A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.
Television adaptation/registration of the theatre program by the Dutch children's theatregroup RoTheater. The play is a comical adaptation of the fairytale of Puss in Boots.
Buster and his new cast now have their sights set on debuting a new show at the Crystal Tower Theater in glamorous Redshore City. But with no connections, he and his singers must sneak into the Crystal Entertainment offices, run by the ruthless wolf mogul Jimmy Crystal, where the gang pitches the ridiculous idea of casting the lion rock legend Clay Calloway in their show. Buster must embark on a quest to find the now-isolated Clay and persuade him to return to the stage.
Mélanie Prouvost, a ten-year-old butcher's daughter, is a gifted pianist. That is why she and her parents decide that she sit for the Conservatory entrance exam. Although Mélanie is very likely to be admitted, she unfortunately gets distracted by the president of the jury's offhand attitude and she fails. Ten years later, Mélanie becomes her page turner, waiting patiently for her revenge.
A look at the entire process of creating and developing Patrice Chéreau’s third staging of "In the Solitude of Cotton Fields" by Bernard Marie Koltès with Pascal Greggory and Chéreau himself. From the first reading around the table through the first contact with the performance space, rehearsals and lighting to opening night, the entire creative process unfurls in front of our eyes. The film shows us the evolving and ongoing dialogue between Greggory and Chéreau, a dialogue full of crises and magical moments of harmony and insight via which the truth, intensity, complexity, mystery and depth of Koltès’ text gradually emerge to form an implicit bond between these two men. The film also shows Chéreau directing rehearsals for Mozart’s "Don Giovanni" in Salzburg, revealing both the unity of and profound differences between his opera and theater work.
From Paris to Venice to Broadway to Hollywood, the lives of Cole Porter and his wife, Linda Lee Thomas were never less than glamorous and wildly unconventional. And though Cole's thirst for life strained their marriage, Linda never stopped being his muse, inspiring some of the greatest songs of the twentieth century.
A comedy musical stage version of the Phantom of the Opera, filmed live on-stage during a performance in Florida.
An usherette in a theatre, where a distinguished and popular actor performs, gets her big break when the leading actress has an accident. The director decides to take advantage of the heretofore unexploited talent of the girl and asks her to replace the leading actress. This unexpected opportunity transforms her from a humble usherette into a shining star. Later on, she wins the heart of the leading actor with whom she was secretly in love. However, her sudden rise to theatrical-musical stardom creates complications in their love affair, as her companion sinks into disappointment and drowns himself in drink, abandoning his career. Nevertheless, the usherette/leading actress doesn't give up; She looks for him, finds him and supports him, psychologically and morally, until he makes a comeback to the stage and their love nest.
Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorsese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.
A popular high school athlete and an academically gifted girl get roles in the school musical and develop a friendship that threatens East High's social order.
The golden age of the annual Tony Awards ceremony lasted from 1967 to 1986 — the period during which Alexander H. Cohen and his wife, Hildy Parks, were the producers of the show. This film offers a compilation of performances from Tony Award broadcasts during those years. They are presented with color-corrected footage and digitally re-mastered sound.
This was the first of two one-hour musical specials which were part of CBS' 1968 multi-million-dollar contract with Doris Day's production company, a contract that Day insists to this day was negotiated by her husband and manager Martin Melcher without her knowledge. When Melcher died suddenly in April 1968, Day chose to go ahead and honour the contract, appearing in both specials as well as starring in her eponymous sitcom for five seasons, from 1968-1973.
On the evening of August 12, 1978, Waylon Jennings and The Waylons performed on the concert stage of the Grand Ole Opry in Nashville, Tennessee. The master recordings of this concert were never released and had been locked in the vaults of RCA Records, long forgotten since 1978. The songs embodied in this performance capture Waylon Jennings and his band at the height of the country music "Outlaw" period, ample evidence of the extraordinary and individualistic writing and singing talents of Waylon Jennings. Now presented for the first time in its entirety, exactly as it was recorded on August 12, 1978.
Broadcast live on the Hallmark Hall of Fame series on NBC, a pair of divorced actors are brought together to participate in a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play, and they must work together when mistaken identities get them mixed up with the mafia.
Featuring performances by popular artists of the 1960s, this concert film highlights the music of the 1967 California festival. Although not all musicians who performed at the Monterey Pop Festival are on film, some of the notable acts include the Mamas and the Papas, Simon & Garfunkel, Jefferson Airplane, the Who, Otis Redding, and the Jimi Hendrix Experience. Hendrix's post-performance antics -- lighting a guitar on fire, breaking it and tossing a part into the audience -- are captured.
Guns, God and Government is a concert film chronicling the band Marilyn Manson during their Guns, God and Government tour. It was released on October 29, 2002 on the formats VHS, DVD and UMD. The DVD contains live tracks and performances that switch between visuals of various shows from United States, Japan, Russia, and Europe while maintaining a single consistent music track.
A young soldier on a pass in New York City visits the famed Stage Door Canteen, where famous stars of the theater and films appear and host a recreational center for servicemen during the war. The soldier meets a pretty young hostess and they enjoy the many entertainers and a growing romance
Richard Rhodes, AKA Cookie MonStar, has been in the drag industry for 21 years. This Documentary follows the highs and lows of his successes and failures. It focuses on following your dreams, what it is to be a man and the pressures of life within the industry. This is an insight into the entertainment industry; shows you the underground and commercial drag scenes; asks you what it is to dream and inspires you to question yourself and your beliefs.
Two sisters (Riya) and (Skina), start a gang to kidnap rich women with the help of Riya's husband. Skina, in an effort to avoid suspicion, try to marry a policeman who is not aware of the sisters' criminal activity.
He hasn't had a new Broadway show since 1983's La Cage Aux Folles, but composer Jerry Herman has become ubiquitous on the concert, tribute and benefit scene, as evidenced by a video release of "Jerry Herman's Broadway - at the Hollywood Bowl." The star-studded event celebrating Herman's 30-plus-year career includes performances by Carol Channing, Leslie Uggams, Lorna Luft and Lee Roy Reams all together on "Hello, Dolly!"; George Hearn singing "Movies Were Movies" (Mack And Mabel); Davis Gaines crooning "Song On The Sand" and "I Am What I Am" (La Cage Aux Folles); Rita Moreno advising "Tap Your Troubles Away" (Mack And Mabel); and Beatrice Arthur pointing out "The Man In The Moon" (also from Mame). There is also special taped greetings from Angela Lansbury and Paul & Linda McCartney.