Max Uthoff - Oben bleiben

Doktor Murkes gesammeltes Schweigen

For the very first time, two of the greatest voices in musical theatre, Rachel Tucker & John Owen-Jones, join forces onstage for One Night Stand – an intimate show where they’ll perform musical favourites….and songs you’ve never heard them sing before. Both artists are renowned for their work in the West End and Broadway, Rachel as Beverley Bass (Come From Away) and Elphaba (Wicked) and John as Jean Valjean (Les Misérables) and as The Phantom (The Phantom of the Opera).

Registration of the theater show 'I Amhali' by Najib Amhali. Najib itself is central to this spectacular show full of music. He knows better than anyone that happiness is in the small things. He is happily married and just the father of a second son. But do these great milestones in his life also make him more mature? Not according to his wife, because she is sometimes stuck with three children! The band PlusSupportAct provides the musical accompaniment during this performance.

Crazy Horse Paris' international tour started in late 2009 and continues to galvanize audiences around the world. As a tribute to its founder and a 60 years celebration, the legendary cabaret showcases the best acts from its repertoire.

Il est minuit, Paris s'éveille

More important than the Kastaars, sharper than Viktor Verhulst's jawline and louder than Fien Germijns. The First Avenger of media criticism finally comes back out of the ice to shout from behind his tub. It has been a scary world without Xander De Rycke. Flemish films are successful again, VRT's weatherman has retired and Niels Destadsbader has been replaced by someone who calls himself Meteor. Not to mention the channel that was hijacked by Gert and James, that singing competition in carnival costumes and Tom Waes complaining about history with our tax money on a potato patch. But not to worry, your best friend is back with the only year-end conference that matters.

From transvestites to transformers, we will follow the trail that will lead us in different and famous Parisian music-halls, such as the mythical Alcazar of Paris, La Grande Eugène. Whether they are below or beyond their character, often these men who are looking for themselves look at life with the humor of despair. Why this need to "transform" themselves? Why is it always the men who cross-dress and not the women? Why did the public flock to these shows in the 1970s and 1980s? Interpretations of famous characters such as Diana Ross, Josephine Baker, Billie Holiday, the Peter Sisters, the Andrew Sisters, Zizi Jeanmaire, Judy Garland, Sarah Bernhardt, among others, contribute to making this musical document an essential testimony of this era.

One of the rooms inside the legendary Barba Azul Cabaret has become a shelter for the girls working there: the women's bathroom. Every night La Mami, who's in charge of the bathrooms, offers them the warmth and the advice they need to take on the challenge they face in the dance hall.

A struggling female soprano finds work playing a male female impersonator, but it complicates her personal life.

Kat Robichaud and The Darling Misfits present Bite, a vampire themed Rock cabaret featuring many covers of well known songs, as well as several new original songs. Featuring costumes based on Bram Stoker's Dracula, Nosferatu, Buffy the Vampire Slayer, and From Dusk til' Dawn.

Stage registration of the sixteenth show by the Flemish cabaret duo Kommil Foo. 'Schoft' is, once again, a show about the human condition. About mankind who tries to hold his own, but inevitably stumbles and falls. Time and again man will scramble up, only to fall again later. A laughable, but also comforting thought.

Dillie takes a short break from her Fascinating Aïda gal pals with some brand new songs and some grand old favourites. With gorgeous songs of love and songs of disgraceful filth, Dillie will break your heart, mend it again and have it sent to the cleaners for pressing. And she'll give you her recipe for chutney while she’s at it. Dillie is accompanied by a band of brilliant musicians including the cabaret legend Michael Roulston on piano. Recorded live at the Soho Theatre, London in November 2016.

Dale Jordan is first accepted by the aristocratic first-cabin passengers on a south-bound Panama-Pacific liner until they discover she is a member of a troupe of cabaret girls led by Trixie Snell en route for the Bull Ring Cabaret in Panama City.

A clerk at a jewelry store is an avid reader of the 007 series and admires the protagonist of the story. One day, he loses a huge amount of jewelry to a con artist. In order to catch them, he disguises himself as an woman and pretends to be a cabaret hostess to observe the perpetrators. And he finally reports to the police to arrest them all. A comedy.

Canapé Chucrut Cabaret 5º Edición

Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally Bowles and an impish emcee sound the clarion call to decadent fun, while outside a certain political party grows into a brutal force.

In 1890 Paris, Moulin Rouge is a nightclub where crippled artist Toulouse-Lautrec feels like he fits in. In the following years, he meets two women who provide an opportunity for him to find true love.

Stage registration of the eleventh show by the Flemish cabaret duo Kommil Foo. In 'Wolfijzers en Schietgeweren' Raf en Mich Walschaerts collect the best songs and stories from their old shows and turn it into a new show.

Max van den Burg: Op een bedje van Rucola

Angélique is a 60-year-old bar hostess. She still likes to party, she still likes men. At night, she makes them drink, in a cabaret by the French-German border. As time goes by, clients become rare. But Michel, her regular client, is still in love with her. One day, he asks Angélique to marry him.