barriers that have kept their families apart for so long.

A long time ago in the world of Fairy tales, there was a little boy who lived in a country where quarrels, fights, rage and anger were forbidden, and knight were not needed any more. The little boy was sorry about this because he wanted to become a noble knight. He travels to three different countries where he gets books, cakes and a ride on a roundabout. But nobody can teach him how to fight. Suddenly, in the middle of the forrest, he faces a huge dragon. He wins the fight, and when he comes home, the king's personal physician has seized power, and nobody dares to protest. However, the little knight does, and he wins the fight agains the physician, marries the princess and lives happily ever after.

It's midnight in a graveyard. The principal characters are spooks, ghosts, bats, bells, and, at the end, the sun. As midnight strikes, 12 spooks appear, then two ghosts. They move to the music's rhythm. Against the black night, they are blue and yellow. Bats appear as does a xylophone of bones. Mist rises, spooks swirl. A bell tolls. The sky turns light blue, the ghosts' dance slows. Then black night returns bringing intimations of frenzy. Bones play snare drums; spooks peek out of square graves. Scary faces appear. Frenetic movement takes over. A rooster crows and all return to earth as the sun's light appears.

A silly prince wants to marry a beautiful peasant girl. His guards kidnap her, but the girl escapes and returns to her beloved. Meanwhile, a UFO lands in the kingdom and the aliens witness nuisances, court intrigues, and lies. They are not allowed to meddle in other people's affairs, but they still influence the happy ending.

In WWII Czechoslovakia, an old toymaker incorporates secret messages in his models to fool the Germans. They find him out and he flees. As the Gestapo officer hunts around he is attacked by the toys, who send him packing. Live action and stop motion short by Hermína Týrlová.

A personal interpretation of Norwegian history - starring a grandmother who during the Second World War loses her job ironing the King's shirts. Instead she gains access to the enemy's uniforms, and inspires her own brand of resistance fighters, the "Shirt Guerillas".

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