The Sentimental Teaser

Five tales in the style of classic '50s horror comics, involving a murdered man emerging from the grave, a meteor's ooze that makes everything grow, a snack for a crated creature, a scheming husband, and a malevolent millionaire with an insect phobia.

Three macabre tales from the latest issue of a boy's favorite comic book, dealing with a vengeful wooden Native American, a monstrous blob in a lake, and an undying hitchhiker.

This follow-up to the George Romero/Stephen King-launched anthology series features five new tales of horror and a wraparound. The main stories deal with alternative realities ("Alice"), possessed communication devices ("The Radio"), vampires and serial killers in lust ("Call Girl"), mad inventors ("The Professor's Wife"), and hauntings from beyond the grave ("Haunted Dog").

Anthology of urban stories form seven Italian directors.

On a day in April 1996, four stories play out in the confines of a flat in the heart of Oslo.

Every episode has one dialogue with two characters in one place. The six dialogues are for beginners who should still learn from the realities of how we rule out people around us not only reasonably but smoothly.

Three distinct tales unfold in the bustling city of Tokyo. Merde, a bizarre sewer-dweller, emerges from a manhole and begins terrorizing pedestrians. After his arrest, he stands trial and lashes out at a hostile courtroom. A man who has resigned himself to a life of solitude reconsiders after meeting a charming pizza delivery woman. And finally, a happy young couple find themselves undergoing a series of frightening metamorphoses.

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.

Jurácek's feature debut is shot in two parts. In the first, a corporal accompanies a new recruit with a sore Achilles tendon for his physical, and all the girls or young women they see are played by the same actress (Ruzickova). In the longer second segment, shot with the help of the Czechoslovakia army, the soldiers pass the time during basic training and maneuvers by talking about girls.

An uproarious version of history that proves nothing is sacred – not even the Roman Empire, the French Revolution and the Spanish Inquisition.

The film is a high-concept project with five stories exploring the themes of motherhood and pregnancy, directed by women filmmakers from five former Yugoslav republics. “Croatian Story” follows an anguished painter who must decide whether or not to keep one of her unborn twins, diagnosed with Down syndrome. “Serbian Story” finds an expectant mother in the same emergency room with a charming killer. “Bosnia-Herzegovina Story” centers on a financially strapped Sarajevo family whose son?s lover is pregnant. “Macedonian Story” unfolds in a clinic where a drug addict struggles to keep her baby, and “Slovenian Story” ends the omnibus on a humorous note with a nun who finds her own way to immaculate conception.

A man tries to avenge the death of his sister, a gambling addict. Another man, an ex-convict who whistles when he commits a crime, is reunited with his blind mother.

Diamond Moon

Multiple stories about the oscillating world of couple relationships and how difficult it can be to separate sex from love.

An anthology of short films play while a man and woman on a date watch them on their laptop; John Wig finally meets a woman he likes. He visits her but gets drunk and passes out, leaving her to watch his last movie all by herself.

Horror anthology consisting of three episodes directed by Jörg Buttgereit, Andreas Marschall and Michal Kosakowski.

Following "Paris, Je t'aime" "New York,I Love You" and "Rio, Eu Te Amo" “Tbilisi, I Love You” has become the next film in the “Cities of Love” franchise.

At a Babelsberg studio, two German actors try to outdo each other with their Hollywood experiences. At a chic Düsseldorf café, two expatriate French women envy each other’s respective life. At a construction site somewhere in North Rhine-Westphalia, a foreman informs the supervising archaeologist that he as ordered the concrete without her approval. In a trendy Café in Ehrenfeld, Cologne, a recently departed meets a friend of his ex to obtain a box with things he’d left behind. A Dutch business consultant desperately tries to sell his inflated services to a Bulgarian arms contractor at Brussels Airport. On a rooftop in the Belgian Eifel, the owner and the future heir of a family workshop quietly discuss the recent passing of the family’s grandfather.

Four different women discuss life, love and marriage with people from their past and present during the course of one day at a café in Seoul.

Kadhaveedu' is a dedication to Malayalam being accorded the Shresthabhaasha (Malayalam has been declared a Classical language in 2013) status and presents, as a single entity, three different stories penned by the doyens of Malayalam literature - Vaikkom Muhammed Basheer, M T Vasudevan Nair and Madhavikutty. The film is an anthology with adaptations of stories written by renowned Malayalam fiction writers Basheer, M. T. Vasudevan Nair and Madhavikutty (Kamala Surayya).. The stories have been tweaked to fit in a modern setting and the script has been conceived by the director himself.