Red Without Blue

Perfect Life, the second feature by Emily Tang (Tang Xiaobai), at first revolves around Li Yueying, a young woman in the cold north-east of China. In a world where no one is waiting for an untrained, inexperienced woman, she knows that in order to fulfil her dreams she will have to resort to her own stubbornness and selfishness. Her father deserted her mother and the money saved by the family is destined for her younger brother's studies. When she stops working for a shop making artificial limbs in order to take a job as a chambermaid, she attracts the attention of a mysterious criminal, Mongol. Then in the editing, the documentary story of Jenny from Hong Kong starts to emerge. She thought she had her life perfectly worked out, but when her marriage breaks down, she also finds herself in financial problems and has to fight for the custody of her children.

Carmen accompanies a group of women who must travel from the island of Vieques to San Juan, capital of Puerto Rico, in order to perform breast biopsies. The long journey is by water and road. Amid many fears and vicissitudes, Carmen confirms once again the need for appropriate medical services for both women and for the rest of the Vieques population.

World War II was not just the most destructive conflict in humanity, it was also the greatest theft in history: lives, families, communities, property, culture and heritage were all stolen. The story of Nazi Germany's plundering of Europe's great works of art during World War II and Allied efforts to minimize the damage.

A dramatized documentary investigating accusations that "Forbidden Love" author Norma Khouri made up her biographical tale of a Muslim friend who was killed for dating a Christian.

Pioneering trans writer Max Wolf Valerio talks about his life and experience of transition in this groundbreaking documentary short, one of the very first portraits of a trans man on film, directed and produced by noted filmmaker Monika Treut.

Every time the task of drawing a circle is performed, it results in a unique shape, a slightly different 'version' than the previous and next attempt. BEFORE WORDS is loosely based on Margaret Tait's unrealised script VIDEO POEMS FOR THE 90s. The video is an attempt at following a set of simple instructions, to observe through another artist's words and ideas in order to arrive at something personal.

Film director Drahomíra Vihanová is preparing some interviews with two women. The women are at first sight opposites, but in reality they have much in common. Through the interviews the film director hopes to get a deeper understanding of herself as well. What unite all three of them is creativity, what creativity means for women, and how they combine their creative projects with their daily life.

Eight tunnellers, led by Mikulás Litvák, go down with the lift for a new shift in the underground, close to the Máj department store. Each day they build a new meter on the B1 line of the Metro. In 14 years of work they have made 7 km of corridors and tunnels. The work is hard and sometimes dangerous. But they are a tight group, which trust each other's skilfulness.

On December 12, 1945 Maria Stadler got (as one of the first from the American occupying power) the license to operate a movie theater. At first she ran a traveling cinema, which went so well that she opened on 30 October 1953 Maria's Kino in Bad Endorf, which still exists today. In the winter of 1976/77 students of the Munich University of Film and Television made a documentary about the idealist, who had since become a movie legend.

Alanis Obomsawin’s documentary The People of the Kattawapiskak River exposes the housing crisis faced by 1,700 Cree in Northern Ontario, a situation that led Attawapiskat’s band chief, Theresa Spence, to ask the Canadian Red Cross for help. With the Idle No More movement making front page headlines, this film provides background and context for one aspect of the growing crisis.

Another early experiment in portraiture from Tait. In filming her mother she asks the wider question of how much the camera can reveal of the person.

In a slum in Chennai, India, a young mother of two, wants to sell her kidney so she can pay off the crippling debts of her family. If she sells Hema will be the fifth member of her family to sell a kidney for an amount that represents several years' wages. Across the world in Nanaimo, Canada, forty year old single mom Sandra's kidneys are failing and she has been on a waiting list for 5 years now. Two different people. Two journeys.

For six years, Melati, 18, has been fighting the plastic pollution that is ravaging her country, Indonesia. Like her, a generation is rising up to fix the world. Everywhere, teenagers and young adults are fighting for human rights, the climate, freedom of expression, social justice, access to education or food. Dignity. Alone against all odds, sometimes risking their lives and safety, they protect, denounce and care for others. The earth. And they change everything. Melati goes to meet them across the globe. At a time when everything seems to be or has been falling apart, these young people show us how to live. And what it means to be in the world today.

A poetic journey about the life and work of Puerto Rican poet Julia de Burgos.

This documentary presents the passion, the talents, the history, the struggles, and the local and international triumphs of the most renowned fashion designers in Puerto Rico. The history of garment making in Puerto Rico has marked our history, culture, and traditions forever. The exploitative history, as a labor manual industry, which served as the base for what we have today as a fashion industry is also portrayed.

Focuses on children and young adults from disadvantaged communities that learn to play an instrument. Through this learning process, they overcome limitations and assert themselves. This program serves as a prevention tool. The stories of these kids will take us on their personal journey and everyday struggle while they prepare for the big concert.

The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.

Documents the true story of the final weeks of rehearsal for the Young at Heart Chorus in Northampton, MA, and many of whom must overcome health adversities to participate. Their music goes against the stereotype of their age group. Although they have toured Europe and sang for royalty, this account focuses on preparing new songs for a concert in their hometown.

With "sealfies" and social media, a new tech-savvy generation of Inuit is wading into the world of activism, using humour and reason to confront aggressive animal rights vitriol and defend their traditional hunting practices. Director Alethea Arnaquq-Baril joins her fellow Inuit activists as they challenge outdated perceptions of Inuit and present themselves to the world as a modern people in dire need of a sustainable economy.

A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?