Wounded Country

In the 1940s, a small band of underground paramilitaries attempt to fight back against the Soviet-backed security ministry in post-war Poland. Determined to fight for their country's future, the group goes to extreme lengths to make their voice heard.

The story is set in the latter days of World War 2, against the backdrop of fierce combat on the eastern front. Brother's War is based on real events.

A loose remake of “12 Angry Men”, “12” is set in contemporary Moscow where 12 very different men must unanimously decide the fate of a young Chechen accused of murdering his step-father, a Russian army officer. Consigned to a makeshift jury room in a school gymnasium, one by one each man takes center stage to confront, connect, and confess while the accused awaits a verdict and revisits his heartbreaking journey through war in flashbacks.

Escaped convict Sam Gillen single-handedly takes on ruthless developers who are determined to evict a widow with two young children.

A military veteran goes on a journey into the future, where he can foresee his death and is left with questions that could save his life and those he loves.

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.

Turtles Can Fly tells the story of a group of young children near the Turkey-Iraq border. They clean up mines and wait for the Saddam regime to fall.

Admiral Lee Sun-shin designs and builds the 'Turtle Ships' in preparation of the Japanese invasion during the Injin War. He is promoted after his victories, but due to his expanding influence and increased popularity in military circles, the king comes to fear him and has him imprisoned. A year later, the Japanese navy attempts another invasion and the king is required to enter the prison and beg the admiral's assistance.

When Col. William McNamara is stripped of his freedom in a German POW camp, he's determined to keep on fighting even from behind enemy lines. Enlisting the help of a young lieutenant in a brilliant plot against his captors, McNamara risks everything on a mission to free his men and change the outcome of the war.

A graduate student and obsessive runner in New York is drawn into a mysterious plot involving his brother, a member of the secretive Division.

After their airplane crashes behind enemy lines, four soldiers must survive and try to find a way back to their battalion. However, when they come across a local peasant girl the horrors of war quickly become apparent.

Agent Jack Ryan becomes acting Deputy Director of Intelligence for the CIA when Admiral Greer is diagnosed with cancer. When an American businessman, and friend of the president, is murdered on his yacht, Ryan starts discovering links between the man and drug dealers. As former CIA agent John Clark is sent to Colombia to kill drug cartel kingpins in retaliation, Ryan must fight through multiple cover-ups to figure out what happened and who's responsible.

In the 1950s, a Japanese-American fisherman is suspected of killing his neighbour at sea. For Ishmael, a local reporter, the trial strikes a deep emotional chord when he finds his ex-lover is linked to the case. As he investigates the killing, he uncovers some startling clues that lead him to a shocking discovery.

Parer's War is the true story of World War II frontline cameraman, Damien Parer, whose work won Australia’s first Oscar. His desperate efforts to return to the battlefield to capture what he believed was the ‘truth’ of war were thwarted by his own government. Caught between two worlds, his own personal demons almost cost him the woman he loved.

A man is under the illusion he is a wanted war criminal.

Il Tempo Dell'Amore (A Time to Love) is an omnibus film of three different love stories that take place in three different eras and locations. The common element is the theme: love causes a lot of pain.

The Castro revolution was just consolidating its power when, in 1961, over 100,000 students were sent from their schools into the countryside to teach the peasants there how to read. Coinciding with the Bay of Pigs invasion, in this docudrama, 15-year-old Mario (Salvador Wood) has come to a tiny village in the Zapata swamps and gradually wins the villagers over to his task. At the same time, he receives an education in the realities of rural life from the hard-working peasants.

Stories of families who live in the Zanjan city in the 1980s. Family atmosphere of those years of war and its impact on their lives A family tradition in the 1980s they live in the city. Families who affected by the war between Iran and Iraq.

A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.

Manillaköysi is a cult status holding TV-movie adaptation of the satirical war novel by Veijo Meri. Manillaköysi has an endless list of classic one-liners, but it is still not based on cheap laughs or anything like that. The whole humouristic aspect of it comes from describing the absurdity of war, and the whole military system, by looking it with the eyes of a simple man, who's thrown into it, and who simply does not give a rats ass of it all. The tone of it is not overly preachy or moralizing. If I would have to describe it with one word, it would be: unglamourizing. The main point of Manillaköysi is pretty much compressed in one of the most famous quotes of it: There is nothing supernatural about war, it is just work like anything else.