The photo

The video is a series of short pieces of very buff nude people. The models don't speak, and the backgrounds are solid colors, with no decorations to let you know where the models are. So these nudes are, if not truly in limbo, certainly no place you can describe. In each short piece, the model is/models are performing some G-rated activity that shows off their body: a gymnast man works out on the hanging rings, two women hold in front of them a gauzy cloth that is being blown by an off-camera fan, a blonde runs a fluorescent tube down the length of her body, etc.

Esther, a film composer going through a dry spell, moves in with her boyfriend Michael only to find out that he still keeps his Ex-girlfriend's belongings in his closet. What follows is an emotional roller coaster of a film exploring the great lengths an artist chooses to go to for the sake of inspiration.

In modern day Iran, a female attorney fights for the custody of her seven year old diabetic son following a divorce from her husband. When the courts rule against her, she takes desperate actions that lead to tragic events.

After seven years in prison, a female student in Tehran is hanged for murder. She had acted in self-defence against a rapist. For a pardon, she would have had to retract her testimony. This moving film reopens the case.

A woman attempts to obtain the consent of the victim's family to release her husband from the death penalty, meanwhile, the husband is suffering from brain death.

A young woman's wedding becomes a ritual of mourning when her sister and family die in an auto accident on the way to the wedding. The sisters' mother refuses to accept her daughter's death, and in the midst of wedding guests and mourners, including the drivers of the truck that caused the accident, she orders the wedding to take place. But how can the daughter marry in the midst of a wake and without the family's traditional mirror, which the sister was bringing to the service?

Valeh, a member of a leftist organization, is arrested by the SAVAK and sentenced to death. In prison, he reconsiders his relationships with members of his political cell, and begins to doubt the validity of the ideas for which he is condemned. At the same time, his comrades pressure him to make a sacrifice for their cause, and his beloved wife experiences personal problems and economic hardships.

Leyla and her six-year-old daughter Nila live in the holy city of Mashhad in Iran. Nila is the result of a temporary marriage, which allows a man to marry a woman even if he is already married. Children born from such a relationship are legally non-existent. As long as the father does not recognize the child, no birth certificate can be issued and Nila cannot attend school. The documentary depicts Leyla's tireless efforts to clarify Nila's legal status in order to offer her a perspective for her future. In a never-ending bureaucratic battle, Leyla fights not only against the legal system, but also against a judgmental society.

A fisherman throws himself into unknown waters, where fish have long gone, wrapped in silent mystery. In this journey without return the landscape sometimes assumes the role of the other and the other soon reveals the reverse or a mirror of him self in the ineluctable solitude of the horizon.

Bahram Beyzai's poetic imagining of the circumstances that led to the death of Yazdgerd III, the last of the Sassanid kings of Iran. His death in 651, during the Arab invasions that brought Islam to this Zoroastrian realm, was mysterious: his corpse was discovered in a mill, but the cause of his death—and the whereabouts of his remains—are unknown.

Prince Ehtejab, one of the last remaining heirs of the Qajar royal family, is suffering from tuberculosis, which he knows is fatal. He spends his last days alone in the magnificent rooms of his wintry palace, from where he recollects the glory days of his ancestors as well as days of degradation. Among the latter are the gruesome manner in which his cruel grandfather murdered his mother and brother, and the way that he himself caused the death of his wife.

According to the laws of Iran, Bahareh must have her traditional, chauvinistic husband accompany her to driving lessons so she and her instructor will not be alone.

Dash Akol is greatly respected in Shiraz as an honorable man who has lost his family's money through helping his friends. He has an enemy, however, named Kaka Rostam, a mean and spiteful person. Dash Akol, who is in his forties, falls in love with Marjan, daughter of the late Haji Samad, for whose estate he is the executor. But he keeps his love secret. One day a suitor asks for Marjan's hand, and Dash Akol considers it against his code of honor to refuse. On the night of the wedding, Dash Akol hands over responsibility for the family to the bridegroom. As he is leaving the house, however, Kaka Rostam is waiting for him and a fight ensues. Kaka Rostam stabs him in the back, but Dash Akol succeeds in killing him. On his deathbed, Dash Akol sends his parrot to Marjan with the confession of love he has taught it.

A man and a woman relive moments of their lives transfigured on the landscape of a beach. Past, present and future merge in the cadence of the waters, which come and go revolving memories and old silences. So the characters go through a sort of trail of desire, leading the edge of the abyss of themselves, where all days born and die, the horizon of all passes, all eventides.

A haughty acclaimed newly married fashion designer named Iraj is shown the door by his boss after the boss's son arrives at Iran to take over his father's company. Iraj reluctant to promulgate the loss of his job, starts using his savings, trying to conceal the truth from his naive wife. Having squandered all the money he had on trivial matters, he tells his wife about being axed & that's when the tables turn on him.

Wounded by the police, a thief looks up his old friend in order to leave the proceeds of his theft with him. Instead, he finds that his friend is a drug addict. He sticks around to try and help his friend kick the habit; instead, both men are caught in a shootout with the police and...

The Badger is the story of a 40-year-old woman called Soodeh Sharifzadegan who faces a strange incident, right before her second marriage.

In the aftermath of a devastating rumor, Iman and his family have been forced to flee Iran. As refugees, they end up in a run-down hotel in northern Sweden. Despite feeling powerless, Iman tries to maintain his role as the family patriarch. To increase their chances of asylum, he breaks a promise to his wife and joins the local wrestling club. As the rumors start to resurface, Iman’s fear and desperation begin to take a hold.

Famed actress Susan Taslimi plays three roles here: Kian, who doubts her identity; Vida, the twin sister, a self-assured artist; and their mother, who gives up one child out of fear of poverty, then deprives the other of affection because she deeply regrets the child whom she has abandoned.

Breath is about an Iranian family who lives in Iran. It tells the story of Bahar, who is living with her father, Ghafour and Grandmother during the 70s.She is living in her childish and surreal world, filled with their dreams and fantasies.