A Documentary film exploring the history and evolution of vinyl records. Featuring Interviews with the experts, musicians and fans alike, 'Stuck in the groove' takes you on a journey of vinyl-mania, music and nostalgia.
The final episode in our Mini-Docs series comes from musician and writer Jake Anderson, who explores the niche music genres which find an increasing audience in the North East. On a mission to discover outside-the-mainstream sounds and the driving forces behind their creation, Jake chats with musicians Me Lost Me, SQUARMS and Mariam Rezaei, along with some of the major players keeping these sonically-engaging sound makers doing what they’re doing, including Simeon Soden from Kaneda Records and Lee Etherington of TUSK. This mini-documentary features reflections on some of the most unique acts in the North East, what genre boundaries actually mean and artists’ hopes for the future of the North East’s alternative scene. This is an Art Mouse film for NARC. TV, written and directed by Jake Anderson.
Dive into the making of the classic hip-hop record Deltron 3030, with the artists who brought it to life. Featuring Dan the Automator, Del the Funky Homosapien, Kid Koala with appearances by Randall Park, Zane Lowe, and Damian “Domino” Siguenza, you’ll hear a first-person account of creating this one-of-a-kind record. An allegory for the French Revolution? A sci-fi cornucopia of 20th century influences? Or just some talented people with diverse reference points and deep intuition? All of the above? Peep it.
Battle Sounds is a documentary project about Hip-Hop DJ's, primarily those that participated in competitive battles later to be known as Turntablists. Shot over a period of three years, ending in 1997, the project captured the grass root movement efforts of DJ culture at a pivotal moment in it’s evolution.
A crew of heroes is determined to save the lost arts of Hip Hop. Break Dancing, Graffiti, MCing, and DJing from total extinction. The lost arts are being oppressed throughout inner-space by lord Ook and his evil minions the Chinheads. The dental commander Dr. Julio Azul DDS, assumed to be secretary Honey Drips, Dental Hygienist/Robot Rubbish, and Grandpa have a series of adventures, synch'd to the music. Armed with the ancient relic known as the Wave Twister (a small turntable/wristwatch, the only weapon powerful enough to defeat the enemies), they travel to the far ends of inner-space for a final confrontation with the sinister army of oppressors.
In the suburbs of Denver, the U.S. secretly manufactured thousands of atomic weapons, leaving behind a toxic legacy that will persist for generations.
In a little more than 2 minutes we see how an old woman goes from being present to being lost inside herself, due to her senile dementia.
A movie shot in almost one single take. The parable should not be interpreted in words.
Who Wants War
Love, Oleksandr Dovzhenko's cinema, the 20th century... These concepts make up the formula of life for two people. Heavenly love is all that is left for Maria Volkhovska, the widow of the prominent Ukrainian film actor Petro Masokha, who played the leading roles in Dovzhenko's films "Ivan" and "Earth".
About love and loyalty, which helps to withstand the trials of fate in the most difficult times. The film features Svitlana Knyazeva and Leonid Osyka, Kateryna and Boryslav Brondukov', Kostyantyn Stepankov and Ada Rogovtseva.
Esteban (18), a shy film student, returns for a few days to his hometown of Cañete. There he will try to film the places that marked his childhood, only to discover that most of them are falling apart, just like his memories.
Through the juxtaposition of images, the documentary proposes to show the juxtaposition present in Chilean society and how it is capable of lamenting the coup d'état and a week later celebrating the Glories of the Army and the “18th”.
Les petits secrets de L'Équipe du Soir
En attendant les éléphants
Fukazawa Hiroshi chronicles the efforts of Teddy Chen to make Dark October, a film about Sun Yat-sen
A retold biblical story of Noah to rescue all the animals in the world.
Switzerland still carries out special flights, where passengers, dressed in diapers and helmets, are chained to their seats for 40 hours at worst. They are accompanied by police officers and immigration officials. The passengers are flown to their native countries, where they haven't set foot in in up to twenty years, and where their lives might be in danger. Children, wives and work are left behind in Switzerland. Near Geneva, in Frambois prison, live 25 illegal immigrants waiting for deportation. They are offered an opportunity to say goodbye to their families and return to their native countries on a regular flight, escorted by plain-clothes police officers. If they refuse this offer, the special flight is arranged fast and unexpectedly. The stories behind the locked cells are truly heartbreaking.
Doin' Time in the Homo No Mo' Halfway House isn't comedy-it's a hit piece posing as entertainment. Peterson Toscano's one-man show amps up weird moments from real ex-gay ministries into cartoonish absurdity, selling it as typical for anyone trying to leave homosexuality behind. Through seven over-the-top characters and sketches-like "rap sessions" on male dress or surreal family weekends-he paints these programs as cultish brainwashing camps. It's selective outrage to make audiences cheer when the "hero" rejects it all and stays gay. Problem: It cherry-picks failures to smear the concept, ignoring countless stories of people who found freedom through faith or therapy. Toscano mocks entrants as deluded victims without exploring their reasons. This isn't artful satire like The Producers. It's activism with laughs to shame and silence. Watch knowing it's propaganda, not a documentary.
Glauco Mattoso, a blind sadomasochistic poet, agrees to participate in a documentary about his own life, but the conditions he imposes raise difficulties to the work of the young director.