The Sentimental Teaser

This film combines four short films under the title Bits Of Life. The Bad Samaritan is taken from a story in Popular Magazine in which the son of a Chinese father and a white mother is sold into slavery by his father. The boy becomes a criminal and a cunning but cruel thief. The one time he stops to help a lady in distress he is thrown in jail. Wesley Barry is the young boy and Lon Chaney the grown-up criminal.

Jam Films S is a Japanese omnibus movie. It was released by Phantom FIlm in Japan on January 15, 2005. The movie follows 2002’s Jam Films and its 2004 sequel Jam Films 2. This time around, the overall theme is “S” which stands for succession, success, and special. There are seven shorts, all produced by Ryuhei Kitamura. Included are the shorts Tuesday by Kenji Sonoda, Heaven Sent by Ryuichi Takatsu, Blouse by Hitoshi Ishikawa, New Horizon by Ryo Teshima, Suberidai by Yuichi Abe, Alpha by Daisaburo Harada, and Suit by Masaki Hamamoto.

Eighteen very different stories are told in this horror anthology film, as we get to see time travel, robots, aliens, murder, killer dolls and even the apocalypse.

An anthology of four stories that sheds light on modern relationships from the viewpoint of the Indian woman.

The four stories that possibly or impossibly can be happened in the pension; The parents who lost their child go to the pension with poison where the killer stays with his family; The husband and wife on a trip who are growing tired of their married life and the wife’s hidden secret reveals when they reach the pension; A woman who demands to stay a night at a particular suite to save her kidnapped child; A man who is asked to manage the pension for a night, he organizes fantastic night with his girlfriend, but things go wrong…

Babae...Ngayon at Kailanman is a film adaptation of three Filipino short story masterpieces: Nick Joaquin's "May Day Eve", Amador Daguio's "Wedding Dance" and Wilfrido Nollega's "Juego de Prenda.

A horror anthology film starring the U.K.'s own Tromette, Kitty Kiss, more commonly known as Nurse Meow.

What will our lives be like 10 years from now? Five up and coming Taiwanese directors each offer their own take in answering this question. In 2028, Taiwan is suffering from nuclear waste (“The Can of Anido”), migrant workers (“942”), industrial collapse (“Way Home”), low birth rates and diversity in families (“A Making-Of”), and insomnia (“The Sleep”).

College student Tracy (Laura Lee Black) has just received an assignment to write a report on her favorite film genre. In her research she discovers a book, now Tracy is taken into three interlocking tales of the unexpected. First in THE VAT, two women (Jenny Coulter / Rodney Horn) are harassed by a religious fanatic (Angie Keeling) about their worldly ways. When the bible thumping hypocrite threatens violence, chaos takes it's toll. Next in BIG DEBBIE, a robust woman (Rodney Horn) is abandoned at the altar, she runs into two guys that use her to fulfill their odd sexual fetish. When one accidentally dies, they're forced to get rid of the body... the only problem: a woman on the edge (Rachel Stout) witnesses the ditching and blackmails them into killing her cheating girlfriend (Kelli Ellis). Finally in INGLOURIOUS BITCHES, a quirky pair of female vigilantes (Douglas Conner / Brian Dorton) use an app on a cellphone to track down and murder sex offenders.

Acclaimed director John Landis (Animal House, The Blues Brothers) presents this madcap send-up of late night TV, low-budget sci-fi films and canned-laughter-filled sitcoms packed with off-the-wall sketches that will have you in stitches. Centered around a television station which features a 1950s-style sci-fi movie interspersed with a series of wild commercials, wacky shorts and weird specials, this lampoon of contemporary life and pop culture skewers some of the silliest spectacles ever created in the name of entertainment. A truly outrageous look at the best of the worst that television has to offer.

"Years of Macau" is an anthology film consisting of nine short films set in different years and locations in Macau. They include "Go Back Home", "REC-Last Days", "Sparkling Mind", "The Last Show", "Till the End of World", "The First Cigarette", "A Moment", "Dirty Laundry" and "Summer". All nine directors are from Macau, most of whom were born and raised here. The stories of each film share what the directors feel about Macau using the language of cinema to convey their love for the city.

Adapted from the TV and radio series of the same name, the producer of said show reads letters from three woman providing the framing story for this melodrama anthology film. The tales focus on parenting and family struggles.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

A quirky anthology, consisting of four separate short films connected by host segments. The first one, BOOGIE WITH THE UNDEAD, has an all girl rock band booked to play a gig in a town overrun by flesh-eating zombies. In the second one, THE DEVIL'S DUE AT MIDNIGHT, a coven of beautiful witches conjure up Brad Dourif as The Devil, and endures the inept attacks of witch killer Ken Foree. In the first long segment, HER MORBID DESIRES, an actress gets the lead role in a vampire movie, only to discover that starlets are being murdered on the set. The other long segment, CRY OF THE MUMMY, has the reincarnated mummy, formerly the last Pharaoh of the 4th Dynasty, looking to sue the movie studios because he can't get work as a mummy. His new lawyer offers to represent him as an agent, but the mummy will only work in film if he can direct.

"Using the same, three times repeating dialogue – dramatic conversation between man and woman – Jerzy Skolimowski from Poland, Slovak director Peter Solan and Czech director Zbynìk Brynych shot three different stories. The result was an extraordinary experiment in the world cinema, which we can call an insight in the relationships of men and women of different age groups, an analysis of love and marriage of those who are at the beginning, in the middle or going towards the end of their life."

Twisted horror segments intertwined with cute, fluffy, family-friendly hamster videos. The filmmakers were so preoccupied with whether or not they could, they didn't stop to think if they should.

Silnější než strach

An anthology of three short stories based in a small blue gazebo.

Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.

Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.