Udanchhoo

A bumbling idiot, his crush and a railway station. What could possibly go wrong when all of this come together?

Albert Pinto goes missing one day and his girlfriend and family start making rounds at the police station to track him down. Unknown to them, he is on his way to Goa to carry out his first assignment as a hitman.

A convict studies law in prison and becomes a lawyer to seek revenge against the corrupt police officer who framed him on the very day of his marriage.

ACP Suraj, an honest policeman, swears revenge on culprits when his innocent brother is killed. However, he is soon accused of murder and is remanded to prison.

After her fiance, Vijay, is killed in a crash, a pregnant Pooja agrees to marry Amar, her childhood friend who has always loved her. But her life takes yet another turn when Vijay returns to her life.

Don Muthu Swami is one of Bombay's most fearsome gangsters. On his deathbed, his father forces him to make a promise: that from now on he will lead a decent life. From that moment onwards, the don has a new purpose in life: to become Sir Muthu Swami instead. On of his new goals is to become fluent in Urdu, for which purpose he hires the young Jaikishan as a teacher. Don Muthu Swami has a beautiful daughter, Sanjana, whom he wants to get married to Pradhan, the son of his close friend. However, the don's right hand man, Preetam, asks for her hand as well. To impress Don Muthu Swami, he claims to be very rich by stealing millions from his employer. Sanjana herself, on the other hand, is desperate to get married to Jaikishan, and to scare off Pradhan, she fakes to be pregnant. The Don believe Preetam must be the culprit, but as it turns out, the girl Preetam loves is not Sanjana, but another girl who claims to be Don Muthu Swami's daughter, Ranjana.

Early-1940s, rural British India. When a woman decides to fight against the village's despotic subedar and is supported by the guard of the local spice factory, more women join to defy the prevailing oppression.

In feudal Rajasthan, a bunch of peasants rise up against the exploitative landowners and the age-old system of caste-based oppression.

A widow raises two sons, one of whom is not her biological child (unbeknownst to him). Her biological child leaves India to work in Dubai, but eventually finds himself in the criminal underworld.

Childhood friends became enemies when one Mahendra Ashwini Kumar grows up to be Additional Police Commissioner and the other Raj Pratap Singhal becomes a smuggler.

A penniless musician is unwittingly forced to trade places with a look-alike diamond merchant/thief causing a comedy of errors by everyone involved.

A contract killer with a tragic past trains a young woman to avenge the murder of her family and falls for her in the process.

A grieving policeman and a rickshaw driver are brought together by a dark, tragic secret that will change their lives forever.

A struggling singer tries to attract the interests of a young wealthy girl in order to help him succeed.

MAYA is a coming of age story set against an outlawed brutal practice of ritual rape still occurring in some parts of India.

The D'Souza and the Chaddha families are neighbors and have been good friends for as long as they can remember, and despite their diverse religion and cultural beliefs, celebrate Diwali and...

Karan (Bobby Deol) was wealthy and a mansion was his habitat. Raj (Akshay Kumar) had empty pockets and the sky was his roof. Karan's jet ensured that he could fly if he wanted. Raj could only depend on his two feet. Karan had a family and yet craved love. Raj had love to share, but craved a family. Karan was the eternal Casanova. Raj was the proverbial one-woman man. Karan had it all, and yet felt empty. Raj had nothing, but his heart was full. They were two people as different as can be. Yet they found a common ground. One that led to the glorious road of Friendship! But can they sustain their friendship when new conflicts arise?

After accidentally shooting a 12-year-old boy, a dedicated cop is removed from his position. Forced to take work at a local cinema and beginning to lose his eyesight, he struggles to provide for his son.

Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.

War Chhod Na Yaar is India’s first war comedy movie, set on the backdrop of India-Pakistan war.