One Dead Indian

Banduk discovers that Mr Kool is smuggling birds out of Australia.

Three Kiowa boys attempt to escape a government boarding school in 1891, Oklahoma.

In 1885, German Zoo owner Carl Hagenbeck hired nine Aboriginal men from Bella Coola to perform their dances and songs for German audiences. The nine dancers spent one year in Germany performing in zoos and theatres in 22 cities. During summer 2005, the Canadian filmmaker Barbara Hager came to Germany to retrace the steps of the nine Nuxalk men on their original 13 month long tour.

Three intrepid women battle for Indigenous women's treaty rights.

Cyclone Tracy 40 years on, exploring the myths and revealing new perspectives on one of the worst natural disasters in Australia's history.

Two young women are raped on their way home. The story follows the lives of both women and the different ways they deal with the crime.

WINHANGANHA (Wiradjuri language: Remember, know, think) - is a lyrical journey of archival footage and sound, poetry and original composition. It is an examination of how archives and the legacies of collection affect First Nations people and wider Australia, told through the lens of acclaimed Wiradjuri artist, Jazz Money.

The film tells the story of four Cree siblings, Connie, Marianne, Gwen, and Anthony, separated as babies through Canada’s notorious Sixties Scoop, which saw indigenous children taken from their homes to be adopted by white families. Excited and curious, but also scared and afraid of rejection, they agree to meet for the first time over a holiday weekend in the mountains of Banff.

On a summer day in the 1950s, a native girl watches the countryside go by from the backseat of a car. A woman at her kitchen table sings a lullaby in her Cree language. When the girl arrives at her destination, she undergoes a transformation that will turn the woman’s gentle voice into a howl of anger and pain.

Link and his brother flee their abusive father and embark on a journey where Link discovers his sexuality and rediscovers his Mi’kmaw heritage.

Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.

Follows the life of Native Canadian Saul Indian Horse as he survives residential school and life amongst the racism of the 1970s. A talented hockey player, Saul must find his own path as he battles stereotypes and alcoholism.

Anishinaabe elders of the Curve Lake First Nation reflect on the history, decline, and return of the traditional food gardens that connect their culture, land, and contemporary life.

Explores the sensitive, and tense, relationship between life on an First Nations reservation and life in the outside world. When Native Canadian Silas Crow is forced to write a personal essay in order to get a much-desired job, he tells the story of the rape and murder of an Indian girl by a drunken thug. When the killer received a lenient two-year sentence for manslaughter, the First Nations community felt shock and anger—and tried desperately to deal with the after-effects of this lack of justice.

This doc investigates the odd occurrences that have happened for decades at a creek in Texas, which was an Ancient Native American burial ground.

A Seminole boy spending the summer alone in the Everglades as a rite of passage helps a lost panther cub survive, but the village does not welcome him when he follows the boy home. The boy has to steal an airboat to take the panther deep into the swamp.

Homecoming Song is a poetic documentary that tells the parallel stories of two men who came home. Many years ago Kaax'achgook of the Kiks.adi clan of Southeast Alaska disappeared at sea, and was thought lost by his family and people. Three years later he returned with a song telling of his experiences. When Pete Sidney came back after being away for six years fighting in the 2nd World War, his mother Angela Sidney sang this ancient song for him.

Between 1924 to 1970, Kinchela Boys Home in Kempsey, New South Wales, saw an estimated 400 to 600 Aboriginal children exposed to routine acts of cultural genocide and remains one of Australia’s most notorious institutions of the Stolen Generations. After being stolen from their families, country, and community, children were stripped of their names, given numbers, and subjected to ‘reprogramming’ and strict regimes of manual labour. We Were Just Little Boys is narrated by KBH survivors.

A young Ojibwa girl from 1770 marries a Scottish fur trader and leaves home for the shores of Georgian Bay. Although the union is beneficial for her tribe, it results in hardship and isolation for Ikwe. Values and customs clash until, finally, the events of a dream Ikwe once had unfold with tragic clarity.

A First Nations boy in the Australian outback adopts an injured dingo. The two of them set off on a quest to find an emu.