Cinema: Embaixador do Brasil

Elvira goes to summer camp and is scared to death of not making any friends. Mysterious things also start to happen, things that can't be explained… unless you believe in ghosts.

A down on their luck couple from South Georgia go on the run to get the money to repay a gambling debt, and decide to film their escapade, in hopes of selling their 'reality movie' to Hollywood for a quick buck. However, the danger becomes very real when their misguided foray into drug dealing does not go as planned, and they quickly find out they are in over their heads.

This is a passage between two faces, each the same, yet different. Bibicha’s face first appears in the dark, her eyes open and expression impassive, only her heavy breathing betraying the strain she feels. She will withstand the strain and take the vow of silence, retreating to her grandmother’s house for the 40 days to pass. The house and the landscape outside at least offer Bibicha certain sensory distractions: the taste of honey, the texture of a wall, an eye-catching bedspread, the view out over a sea of cloud, water fizzling on the stove. But it is not just her under strain, as her aunt’s frantic text messaging, her grandmother’s rueful acknowledgement of the stories of marital strife on the radio and her little cousin’s illegitimate status bear witness to. Four generations of women in the complete absence of men, yet all marked by their presence, the similarity of their fates blurring together different times and customs.

The troubled adventures of a country novice who goes to the big city to work as a nanny, taking care of the young and rebel sons of a widow businessman.

This film features two Russian communist politicians. Being committed Leninists; both of them have served several terms as city council members. Their horizons are broad, but what concerns them the most is the future of global communism. At one point, by decree of fate, their booming activities begin to expand far beyond the boundaries of their native St. Petersburg and the Russian Federation. However, the future of global communism remains unclear. What remains clear is the fact that in the modern world the tail still wags the dog. A documentary comedy.

I remember the games I played when I was young. We were happy playing together, but, looking back, I realize I used the games to satisfy my own desires. It was a child’s selfcentered behavior. But adult lovers, too, display immature sides in their relationships. Consumed by self-love, they act like children. I have tried to illustrate this kind of love through the metaphor of children’s games.

A woman's life is destroyed when she discovers that her husband has another family.

After the death of her father, the young Comtesse von Hagen is taken in by her father's friend, who lives with his cousin and her son. The cousin is unhappy at this arrangement, and accuses the Comtesse of theft.

When young dockworker Jude leaves Liverpool to find his estranged father in the United States, he is swept up by the waves of change that are re-shaping the nation. Jude falls in love with Lucy, who joins the growing anti-war movement. As the body count in Vietnam rises, political tensions at home spiral out of control and the star-crossed lovers find themselves in a psychedelic world gone mad.

With little or no embellishment, filmmaker Marguerite Duras offers a simple, often wordless chronicle of a woman's day. She and her friend are seen doing yard work, talking about their families and receiving the occasional visitor. The brightest spot in the day is when a washing machine salesman comes to call.

After a chance encounter with a wanted man, a woman is harassed by the police and press until she takes violent action.

Rachel can't stop herself from falling in love with Paulie, the woman who helps her try on wedding gowns.

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

B.J. Cassidy, a rich businesswoman, has to invest several billion dollars for fiscal reasons. She undertakes to buy back a small French factory, specialized in chocolate truffles...

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On what seems to be just another ordinary day, a man is exposed to sexism and sexual violence in a society ruled by women.

Joey Cooper is a small boy who wants more than anything to be a member of the "Wilderness Club." But he has failed over and over again to pass the test and was not allowed to join. But when Joey gets home after his latest failure, he finds his mother has bought him all new camping equipment for his trip. Joey can't bring himself to tell her he didn't make the club so he takes the gear and leaves for the trip anyway, hiding on the bus. When a couple of kidnappers grab the kids, Joey is still in hiding and it's left for Joey to save them all.

‘Podwórka’ captures six groups of neighbourhood youth as they play in seemingly deserted yards, offering an intimate portrait of daily life in Łódź, Poland. Shot with a fixed camera, this single-channel video projection highlights American artist Sharon Lockhart’s concern for the interrelationship between the still and the moving image.

A young woman escapes her wildly eccentric family in search for a life of normalcy.

One day, Carmen Müller realizes that her husband Werner has been unemployed for months and has accumulated debts of 80,000 DM in their bank account. She comes up with a plan to rob her bank. When the branch manager and neighbor Lothar Fuchs, whom Carmen has always envied for his beauty and wealth, recognizes her, she takes him hostage. In their hideout in the Allgäu, the banker falls in love with the housewife, just as Werner and Fuchs' mistress Gabriele grow closer. The quartet form an alliance and defraud the bank together. Having come into money so suddenly, the Müllers don't feel comfortable either and secretly distribute their fortune around the neighborhood.