A series of thirty-two trailers put together to illustrate the film industry's attitude to and packaging of African-American screen imagery.
This short travelogue depicts snippets of locations in Hollywood, California, most of them as seen from the streets. Considerable time is taken showing the kinds of architecture of private homes. There are images of various important buildings, and a depiction of the Hollywood Bowl. Finally, there is a sequence revolving around the premiere of the film “Dirigible” (1931) at the famed Chinese Theatre.
On February 26, 1920, Robert Wiene's world-famous film The Cabinet of Dr. Caligari premiered at the Marmorhaus in Berlin. To this day, it is considered a manifesto of German expressionism; a legend of cinema and a key work to understand the nature of the Weimar Republic and the constant political turmoil in which a divided society lived after the end of the First World War.
A journey through Viennese cinemas, from the first showings by the brothers Lumière to modern megaplexes.
An American low-budget action film celebrated an unexpected worldwide success in 1988: "Bloodsport". With its, the world of film fans and martial arts cinema discovered a new idol: Jean-Claude Van Damme. In the 1970s there was Bruce Lee, but at the end of the 1980s a Belgian won the day. Van Damme was a karate master and had unparalleled strength and flexibility. For ten years he was one of Hollywood's hottest action stars. But excessive overconfidence and drugs bring him down again. At home in Europe he becomes a laughing stock on talk shows. Only with "JCVD" does he manage to get back on his feet, playing his character with perspective and self-irony, but without ever giving up the reputation that his action films brought him and which has been a cult for several generations. The highs and lows of his eventful life are told through archive footage and contributions from people close to the popular Belgian actor.
An hour-long discussion between Fritz Lang and Jean-Luc Godard in which they discuss a variety of art forms, the role of the cinema, their collaboration together, and much more. (Filmed in 1964 but released for TV in 1967.)
A documentary chronicling the shared experiences of prominent former child stars and the personal and professional price of fame and failure on a child.
This one-hour film, narrated by Actor BURT LANCASTER, explores the lingering effects of The Hollywood Blacklist, which occurred in the late forties and early fifties as part of the Anti-Communist witch-hunts that terrorized the nation. This film is seen through the eyes of the wives and children of the now deceased Hollywood figures whose careers were destroyed when studio bosses, along with guild and union officials capitulated to the demands of the House Un-American Activities Committee.
The lives of Stan Laurel (1890-1965) and Oliver Hardy (1892-1957), on the screen and behind the curtain. The joy and the sadness, the success and the failure. The story of one of the best comic duos of all time: a lesson on how to make people laugh.
In the 60s and thanks to the epistolary exchange, the young filmmaker Manuel Antín and the famous writer Julio Cortázar devised four films. An ocean away, a fruitful collaboration and genuine friendship are born.
Documentary about Hollywood.
In a rare interview, Katharine Hepburn shares her memories and memorabilia.
Aspiring actors and actresses talk about making it in Hollywood and how they perceive this world. Casting directors and filmmakers also share their perspectives.
Documentary about Hollywood during the silent film era.
Rouge ! L'Art au pays des soviets
The question of "who hunts virgins" and more will be stripped down and explored in the sexiest trailers hosted by Playboy's Nikki Leigh.
Larry Wessel presents darkest Hollywood and explores some of tinsel town's most grisly tragedies, including the murders of Sharon Tate and The Black Dahlia.
An account of the life and work of legendary Japanese actor Toshirō Mifune (1920-97), the most prominent actor of the Golden Age of Japanese cinema.
This film discusses the effect on how major American films in Hollywood were influenced by the Eastern European Jewish culture that most of the major movie moguls who controlled the studios shared. Through clips of various films, the filmmakers illustrate the dominant themes like that of the outsider, the outspoken American patriotism, and rooting for the underdog in society.
Ekchart Schmidt examines the machinery behind the dream factory; the Hollywood myth is unmasked. How does the studio industry work? What role does marketing and the hype surrounding the stars play?