666 sq ft

A Materialaktion (an art performance/happening in which objects are used to create an art piece) by Viennese Aktionist Otto Muehl. The setting is a solemn Christmas celebration.

On a quiet night, a young couple find themselves caught up in a nightmarish ordeal after they witness a murderer disposing of a body in this claustrophobic thriller.

A doctor must remove a parasite infestation from within a patient's breast.

One of the two earliest horror films ever made. This film is presumed lost.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

Simon is a little boy that has to deal with his babysitter, Sonia, a total nuisance. But that same night Simon will receive and unexpected visitor, Timothy, the main character of Simon's favourite show, a visit he will never forget.

A knight returns home from the Crusades to find his village devastated by disease and his family gone. He roams the forest searching for them, until he finds a mysterious maiden who is being held prisoner by a black knight. In order to free her, he must confront her captor.

This is a film about a man without a face. His arms and legs, bound with ropes, the disabled man is still without even a shudder in a white room. A series of unusual scenes in this room expresses what lies between memories, nightmares, and violent images.

During a game of hide and seek, a new bride hides in a chest and remains undiscovered until a strange visitation thirty years later.

A green-skinned demon places a woman and two courtiers into a flaming cauldron.

This is one of the four "animated comics" taking place in the same universe as the film "I Am Legend". In the early stages of the KV Pandemic, a refugee camp has been opened somewhere in central America, and is taking in patients infected with Krippin Virus for treatment. As a young boy and girl watch from the outskirts of the camp, a military convoy arrives.

This is one of the four "animated comics" taking place in the same universe as the film "I Am Legend". In New Delhi, India, during the Krippin Virus Pandemic, Vatsala and her family are preparing to evacuate to a shelter. That night, Vatsala sneaks out of her home and into the chaotic streets of the city to find her boyfriend, Pritam.

A man awakes to find himself trapped in a dirty, confined crawlspace. He barely has enough room to move. He also has no memory of why he's there, or why he's bleeding from a stomach wound. Apparently drugged, he occasionally 'zones out' of his surroundings as he tries to edge towards his way to freedom. But the more he explores, the more pain he has to endure, and the more frightening his predicament becomes.

Theo and Jacob were just after a good night of Drugs, Alcohol and perhaps some lovin. They ended up with much more than they anticipated. This short film was actually filmed in 2005 but has just got a release though imdb and youtube.

This is one of the four "animated comics" taking place in the same universe as the film "I Am Legend". ADX Florence, Colorado, USA, is the most secure prison facility in the United States. During the early stages of the Krippin Virus Pandemic, John Edward Lord, an imprisoned terrorist is deliberately left behind at the prison to die, with no information on the outbreak.

A man is trapped in a sinister flat, where nothing seems to obey the laws of nature.

A group of people is having a barbecue party when two Krishnas appear at their doorstep, both of which transform into hideous monsters and start killing everybody in gory ways. The survivors retreat to a friend's house and realize something bigger is going on...

As a practical joke, an actor impersonates the screen monster he made famous. A lost film.

A sinister montage intimates the hellish void facing a man emptying bottles by the river. Sandy Fisher’s densely reverberating electronic score provides strong support for Lloyd Williams’ cultic collage of skulls, chess boards and fire.

From Richard Gale, mad maker of CRITICIZED, comes a film that will never have you looking at cutlery the same way again. Set-up as an epic-length trailer for an upcoming release, HORRIBLY SLOW... depicts a man's endless pursuit by what has got to be one of the most determined and patient murderers the screen has ever seen.