Excerpts from Soon

Childlike in his innocence but grotesque in form, Frankenstein’s bewildered creature is cast out into a hostile universe by his horror-struck maker. Meeting with cruelty wherever he goes, the friendless Creature, increasingly desperate and vengeful, determines to track down his creator and strike a terrifying deal. Urgent concerns of scientific responsibility, parental neglect, cognitive development and the nature of good and evil are embedded within this thrilling and deeply disturbing tale.

A long-simmering animosity between two families of Verona, the Montague's and the Capulet's, has recently boiled over, with members of the rival households brawling in the streets. One night, Romeo, a Montague, crashes a party given by the Capulet's in order to meet up with a young woman called Rosaline, with whom he is infatuated. Thoughts of her vanish from his mind, however, when he catches sight of Juliet, daughter of the head of the Capulet household. Juliet is equally smitten with Romeo, but her father already has other plans for her.

Is a sensitive and mysterious poet really an IRA gunman in hiding? Set in a Dublin tenement in the 1920s, this was the first part of Sean O'Casey's celebrated "Dublin Trilogy." Equal parts comedy and tragedy, this classic play is brilliantly performed by a stellar cast.

A man writes a play, hoping that it will help him understand the dramatic events his son lived in Greece.

At the Seisho Music Academy, the 99th Graduating Class is rehearsing for the annual production of the theatrical play, Starlight. Behind the scenes, however, an underground "Revue Starlight" audition, orchestrated by a talking giraffe, pits the students against each other in stage battles in order to shine as the top star. Karen Aijō, upon being reunited with her childhood friend Hikari Kagura, comes across these auditions and battles to become the top star alongside Hikari.

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Dutch television adaptation of George Bernard Shaw's play "Saint Joan".

At Seisho Music Academy's Actor Training Department, which Hikari Kagura has left, the days that Karen, Maya, Junna, Mahiru, Nana, Claudine, Futaba, and Kaoruko will spend together will soon come to an end. With graduation day just around the corner, the career paths that the nine have chosen for after graduation are varied as well. Difficult exams, advanced assignments, new environments, and the chance to show off their own skills... Everyone spends every day with as much anxiety as hope. Who is their true rival? What is it that they truly must fight against?? What awaits them in the Twilight Theater?! The climax is right up ahead. The curtain rises on the best Revue in history!

Revue Starlight ―The LIVE Seiran― BLUE GLITTER is a spin-off of Revue Starlight ―The LIVE― #2 Transition and features the students and staff of Seiran General Art Institute, which aims to win the national high school drama championship overall. Koharu Yanagi, head of the drama major in the stage department, is impatient because the performance has not been decided. The impatience spreads to deputy chiefs Ryo Minamifu and Hyonami Honami, and the gears of the three people slowly start to go haywire.

Micahel walks onto stage to perform for the first time.

The first stage play adaption of Haruichi Furudate's Haikyū!! series. Described as a "hybrid performance," the play mixes manga, live-play, and video to create an unforgettable experience for its viewers.

Is the second stage play adaption of Haruichi Furudate's Haikyū!! series. The stage play is split into two acts and covers the second half of the Karasuno High Team Formation Arc (the Karasuno vs Nekoma practice match), the Interhigh match against Tokonami, and the Interhigh match against Date Tech.

As the world faces its Second World War, John Halder, a good, intelligent German professor, finds himself pulled into a movement with unthinkable consequences.

Two young people and their dæmons, with everything at stake, find themselves at the centre of a terrifying manhunt. In their care is a tiny child called Lyra Belacqua, and in that child lies the fate of the future. And as the waters rise around them, powerful adversaries conspire for mastery of Dust: salvation to some, the source of infinite corruption to others.

A gender-swapped re-envisioning of the YoRHa Boys Ver1.0 play from 2018, it tells the story of a group of female androids that undertake an experimental mission in Tokyo, Japan.

Amanda is a divorced woman who makes a living as a photographer. During the Fall of the year Amanda begins to see the world in new and different ways when she begins to question her role in life, her relationships with her career and men and what it all means. As the layers to her everyday experiences fall away insertions in the story with scientists, and philosophers and religious leaders impart information directly to an off-screen interviewer about academic issues, and Amanda begins to understand the basis to the quantum world beneath. During her epiphany as she considers the Great Questions raised by the host of inserted thinkers, she slowly comprehends the various inspirations and begins to see the world in a new way.

For centuries, a secret Order of priests has existed within the Church. A renegade priest, Father Alex Bernier, is sent to Rome to investigate the mysterious death of one of the Order's most revered members. Following a series of strangely similar killings, Bernier launches an investigation that forces him to confront unimaginable evil.

In the near future, Panther Claw has destroyed the Tokyo Metropolitan Government. The capital government is forced to shift into the provinces. During this time, Honey Kisaragi has transferred to St. Chapel Academy as part of a special course. This special course is the "New Generation Honey" project, where students, including Honey, become Cutie Honey.

A ghostly visitor with a shocking secret, a daughter devastated by loss, a deadly duel – and the most famous question in all of drama. Just some of the reasons why Shakespeare’s iconic tragedy will hold you spellbound.

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.