Chasing Death

The Driver is carrying an Asian child who has been chosen for a strange ritual. He must drive him through a dark night in the city to get to a monk's house, while eluding several American cars out to get the child.

A mysterious thief has stolen the prosperous Happy Valley's most prized possession: the musical Singing Harp. Can Mickey, Donald, and Goofy find the answer in the irritable Willie the Giant's magnificent castle up in the blue sky?

Wade in the Water

This is one of the four "animated comics" taking place in the same universe as the film "I Am Legend". ADX Florence, Colorado, USA, is the most secure prison facility in the United States. During the early stages of the Krippin Virus Pandemic, John Edward Lord, an imprisoned terrorist is deliberately left behind at the prison to die, with no information on the outbreak.

This is one of the four "animated comics" taking place in the same universe as the film "I Am Legend". In New Delhi, India, during the Krippin Virus Pandemic, Vatsala and her family are preparing to evacuate to a shelter. That night, Vatsala sneaks out of her home and into the chaotic streets of the city to find her boyfriend, Pritam.

The Driver is hired by the FBI to help defuse a hostage situation. A disgruntled employee has kidnapped a CEO and has hidden her, demanding $5,088,042. The Driver delivers the money, writing the sum on his hand as instructed by the hostage taker. After he is told that he holds the life of a person in his hand, he is ordered to burn the money. As he complies, the federal agents break in and attempt to subdue the man, who shoots himself in the head before he reveals where the woman is hidden. The Driver then tries to find the hostage before she drowns in the trunk of a sinking car. As a twist, the kidnapped woman is revealed to be the hostage taker's lover. She coldly taunts the dying man in the hospital.

The Driver is drafted by the UN to rescue a wounded war photographer named Harvey Jacobs from out of hostile territory. While they are leaving Jacobs tells the Driver about the horrors he saw as a photographer, but he regrets his inability to help war victims. Jacobs answers the driver curiosity about why he is a photographer by saying how his mother taught him to see. He gives the Driver the film needed for a New York Times story and also his dog tags to give to his mother. When they reach the border, they are confronted by a guard who begins to draw arms as Jacobs begins taking pictures, trying to get himself killed. The Driver drives through a hail of gunfire to the border, but finds Jacobs killed by a bullet through the seat. The Driver arrives in America to visit Jacobs' mother and share the news of him winning the Pulitzer prize and hand over the dog tags, only to discover that she is blind.

The Driver drives a wounded diplomat, who carries a mysterious briefcase, while under helicopter attack. During the attack the briefcase is struck by a bullet, causing a display on it to begin counting down, and it to leak an unknown fluid from the bullet hole. The Driver manages to destroy his pursuers, but refuses to proceed without knowing the contents of the damaged briefcase. It is revealed that the diplomat guards a human heart for a peacekeeper, whose life is needed for the continued freedom of the people. The case is delivered, and the tyrant is forced to give up his attempt to take the country by force. The Driver leaves for another mission.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

After his mom's funeral, a boy encounters the odd girl next door, who insists they journey through space to find a planet for departed souls.

When you've given everything, what do you have left? After achieving his dream summit, an elite climber finds himself empty. Broken and untethered, he searches for a fulfillment more lasting than a faraway peak.

Twelve year old Ben discovers the effects of violence when he visits his Uncle Jake.

On a ranch somewhere in the Midwest, Renee takes a stand against fear, uncertainty, doubt and evil itself. But does she have the strength to bring back the power of love to a brutal and unforgiving world?

A young mortician learns that not even death can stand in the way of true love. A whimsical, gothic bedtime story filled with love, loss, taxidermy, Kung Fu, and biker werewolves.

The Living Playing Cards

A woodsman leaves a hut followed by a woman with their baby. Nearby some men chop down a tree. The baby is left outside the hut, but an eagle flies away with it.

Porter's sequential continuity editing links several shots to form a narrative of firemen responding to a house fire. They leave the station with their horse drawn pumper, arrive on the scene, and effect the safe rescue of a woman from the burning house. But wait, she tells them of her child yet asleep in the burning bedroom...

A lonely woman with an overwhelming obsession of masturbation must extricate herself from what consumes her every moment.

Lord Trevor and his ward, Nan, uncover a mysterious threat in Egypt. Disguised in Cairo, Nan infiltrates a deadly conspiracy targeting the English and must act swiftly to stop it before disaster strikes.

Montéquio Cebolinha and Julieta Monicapuleto find themselves in a passionate love affair, but unfortunately, their families vehemently oppose their relationship. Amagali and Friar Lourenço Cascão, ever the allies, come to the aid of the young couple, determined to support them through the challenges. However, just when they thought things couldn't get more complicated, Prince Xaveco of Verona unexpectedly enters the picture, adding another layer of complexity to the already tangled situation.