African Diary

The film follows the story of Jamie, a struggling butch lesbian actress who gets cast as a man in a film. The main plot is a romantic comedy between Jamie's male alter-ego, "Male Jamie," and Jill, a heterosexual woman on set. The film's subplots include Jamie's bisexual roommate Lola and her cat actor Howard, Lola's abrasive butch German girlfriend Andi, and Jamie's gay Asian friend David.

With Olin's 85-year-old father as guide, we experience Norway's most adventurous valley, Oldedalen in Nordfjord. He grew up here, and here generations before him have lived in balance with nature.

Seen through the eyes of the filmmaker, a child of concentration camp survivors, this program explores the impact of the Holocaust on a generation of Jews and Germans born after World War II. Includes interviews in Canada, Israel, and Germany with the children of survivors, with young neo-Nazis, and with the children of former Nazis.

During his five decades as an artist, Carl Johan De Geer has playfully leaped between genres and art forms such as painting, children's television and literature. All of it with a powerful political commitment and a large measure of absurdism. In CJDG, we follow his work on exhibitions in New York as well as Stockholm.

A creative image of an underwater search in the dimensions of two worlds-ice desert and under water-told from the point of view of the rescue team, of the diver, and of the ordinary people waiting on the shore.

Adorned in pink sequins, little girls from all over a divided, war-torn Ukraine audition to play the role of a national hero whose tears of joy once united their troubled country, the gold-winning figure skater Oksana Baiul.

Each night in Silicon Valley, the Line 22 transforms from a public city bus into an unofficial shelter for the homeless in one of the richest parts of the world.

Teens from the 'untouchable' caste study to take India's national exams.

A dream that was "left over" from Gently Down the Stream. Like many dreams, it transformed the familiar world into something more disturbing, contradictory and amoral.

A documentary film directed by French Agnès Varda as an extension of the exhibition 'L'île et elle'. The installation 'Les veuves de Noirmoutier' (or 'The Widows of Noirmoutier') had various women filmed by Varda, young and old, who spoke about their widowhood and their residence on the island of Noirmoutier. The film is a montage of these meetings, which are both simple and melancholic.

"Hermann mein Vater" is a companion piece by director Helma Sanders-Brahms to her 1980 film "Germany Pale Mother". The latter work was focused on the impact of war on a German family. This made-for-tv documentary follows Sanders-Brahms and her father Hermann on a trip to Normandy, where he was stationed as a soldier in 1940-41.

When an unidentified hiker is found deceased in the Florida wilderness, authorities release a sketch. Multiple hikers call in claiming to have met the man. There's only one problem – he never told them his name. It would take two years, thousands of devoted internet sleuths, and a miracle of science to identify him, and that's when the trouble really starts.

Sailing a Sinking Sea is a feature-length experimental documentary exploring the culture of the Moken people of Burma and Thailand. The Moken are seafaring people and one of the smallest ethnic minority groups in Asia. Wholly reliant upon the sea, their entire belief system, education, and economic and physical development revolve around water. Sailing a Sinking Sea illuminates the Moken lifestyle through recorded traditional music, folklore and conversations with the Moken people. Through intimate and dynamic cinematography and audio recordings, Sailing a Sinking Sea weaves a visual and aural tapestry of Moken mythologies and present-day practices.

Interweaving stories of Western collectors, Muslim traders, African artists and intellectuals, and the filmmakers themselves, the film focuses on a remarkable art dealer from Niger named Gabai Barre. It follows him all the way from the rural Ivory Coast to East Hampton, Long Island, where he bargains for a sale. The film shows how (through occasionally hilarious and frequently fantastic tales about the art objects) he adds economic value and changes the "meaning" of what he sells by interpreting and mediating between the cultural values of African producers and Western consumers.

In 2012, jihadists took control of northern Mali. They imposed one of the strictest interpretations of sharia law in history. On August 12th they banned music - radio stations destroyed, instruments burned and musicians facing torture, even death. Overnight, Mali’s most revered members of society – the musicians – were forced into hiding or exile. This film follows Mali’s musicians as they fight to keep music alive in their country. We witness fierce battles between the army and the jihadists, capture life over borders at refugee camps where money and hope are scarce, follow perilous journeys home to war ravaged cities, and for one band, Songhoy Blues, their path to international stardom.

Adopted from South Korea, raised on different continents & connected through social media, Samantha & Anaïs believe that they are twin sisters separated at birth.

A WOMAN LIKE ME is a hybrid documentary that interweaves the real story of director Alex Sichel, diagnosed with metastatic breast cancer in 2011, with the fictional story of Anna Seashell, who struggles to find the glass half full when faced with the same diagnosis. The film follows Alex as she uses her craft to explore what is foremost on her mind while confronting a terminal disease: parenting, marriage, faith, life, and death. When we are stuck between a rock and hard place, can our imagination get us out?

When the Taliban ruled Afghanistan, taking a photo was a crime. After the regime fell from power in 2001, a fledgling free press emerged and a photography revolution was born. Now, as foreign troops and media withdraw, Afghanistan is left to stand on its own and so are its journalists. Set in a modern Afghanistan bursting with color and character, FRAME BY FRAME follows four Afghan photojournalists navigating a dangerous media landscape as they reframe Afghanistan for the world, and for themselves. Through cinema vérité, powerful photojournalism, and never-before-seen footage shot in secret during the Taliban regime, the film connects an audience with four humans in the pursuit of the truth.

Sparked by a public display of sexual harassment in 2012, GTFO pries open the video game world to explore a 20 billion dollar industry riddled with discrimination and misogyny. Every year, the gaming community grows increasingly diverse. This has led to a clash of values and women are receiving the brunt of the consequences every day, with acts of harassment ranging from name calling to death threats. Through interviews with video game creators, journalists, and academics, GTFO paints a complex picture of the video game industry, while revealing the systemic and human motivations behind acts of harassment. GTFO begins the conversation that will shape the future of the video game world.

"Roots" tells six very personal stories - a first, big love, the loss of a child, ageing, infidelity, fragile relationships with close ones. Six different views on what our family and environment has left in us and what we leave behind.