Ryan's Capitol Tour

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Robert, an ex-shipyard welder from Govan in Glasgow, reflects on how his experiences have influenced his compulsion to write.

His new adventure takes Zanardi to one of the most famous endurance races in the world: The 24 Hours of Spa-Francorchamps. He shares the cockpit of the BMW GT race car with two of the fastest men in the sport: Ex-Formula 1 driver Timo Glock and touring-car champ Bruno Spengler. They form nothing less than an all-star team of race-track pioneers, going beyond limits and limitations. Never before has a handicapped driver competed in a 24 hour race on this level with able-bodied drivers. The documentary covers the whole story: From their first get-together at BMW headquarters in Munich until the lights turn green in Belgium and the Iron Man with plastic legs limps into his racing car, changing seat and steering wheel with his teammate. But for Alex Zanardi, even after the marathon race, his mission is not over. Only four days later, he is eager to defend his white jersey at the Handcycle World Championship in Switzerland - an outrageous challenge, even for the man with no limits.

Examine the American whaling industry from its 17th-century origins in drift and shore whaling off the coast of New England and Cape Cod, through the golden age of deep ocean whaling, the tragedy of the Essex, and the career of Moby Dick's Herman Melville, and on to its demise in the decades following the American Civil War.

A documentary that takes a look at the film and media industry of New Mexico and its impact today.

The role of African Americans in the recovery years of the Great Depression is the subject of this informational short, which offers an idealized depiction of life in a segregated society. The highlight, by far, is rare footage of Orson Welles’s “Voodoo Macbeth,” produced in 1935 for the New York Negro Unit of the WPA’s Federal Theatre Project.

Filmed in North Carolina, Tennessee and West Virginia, from 2000 until Sutton’s death in 2009, A HELL OF A LIFE is an unforgettable portrait of the last great moonshiner. featuring Popcorn Sutton, Jesco White, JB Rader. music by Dana & Susan Robinson, Grifters & Shills, Henry Queen, Ola Belle Reed, Patty Hurst Shifter and Joe Knowlton.

A collection of BBC archive material about painter Francis Bacon, including a previously unseen interview recorded in 1965.

Between 1950 and 1958, John Marshall made four expeditions to film the Ju/'hoansi (a group of !Kung Bushmen) of the Nyae Nyae region of Namibia (then South West Africa). During this time, Marshall shot over 300,000 feet of 16mm film (157 hours). He later produced a total of 23 films exclusively from this footage. In this short film, children tempt fate by playing with scorpions.

A batch of mushy sourdough. Two radioactive lizards. Three cans of Campbell’s tomato soup. When COVID-19 lockdowns began in 2020, people around the world began reporting more vivid dreams.

Africa, a trans woman dedicated to musical representation and comic entertainment on Facebook exhibits her daily life through live broadcasts, having success and a large influx of viewers. This while she is getting ready for her special program in honor of her best friend Vicenta de Loris, since a year has passed since her life was taken from her.

The Chaperone tells the true, previously untold story of a lone school teacher who fought off an entire motorcycle gang while chaperoning a middle school dance in a church basement in 1970s Montreal, Canada. Told from the first person unscripted perspective of the school teacher and DJ who were there that night, The Chaperone recreates the whole scene using hand drawn animation, miniature sets, puppets, live action Kung Fu and explosions all done in stereoscopic 3D. With over 10,000 hand drawings (many of which were colored in crayon by hand), an original blaxploitation score and featuring a cast of over 200 people, The Chaperone is an unconventional approach to documentary shorts.

In 2002, documentarian made his first "Art Safari" style film about the German photographer Andreas Gursky. It contains the ‘famous’ ‘Is it Gursky? in Reading’ ‘sketch’ and the European languages ‘sketch’. The documentary is the first art comedy documentary by Ben Lewis, featuring 20 years of gags about the art world stored up and released in this film.

Pontormo and Punks at Santa Croce

Poslední revoluce

Cesta za tancem

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Calentoso, is a young boy that must transport mules across the mountains. He will be challenged to discover the deep secrets that the summit entails. This film is based on the legend of the ghost of the Ruiz Snow Mountain in the Region of Cumanday in Colombia.

The High Holy Brothers is a documentary on a mysterious Messianic cult formed by peasants who fled the violence of the forties/fifties in Colombia and are admitted to live in the mountains of southern Tolima. Its members dress in sacks, they have their own dialect and regard everything as “Blessed”, minus the right side of the body, which castrated covering it with the “holy coat”. This group rejects all elements of the consumer society, established institutions, the state, church and political parties.

Sicily, Granitola, 1955. At the first light of dawn, the fishermen set out in their boats for open water, timing the rhythm of their oars to murmured chants. They set their nets in the sea, regulate the cords, organize the boats in a square. The men’s work becomes increasingly harder as the tuna are hoisted onto the boats, wriggling, beating their tails until death arrives and the water is tinged with blood.