Munroe Island

Salaam Kashmir revolves around two men - Tomy Eeppan Devassy and Sreekumar. Jayaram plays Sreekumar, a character who does all the domestic work expected from a wife in normal course. Into this peaceful world enters Tomy (Suresh Gopi) disrupting the domestic bliss and bringing out an unexpected twist.

Gopan is living with his 6 year old son Ashok. His neighbor Celin falls in love with him. But he reveals that Ashok's mom is alive and he narrates his story.

A forest smuggle, lives in the jungle and smuggles sandalwood. He is also involved with other anti-social behaviour and forest controlling activities like robberies, dacoity, murders and drug pedalling. He consequently kidnaps an electrician Rahul and takes him to the jungle, forcing him to teach him how to make explosives. Rahul refuses to help create bombs and is subsequently falsely accused of murder. The rest of the story is about how Rahul proves his innocence to police investigators

Weeping Boy is a Family-Romantic movie, In which Sreenivasan plays the lead. who potrays the role of a veterinary doctor, who is very much emotional for silly reasons. The theme of Weeping Boy is centered upon a person who keeps special characteristics.The movie focus on the in and out life of Sahadevan which is being picturised in a hilarious way which can tickle your funny bones.

Purushan, a student on his way to Delhi, becomes obsessed with the tragic suicide of a young drummer. He collects many people to go with him to tell the boy’s mother.

Rameshan, who has great love for cricket, fails to become a cricketer in his life. However, he tries to fulfil his dreams through his son when he realises that the child too has a passion for it.

Kadhaveedu' is a dedication to Malayalam being accorded the Shresthabhaasha (Malayalam has been declared a Classical language in 2013) status and presents, as a single entity, three different stories penned by the doyens of Malayalam literature - Vaikkom Muhammed Basheer, M T Vasudevan Nair and Madhavikutty. The film is an anthology with adaptations of stories written by renowned Malayalam fiction writers Basheer, M. T. Vasudevan Nair and Madhavikutty (Kamala Surayya).. The stories have been tweaked to fit in a modern setting and the script has been conceived by the director himself.

A special battalion of police is deployed by the government to do away with Maoist menace (A banned Left organization) in a tribal village near forest. The police forcibly occupy a tribal primary school for their camp. One day, the police are on lookout for some people in the forest near the school at night. A policeman follows a person deep into the forest and nabs the person. The person arrested happens to be a woman. He tries to come out of the forest with the arrested person, but he loses his way in the wild. The woman knows the path to get out of the forest but she is not willing to show him the way. Thus, both the hunter and the hunted are stranded in the thick forest. Power, Crime, Man, Woman, the Hunter, the Hunted... all such equations change utterly and are no more what they used to be. The film has been very un-expected resemblance with Maoist hunt and killing happened last month in Kerala.

An immensely rich farmer lives peacefully with his family in Pala and has no idea about the hectic metro life. He gets introduced to it when he hides a love-stricken couple in his house.

A taxi driver from Alleppey who always tries to keep his wife happy by taking her to very materialistic trips. She becomes more greedy and in order to keep her happy, he knowingly or unknowingly undertakes few tasks that gets him trapped.

Kavalam Jimmy and Vattathil Bosco are rivals from their school days and Minnal Simon always tries to benefit from this situation.Three of them have their own intentions and they back stab each other to attain their own aims.

Karutthamma, the daughter of a Hindu fisherman, falls in love with a Muslim fish trader. However, social prejudices seem to ruin their love life and invite the wrath of their communities.

Abraham, the planter comes from Jaffna to his ancestral home in central Kerala unaware of the unpleasant things waiting for him. On the night of his arrival, he dies under mysterious circumstances and the cloud of suspicion falls on everyone.

A wayward youth of a rich father, Jomon is a carefree youngster who doesn’t care about ‘being responsible enough’ for his age. When the family lands in a financial soup out of the blue, a different side of the youngster surprisingly emerges. ​

A group of Malayali nurses stranded in Iraq, must survive their capture by the extremists and reach out to the rescue team headed by the Indian government.

Vijay's marriage is fixed to Pavitra, the daughter of a wealthy man. Things take a turn when Vijay accidentally meets Merin and falls in love with her.

A henpecked politician wants his name attached to a new bridge, even if that means destroying another, perfectly serviceable bridge.

A band of displaced untouchables in Western Ghats of India embrace Buddhism in order to escape from caste oppression.

Born to rich parents, Majeed falls in love with his not-so-affluent neighbor Suhra. After her father's death, when Suhra struggles to make both ends meet, Majeed pleads with his father to sponsor her education. Refused, he wanders off to distant lands.

The film interprets a story from the Uttara Kanda of the epic poem Ramayana, where Rama sends his wife, Sita, to the jungle to satisfy his subjects. Sita is never actually seen in the film, but her virtual presence is compellingly evoked in the moods of the forest and the elements. The film retells the epic from a womens' liberationist perspective, and is about the tragedy of power and the sacrifices that adherence to dharma demands, including abandoning a chaste wife.