One Dead Indian

A Seminole boy spending the summer alone in the Everglades as a rite of passage helps a lost panther cub survive, but the village does not welcome him when he follows the boy home. The boy has to steal an airboat to take the panther deep into the swamp.

In a sweeping tale that spans 1000 years and multiple generations – from the distant past to the 19th century, the present day and a strange, dystopian future – this landmark collection traces the collective histories of Indigenous peoples across Australia, New Zealand and the South Pacific. Diverse in perspective, content and form, traversing the terrain of grief, love and dispossession, they each bear witness to these cultures’ ongoing struggles against patriarchy, colonialism and racism.

This 1981 NFU film is a tour of the contemporary world of Aotearoa’s tangata whenua. It won headlines over claims that its portrayal of Māori had been sanitised for overseas viewers. Debate and a recut ensued. Writer Witi Ihimaera felt that mentions of contentious issues (Bastion Point, the land march) in his original script were ignored or elided in the final film, and withdrew from the project. He later told journalists that the controversy showed that educated members of minority groups were no longer prepared to let the majority interpret the minority view.

Cree matriarch Aline Spears survives a childhood in Canada’s residential school system to continue her family’s generational fight in the face of systemic starvation, racism, and sexual abuse. She uses her uncanny ability to understand and translate codes into working for a special division of the Canadian Air Force as a Cree code talker in World War II. The story unfolds over 100 years with a cumulative force that propels us into the future.

During a training exercise in an abandoned open-pit mine, a crew of Canadian astronauts are interrupted by an Atikamekw elder, who asks them to deliver an important message to the spirit of his community on the moon.

Follows the life of Native Canadian Saul Indian Horse as he survives residential school and life amongst the racism of the 1970s. A talented hockey player, Saul must find his own path as he battles stereotypes and alcoholism.

A coyote adopted by an old Navajo, Delgado, thinks he is a sheepdog, though he is not accepted by the other dogs of the area.

Link and his brother flee their abusive father and embark on a journey where Link discovers his sexuality and rediscovers his Mi’kmaw heritage.

Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.

In North Carolina, Daniel Boone hears amazing tales about Kentucky and decides to move his family there. But first he has to find the Indian path that will lead him and earn enough money trapping to repay a loan. The Indians are not happy that settlers are coming, and make life difficult for them.

Two young women are raped on their way home. The story follows the lives of both women and the different ways they deal with the crime.

Explores the sensitive, and tense, relationship between life on an First Nations reservation and life in the outside world. When Native Canadian Silas Crow is forced to write a personal essay in order to get a much-desired job, he tells the story of the rape and murder of an Indian girl by a drunken thug. When the killer received a lenient two-year sentence for manslaughter, the First Nations community felt shock and anger—and tried desperately to deal with the after-effects of this lack of justice.

A white lawyer finds his values shaken when he is paired with an angry Indigenous activist who insists on kidnapping the head of a logging company to teach him the price of his destruction.

Mavis Dogblood is a Mohawk painter from Canada haunted by the tragic death of her husband, who was hit by lightning. She paints the stories he used to tell her, but she can’t come to grips with her loss. It is only after she drives to New York City for an art opening, traveling across what were her ancestors’ tribal lands, that Mavis reconciles herself to her new life.

Interviews and archival footage profile the life of Dennis Banks, American Indian Movement leader who looks back at his early life and the rise of the Movement.

Ten women in Canada talk about being lesbian in the 1940s, 1950s, and 1960s: discovering the pulp fiction of the day about women in love, their own first affairs, the pain of breaking up, frequenting gay bars, facing police raids, men's responses, and the etiquette of butch and femme roles. Interspersed among the interviews and archival footage are four dramatized chapters from a pulp novel, "Forbidden Love".

A young Ojibwa girl from 1770 marries a Scottish fur trader and leaves home for the shores of Georgian Bay. Although the union is beneficial for her tribe, it results in hardship and isolation for Ikwe. Values and customs clash until, finally, the events of a dream Ikwe once had unfold with tragic clarity.

Homecoming Song is a poetic documentary that tells the parallel stories of two men who came home. Many years ago Kaax'achgook of the Kiks.adi clan of Southeast Alaska disappeared at sea, and was thought lost by his family and people. Three years later he returned with a song telling of his experiences. When Pete Sidney came back after being away for six years fighting in the 2nd World War, his mother Angela Sidney sang this ancient song for him.

Three Kiowa boys attempt to escape a government boarding school in 1891, Oklahoma.

A father's takes his estranged son on a fishing trip as a way of bonding, but when the car breaks down he realises it's not the only thing that needs fixing.