After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.
A man is being haunted by a masked stranger. The only language used in the movie comes from three (inter) title cards and a few sentences of sermon-like talk in Danish. Some of the talk is modified citations from the bible and similar sources.
A middle aged woman is desperately wondering in the streets looking for her daughter. A man finds her before she does.
This is a film about a man without a face. His arms and legs, bound with ropes, the disabled man is still without even a shudder in a white room. A series of unusual scenes in this room expresses what lies between memories, nightmares, and violent images.
A man is trapped in a sinister flat, where nothing seems to obey the laws of nature.
A group of people is having a barbecue party when two Krishnas appear at their doorstep, both of which transform into hideous monsters and start killing everybody in gory ways. The survivors retreat to a friend's house and realize something bigger is going on...
A sinister montage intimates the hellish void facing a man emptying bottles by the river. Sandy Fisher’s densely reverberating electronic score provides strong support for Lloyd Williams’ cultic collage of skulls, chess boards and fire.
Amidst the chilly white winter, bright-eyed Alma, wanders through Barcelona’s cobblestone streets. Suddenly, she spots an unassuming toy shop. Her gaze is drawn to a nearly identical figure staring back at her from the storefront window. As if by magic, the shop’s door swings open. But to her bewilderment, her elusive twin is nowhere to be found.
A man listening to Rachmoninoff's 'Prelude' dreams he is the victim of premature burial.
On a quiet night, a young couple find themselves caught up in a nightmarish ordeal after they witness a murderer disposing of a body in this claustrophobic thriller.
A green-skinned demon places a woman and two courtiers into a flaming cauldron.
A doctor must remove a parasite infestation from within a patient's breast.
One of the two earliest horror films ever made. This film is presumed lost.
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
Saori, a school girl, is molested on the notorious "molester train" of the Hanagawa line and rescued by another school girl who witnesses the act. The girl who rescues her turned out to be a new student of the same high school Saori attends. The mysterious new student Yuriko is rumoured to be a "parent killer". Yuriko then leads Saori and her friends to hunt molesters.
A distraught squatter tries to cope with his werewolf nature through drugs and music.
As a practical joke, an actor impersonates the screen monster he made famous. A lost film.
A small town's religious beliefs have pushed them back to the dark ages. Halloween has morphed into a modern-day witch hunt, victims sold like fireworks for the public to dispose of. Prepare for Exodus.
A young talented director on a location scout in the abandoned psychiatric hospital of a rural community inadvertently awakens the ghost of a tormented soul seeking retribution.
In the summer of 1984, three friends go camping in the mythical Femur Creek to celebrate a birthday. Little do they know this party has an unexpected guest.