Just Visiting This Planet

Anma (The Masseurs) is a representative and historical work by the creator of Butoh dance, Tatsumi Hijikata in his early period in the 1960s. The film is realized not only as a dance document but also as a Cine-Dance, a term made by Iimura, that is meant to be a choreography of film. The filmmaker "performed" with a camera on the stage in front of the audience. With the main performers: Tatsumi Hijikata and Kazuo Ohno, the film has the highlights such as Butohs of a soldier by Hijikata & a mad woman by Ohno. There is a story of the mad woman, first outcast and ignored, at the end joins to the community through her dance. Inserted descriptions of Anma (The Masseurs) are made for the film by the filmmaker, but were not in the original Butoh. The film, the only document taken of the performance, must be seen for the understanding of Hijikata Butoh and the foundation of Butoh.

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

Video Fanzine featuring: Half Japanese, Redd Kross with Sky Saxon as Purple Electricity, R Kern, Sonic Youth, White Flag, Psycho Daisies, Charlie Pickett, Nick Zedd, Morbid Opera More R&R, Film, Prose. Pencil numbering indicates there was a run of 600 tapes.

A murder has happened at the time of COVID, and the female cop is on duty to find the murderer.

This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.

White Flag : Flipside, Not Alright, Communication Breakdown G.B.H. : Gimme Fire, Wild Thing, I Am The Hunted 7 Seconds : This Is My Life, out of Touch, Skins brains guts Tesco Vee : worshiping /s - 7 seconds with a cat and a guessing game with: SSD doing Shangri-las, White Flag doing Pink Floyd & GBH doing the Buzzcocks. Battalion of Saints : I Wanna Make You Scream Minor Threat : Stand Up And Be Counted, Stepping Stone Rodney Mullen skating Minor Threat: betray & Jeff Nelson Brian baker (skating) it Follows Big Boys : Brickwall Stretch Marks : Professional Punks Urinals/100 Flowers : California Falling, Surfing With The Shaw, With: Keith Morris and D Boon Black Flag : Scream in Mike Muir's garage Kraut : Kill For Cash Minutemen : Split Red, Life As A Rehearsal, Ack Ack Ack Ack Angst : This Guns For You, Neil Armstrong Dickies : If Stuart Could Talk, Manny, Moe, and Jack, You Drive Me Ape, Gigantor ENDCLIPS: The Avengers, The Eyes, 45 Grave, SIN 34

The Naked Summer is a film that documents young artists' effort and growth while training and preparing for a performance of Butou that is praised internationally as a unique art form. Butou was born about 40 years ago as a form of modern dance that pursues the untraditional movement of the body and defies the convention of the human body. As a result, it is known for the dancer's strange facial expressions, naked body covered in white powder, and strong visuals. The film contains the summer training process of the dance group Dairakudakan led by a veteran artist of Butou, Akaji Maro

The dark sensibilities and cultural resonances of Butoh, the radical Japanese dance movement, are explored in this multilayered work. Profoundly rooted in both traditional and contemporary Japanese culture, Butoh arose in a spirit of revolt in the early 1960s. Characterized by frank sexuality and bodily distortions, Butoh transforms traditional dance movements into new forms, stripping away the taboos of contemporary Japanese culture to reveal a secret world of darkness and irrationality.

The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.

On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, shopping malls and stadiums where punk rock music and culture continue to thrive.

BURN GENTLY is an exploration into the ins and outs of the music industry, its growth, pressures, expectations and its hardships, through the lens of Australia’s many influential artists, contributors and industry professionals.

A visual documentary of Einstürzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and remarkably choreographed appearance in the ruins of an old ironworks which was scheduled for demolition; footage of same was incorporated into the movie and a brief appearance on stage.

In the 60's and into the 70's, Kazuo Ohno himself produced three 16mm films. His many performances at the "Teatro Fonte" in Yokohama have been preserved with high quality Beta cameras. In addition, the television station NHK has made recordings of many of his theater performances since the premiere of "The Dead Sea" in 1985. Together, the Kazuo Ohno Dance Studio and NHK own over one hundred hours of footage. This is complemented by a 1994 film by Daniel Schmid and new 16mm footage of Kazuo Ohno filmed especially for this project in October of 2000. From these resources, this 111 minute Video/DVD was assembled. "Beauty and Strength" includes dance performances, film excerpts and interviews, examples of Ohno's drawings and writings, as well as biographical information, creating a comprehensive look into the world of Kazuo Ohno's dance.

Comprising historic archive footage and texts this DVD box enlightens us greatly about Yoshito Ohno's here and now. Butoh has a distinct starting point, namely, in 1959, with Kinjiki , a duet featuring Tatsumi Hijikata and Yoshito Ohno. His father, the legendary Kazuo Ohno created another epoch-making opus in 1977 Admiring La Argentina, with Yoshito Ohno as production manager. These links are no mere coincidence. To date, we've tended to overlook Yoshito Ohno, barely granting him the recognition he merits. Just as dance requires a lengthy gestation period in which to evolve, his dance has finally come into our field of vision, in all its freshness and stark-nakedness, linking Butoh's origins to its zenith, to a point where he now stands at a crossroads.

A selection of seemingly unconnected scenes featuring Nick Cave, Blixa Bargeld, Nina Hagen and Lene Lovich. Losely based on Voltaire's satire "Candide".

Il est minuit, Paris s'éveille

A documentary about composer/producer/performer JG Thirlwell and his musical alter-egos, including Foetus, Steroid Maximus and Manorexia. Featuring interviews with Thirlwell, Matt Johnson (The The), Alex Hacke (Neubauten), Michael Gira (Swans), Richard Kern, Lydia Lunch and more.

A document of Tatsumi Hijikata's Butoh dance with Kazuo Ohno as the guest dancer shot in Hijikata's early period when he was emerging as the originator of Butoh. All of the male dancers are dressed up with evening suits and move gracefully, yet an intruder breaks up the whole scene abruptly. The film is worth seeing, even if just to see a memorable gay duet of Hijikata and Ohno. Overexposed, washed out images are sandwiched among normal ones.

The work contains Butoh works and methods by Tomoe Shizune in omnibus format. It will be re-edited and published based on what was provided as the text for the Butoh course at the Grotowski Institute, Poland by Tomoe Shizune & Hakutobo, 2018. The Grotowski Institute is engaged in a wide range of research related to physical expression, as well as physical training based on the research of the prominent Polish director Jeray Grotowski (1933-1999) who founded the experimental theater "Teatr Laboratorium" in 1959. The coaction between Tomoe's music and Butoh is highlight.

This work has been long-awaited as a masterpiece which is not performed in public since it was staged 31 years ago in 1989. This valuable video will be recorded in full and will be released for the first time. The story of a seed that fell to one point on the stage, and a tree that grew bravely and dignifiedly there. Amid the sounds of Tomoe Shizune’s exquisitely beautiful Guitar piece, the dancers’ bodies overflow with life and love of nature.