Being Carl Williams

When mob money is ditched during a police chase, three teens become embroiled with the BIG BOSS MAN. A wannabe roadman, nerd and flamboyant gay get tangled up in events with an old school gangster. A hybrid mixed genre of traditional gangster and modern comedy. Scarface, Pulp Fiction and Reservoir Dogs meets Sex Education, The Gentleman and Hot Fuzz. Cinematic, rooted in character, a nod to the past with a twist. BIG BOSS MAN is a modern take on the best of old gangster cinema.

The film follows a man who attempts to align the pictures on a wall.

To be attacked by a knife-wielding masked stranger in the dead of night could be a woman's worst nightmare or her darkest fantasy. But which is it? Both perception and reality are challenged in this taut contemporary thriller.

Planen - Bauen - Siegen

Local boy, Peter, is trying to find the source of the metallic sound that haunts the village. When he shares his footage with an old woman it sparks memories of a bear that roamed the hills during her childhood.

Vincennes, cité royale

A crow that is bored of living among other crows decides to leave them, when sees an eagle flies high in the sky. It starts following the eagle to learn how to fly higher...

Near-future Tokyo. Kou, through the help of his high school best friend, finds a surprising way to express his mounting frustration at the insidious forces of commercialism that are forcing out the neighbors he cares most about. Initially inspired by a prank that the writer-director Neo Sora (The Chicken, 2020) had pulled on him in his childhood, a sense of warm nostalgia and cold, material reality intermingle to tell a tale set in the not-so-distant future about disappearing spaces and the forces of policing and gentrification that drills this process forward.

This is one of the four "animated comics" taking place in the same universe as the film "I Am Legend". In New Delhi, India, during the Krippin Virus Pandemic, Vatsala and her family are preparing to evacuate to a shelter. That night, Vatsala sneaks out of her home and into the chaotic streets of the city to find her boyfriend, Pritam.

Love, Dad is the story of a girl named Anna who decides to move in with her stepmother after her father's death.

Wrong place wrong time is a film about two people who stumble across something that would change their lives and yet decide to do the right thing against all odds.

A ravaged London is in the midst of a century-long civil war in which the battle-line isn't race or religion: it's gender. And the resource at stake isn't land or wealth: it's reproduction. The film follows the journey of the youngest member of an underground female resistance group, and her relationship with her biological mother.

Cecile wants answers, but, actually, she doesn't. After her ex-boyfriend's return to New York triggers overwhelming feelings of doubt and confusion, she embarks on a series of telephone conversations, all of which ultimately only distract her from the one conversation she really needs to have.

Nefertiti's Daughters is a story of women, art and revolution. Told by prominent Egyptian artists, this documentary witnesses the critical role revolutionary street art played during the Egyptian uprisings. Focused on the role of women artists in the struggle for social and political change, it spotlights how the iconic graffiti of Queen Nefertiti placed her on the front lines in the ongoing fight for women's rights and freedom in Egypt today.

This portrait of a guinea fowl is the first clear vision I've had of the hot-blooded dinosaurs still living among us. (SB)

WORM AND WEB LOVE begins with bracketed light, a throbbing worm in the sand and sea foam mixed with grass and oceanic detritus, soon superimposed upon the dark blue-toned face of a man, then a woman (Michael McClure and Amy Evans McClure), each seen, then on, through superimpositions of drifting smoke and the back-lit stark grid of a spider's web. The obvious affections of the man and woman, their clear display of love, is metaphored in these tenuous superimpositions, culminating in the frantic movements of the spider itself and the dance of joy of the features of the couple in loving resolution.

This is a film made in Toronto, in memoriam, so to speak - a memory piece, a "piecing-together" of the experience of living there. The consciousness of the maker comes to sharply focused visual music - not to arrive at snapshots, as such, but rather to "sing" the city as remembered from daily living...complementary, then, to an earlier film, "Unconscious London Strata." Preserved by the Academy Film Archive in 2015.

This stream-of-consciousness could be nothing less than pathway of the soul, as images of Marilyn's window are remembered from inside-out, its "view" interwoven with all of other windowing and the Elements of the known world.

Pun on "light" intended - that short preceding expulsion of breath perhaps the "subject matter" of this film which centers in consideration of death. It is the third tone poem film and did much surprise me by thus completing a trilogy of the "4 classical Elements." (SB)

After a six -or seven- year study of Hammurabi's Code, original Babylonian Text and translation, I've tried to feel my way into the moving visual thought process of this ancient culture (whose numerical system is composed primarily of building materials, nails, joints and the like): this, then, is a visual music which balances the two thought processes of Structure and Nature.