Out of the Mold

In Ger(wo)many, when an army of radical females is preparing for a final revolution and a utopian world without men, a young male soldier arrives seeking refuge at the convent.

After breaking up with her girlfriend, a nightclub singer, Jane, answers a personal ad from Robin, a real estate agent with AIDS, seeking a cross-country travel partner. On their journey from New York City to Los Angeles, the two stop by Pittsburgh to pick up Jane's friend Holly, who is trying to escape an abusive relationship. With three distinct personalities, the women must overcome their differences to help one another.

Corky, a tough female ex-convict working on an apartment renovation in a Chicago building, meets a couple living next door, Caesar, a paranoid mobster, and Violet, his seductive girlfriend, who is immediately attracted to her.

A sensitive girl is sent to an all-girls boarding school and develops a romantic attachment to one of her teachers.

Elephants Dream is the story of two strange characters exploring a capricious and seemingly infinite machine. The elder, Proog, acts as a tour-guide and protector, happily showing off the sights and dangers of the machine to his initially curious but increasingly skeptical protege Emo. As their journey unfolds we discover signs that the machine is not all Proog thinks it is, and his guiding takes on a more desperate aspect. Elephants Dream is a story about communication and fiction, made purposefully open-ended as the world’s first 3D animated “Open movie”. The film itself is released under the Creative Commons license, along with the entirety of the production files used to make it (roughly 7 Gigabytes of data). The software used to make the movie is the free/open source animation suite Blender along with other open source software, thus allowing the movie to be remade, remixed and re-purposed with only a computer and the data on the DVD or download.

Mitch is grounded. She's a realist, a thrifter, an adventurer. Sedona is cool. She's a singer, an artist, a radical. When the two meet at a party, they almost instantly fall in love. But how far can they get on love alone?

A young woman’s quest for revenge against the people who kidnapped and tortured her as a child leads her and her best friend, also a victim of child abuse, on a terrifying journey into a living hell of depravity.

Colour Poetry explores the journey of two lovers—Red, chaotic and anxious, and Blue, calm and structured—their characters being constructed through the lens of their emotional and mental states. As they navigate the complexities of a long-distance relationship, their interactions subtly transform their identities. While Red finds solace and stability in love, Blue begins to feel suffocated and reluctant to change. Their inevitable reunion forces them to confront an uncomfortable truth: growth isn’t always shared, and love doesn’t always mean staying together. As they move toward a seemingly unbreakable bond of their union, they must confront the reality that not all transformations are mutual.

A young woman who comes from a conservative village must choose between living a lie to stay the perfect Zulu daughter, or risk her life for true love. Nosipho has a secret. She is a loving daughter held up as an example in her community, with a domineering father who has chosen a potential husband for her. But her soulmate and one true love is a woman.

Once a man has sex and releases semen, that's it. However, a woman can enjoy pleasure over and over again while being held by a man. Mineko, the owner of a boutique, likes lesbians more than men. She invited her girlfriend Aiko, a female student she met in the downtown area, to her home and caressed her. Her Aiko was a virgin. Her Mineko has a patron named Yuji, her rich son. However, Mineko has been avoiding him lately. When he learns that Mineko is into lesbian love with her girlfriend Aiko, he follows them into a love hotel and enters their room... This work, directed by Jurumi from a screenplay she wrote herself, is a sensational story depicting the mysterious caresses of women and the insane lust of men. Yumiko Kamishiro, Yumika Hayashi, Yumi Hama, Ai Kawai, and Masayuki Kinoshita are competing.

I (Ken MItsuishi), documentary video maker, saw a guy named YUDA (Kazuma Honda) in middle of Tokyo. I was curious about Yuda and begun following him around, but one day he disappeared with my video camera. A couple months later, a lady name Michi Nakamura (Yukiko Okamoto) came to my office. She had the strap of my video camera that Yuda stole from me, and said she saw the address that was on the strap, so she came here. I asked her about Yuda, and she told me that he was dead. Right after she left my office, she was hit by a car, I visited her in hospital and she begins to tell me about the mysterious story of her and Yuda.

Val Garcia, a Mexican-American teen who is half human/half vampire, has had to keep her identity a secret from both worlds. But when her human best friend shows up at her monster-infested school, she has to confront her truth, her identity, and herself.

Overwhelmed by grief following the death of his wife, Donnelly shares a train carriage home with a troubled young man identified only as the 'Kid'. As the Kid becomes more agitated and foul-mouthed, the journey takes on a violent and dangerous hue – for the bereaved Donnelly and for other hapless passengers on the train. Academy Award Winner: Best Live Action Short Film – 2005

When a small town single mom falls for her ex-husband's beautiful and sophisticated wedding planner, she'll need some Christmas magic to fix the chaos that ensues.

Five hot sexy young big-breasted chicks are raped, abused, tortured, and killed (?) by an evil jive-ass talking doll possessed by the spirit of an executed black militant death row inmate. Who will survive...

A man awakes to find himself trapped in a dirty, confined crawlspace. He barely has enough room to move. He also has no memory of why he's there, or why he's bleeding from a stomach wound. Apparently drugged, he occasionally 'zones out' of his surroundings as he tries to edge towards his way to freedom. But the more he explores, the more pain he has to endure, and the more frightening his predicament becomes.

Boston is being terrorized by a series of seemingly random murders of women. Based on the true story, the film follows the investigators path through several leads before introducing the Strangler as a character. It is seen almost exclusively from the point of view of the investigators who have very few clues to build a case upon.

Maddie was raped in high school at a party, but no one believed her when she reported it, causing her to become a social outcast, and crushing her dreams. Ten years later, as she tries to rebuild her life, she takes a job as a tutor to a wealthy family where, she meets Laurel, the family's nanny. The two become instant and close friends, too close according to her long time friends, Paige and James. They worry Laurel may have alternative motives and try to protect Maddie. Maddie is forced to decide between who she trusts more, Laurel or Paige and James.

A college girl must navigate her unspoken feelings for her best friend — and race to protect her — when a drunken night spirals out of control.

Elisabeth leaves her abusive and drunken husband Rolf, and goes to live with her brother, Göran. The year is 1975 and Göran lives in a commune called Together. Living in this leftist commune Elisabeth learns that the world can be viewed from different perspectives.