A doctor must remove a parasite infestation from within a patient's breast.
One of the two earliest horror films ever made. This film is presumed lost.
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
As a practical joke, an actor impersonates the screen monster he made famous. A lost film.
A sinister montage intimates the hellish void facing a man emptying bottles by the river. Sandy Fisher’s densely reverberating electronic score provides strong support for Lloyd Williams’ cultic collage of skulls, chess boards and fire.
A hobo takes revenge to a miller who didn't give him something to eat.
A knight returns home from the Crusades to find his village devastated by disease and his family gone. He roams the forest searching for them, until he finds a mysterious maiden who is being held prisoner by a black knight. In order to free her, he must confront her captor.
A green-skinned demon places a woman and two courtiers into a flaming cauldron.
Directed by J. Stuart Blackton.
It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.
An alcohol/drug abuser re-examines his life until he nearly dies from an overdose. Then a friend convinces him to join a self-help group which turns out to be demonic.
A man listening to Rachmoninoff's 'Prelude' dreams he is the victim of premature burial.
With a suitcase in hand, a son arrives to visit his elderly mother.
Camila broke up with her boyfriend recently. She's been going out and spending time with her girlfriends and her dog.
Fisnik is about to embark on a absurd journey in creating a fake weeding video, to get the German visa. He has to succeed in convincing his family, friends, and his ex to join him in this crazy journey.
Guillaume is getting ready to meet his wife in the maternity ward where she has just given birth. But an unexpected phone call plunges him back into bitter childhood memories: his father, whom he has not seen for years, wants nothing more than to see his daughter-in-law and the newborn child.
After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.
The film tells the story of a man and woman who don't know each other. After being matched by a matchmaker, after going through a series of red tape, they were sent to the bridal chamber and began a difficult life as a couple. Despite the primitive shooting methods and lack of training of the actors, the film has a very important place in the history of Chinese film. The film has now been lost.
Mairy, a thirty-year-old woman from Philippines, works in a village in Cyprus. She takes care of Mr. Michalis, an eigthy-five-year-old man with arteriosclerosis. Mr. Michalis spends his days in front of the television, watching time and again a soap opera with a heroine named Anna. He soon becomes obsessed with this heroine, to the point of calling Mairy 'Anna', despite the remarks of his daughter Melpo. When Mairy finds some old photographs she makes an important discovery...
During a game of hide and seek, a new bride hides in a chest and remains undiscovered until a strange visitation thirty years later.