Schooling

Silent cartoon.

Farmer/Captain Alfalfa on a ship with his animals.

Love has packed up and left the castle. The queen has snuck back to her Kingdom of Skedaddle. But one person’s loss is a scoundrel’s gain: Bonifacio, a teller of tall tales, sees in the forlorn queen the perfect target for his hackneyed charms. As summer approaches, he changes himself into a sweet talker and sings her praises. Things would have worked out perfectly if only Princess Molly hadn’t arrived on the scene. While visiting her mother, she quickly discovers the hoax: the queen thinks she’s found a new husband in Bonifacio. But the swindling storyteller is really only interested in the kingdom’s legends.

Zibilla, a young zebra adopted by a couple of horses, is the laughing stock of her new schoolmates. She ends up hating her stripes. When she has her stuffed toy stolen, she takes off without a second thought to look for it and that is where her adventures begin...

An art film produced using 'Darwinian' evolution with artist controlled aesthetic selection. Artificial life rules define the processes of mutation, breeding, birth, growth and decay to generate an imagery evolution of a complex three dimensional structure.

A stop-motion animated fairy tale about good and evil using wooden folk toys.

Short animated film by Anastasia Melikhova

2700 handcrafted still pictures in 18 FPS, shot with a Canon EOS 600D. Animated with Dragonframe, and edited with Sony Vegas Pro.

About a bat that could not decide whether it was a bird or an animal, and remained alone. Based on a Mongolian tale.

An experimental short from Oskar Fischinger

A fly lands on a table to drink some spilled liquid; spotting an open children's book, it flies over and tries to emulate the picture of an elephant balancing on its trunk.

Is it possible to know if a seed discovered after a thousand years is that of a now vanished magnolia or instead that of a virulent presently extinct weed? A film which explores childhood speculations on various issues such as time and space, sight and sightlessness, trauma and hope.

An accurate depiction of the basic tenets of northern Mahayana Buddhism, cast into living or "experiential" form, consistent with powerful mantras heard on the soundtrack of the film. Tarthang Tulku, a Tibetan Lama, was the advisor.

What happens when a little girl decides to save the dinner she refused to eat?

A massive army of workers sweat and strain to build a tower not unlike that of Babel. In spite of the ominous danger of the tower collapsing at any moment, they press on gloomily, incessantly forming column after column of labourers, like some enormous procession of lemmings.

In the graveyard in Bethlehem, a vampire wakes up to find that he is in an unfamiliar future where everything seems hostile, and where he is no longer a threat.

There is peace in the forest and among all of the animals there, including a pair of ducks who befriend Molly Moo-Cow. A pair of hunters come on the scene, go hunting and hurt the ducks, so it's Molly to the rescue.

A film miniature set to classical music. The Spanish landscape, allusively evoked on screen, is dominated by characteristic elements of Gaudí's architecture. From these elements emerges the arena, with the figure of a fighting bullfighter. The appearance of Carmen introduces a lyrical thread. A passionate love develops between her and the bullfighter. Utterly astounding, iridescent salt animation by Aleksandra Korejwo based around Bizet's Carmen, the third and final film in a trilogy.

A beautifully fluid sand animation inspired by Camille Saint-Saëns' piece, 'Danse Macabre.'

7362 is concerned with dividing and joining together. It begins with two black circles against a white background, knocking together and gradually moving further apart. The circles fade out, and return as white circles against black inside a square. Images similar to Rorschach blots appear. Gradually the viewer realizes that the images were not originally abstract, but were human forms (dancers, gymnasts, etc.), bridges, and others that have been split down the center of the frame, with their mirror images printed on either side of the split. Red, green, and white tints further abstract the images from their original foundations in the natural world, making dancers appear to be amoebas or dividing cells. The accompanying sound track is a mixture of electronic music and musique concrète ("real" recorded sounds manipulated to sound abstract).