Video Fanzine featuring: Half Japanese, Redd Kross with Sky Saxon as Purple Electricity, R Kern, Sonic Youth, White Flag, Psycho Daisies, Charlie Pickett, Nick Zedd, Morbid Opera More R&R, Film, Prose. Pencil numbering indicates there was a run of 600 tapes.
Anma (The Masseurs) is a representative and historical work by the creator of Butoh dance, Tatsumi Hijikata in his early period in the 1960s. The film is realized not only as a dance document but also as a Cine-Dance, a term made by Iimura, that is meant to be a choreography of film. The filmmaker "performed" with a camera on the stage in front of the audience. With the main performers: Tatsumi Hijikata and Kazuo Ohno, the film has the highlights such as Butohs of a soldier by Hijikata & a mad woman by Ohno. There is a story of the mad woman, first outcast and ignored, at the end joins to the community through her dance. Inserted descriptions of Anma (The Masseurs) are made for the film by the filmmaker, but were not in the original Butoh. The film, the only document taken of the performance, must be seen for the understanding of Hijikata Butoh and the foundation of Butoh.
"Dope, Hookers and Pavement" is a lively and unfiltered account of the early days of the Detroit hardcore punk scene, circa 1981-82, in the notorious Cass Corridor, arguably one of the worst neighbourhoods in the city at the time. Featuring over 70 in-depth interviews — including John Brannon (Negative Approach), Tesco Vee (Meatmen, Touch and Go), Ian MacKaye (Minor Threat, Dischord Records), pro skater Bill Danforth, scene kids, and members of the Necros, The Fix, Violent Apathy and Bored Youth — and never-before-seen Super8 footage of the Freezer, "Dope, Hookers and Pavement" is both hilarious and reflective, and an overdue record of a nearly invisible but magic little moment in the long history of Detroit rock'n'roll.
Absorbed, Unnatural, Dismal, Deface, SOK, Wisdom, Detestor ... Names linked to a very specific movement such as Death Metal and to a time and place as the Galicia from the 1990s. In this documentary, through interviews with members of that movement, from band members to producers or fanzine writers, we try to pay homage to an underground movement as Galician Death Metal along the 90s, deepening its history and its stories.
The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
A group of high school teens steal a van full of music equipment and pretend to be a band called "Truckstop" in order to stay on the road. When the band starts playing gigs, their sound is largely inconsistent and incoherent, however, over time the band becomes increasingly competent in their musicianship.
White Flag : Flipside, Not Alright, Communication Breakdown G.B.H. : Gimme Fire, Wild Thing, I Am The Hunted 7 Seconds : This Is My Life, out of Touch, Skins brains guts Tesco Vee : worshiping /s - 7 seconds with a cat and a guessing game with: SSD doing Shangri-las, White Flag doing Pink Floyd & GBH doing the Buzzcocks. Battalion of Saints : I Wanna Make You Scream Minor Threat : Stand Up And Be Counted, Stepping Stone Rodney Mullen skating Minor Threat: betray & Jeff Nelson Brian baker (skating) it Follows Big Boys : Brickwall Stretch Marks : Professional Punks Urinals/100 Flowers : California Falling, Surfing With The Shaw, With: Keith Morris and D Boon Black Flag : Scream in Mike Muir's garage Kraut : Kill For Cash Minutemen : Split Red, Life As A Rehearsal, Ack Ack Ack Ack Angst : This Guns For You, Neil Armstrong Dickies : If Stuart Could Talk, Manny, Moe, and Jack, You Drive Me Ape, Gigantor ENDCLIPS: The Avengers, The Eyes, 45 Grave, SIN 34
Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.
A murder has happened at the time of COVID, and the female cop is on duty to find the murderer.
This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.
This documentary by Paolo Fazzini revolves around the birth of italian rap music movement in early 90's.
A documentary about composer/producer/performer JG Thirlwell and his musical alter-egos, including Foetus, Steroid Maximus and Manorexia. Featuring interviews with Thirlwell, Matt Johnson (The The), Alex Hacke (Neubauten), Michael Gira (Swans), Richard Kern, Lydia Lunch and more.
Il est minuit, Paris s'éveille
In a mockumentary style reality show, we follow X-Coast aka Bojan Cizmic going over the world and marketing his X-Coast Deejay Academy. On his travels he meets various known alumni from the techno scene. But when trouble starts, return to homeland is the best solution.
BURN GENTLY is an exploration into the ins and outs of the music industry, its growth, pressures, expectations and its hardships, through the lens of Australia’s many influential artists, contributors and industry professionals.
An alternative documentary following the trail of blood and carnage of Philadelphia’s own Deathmatch Rock n’ Roll pioneers, Eat the Turnbuckle, from beer-soaked bars to the largest stage in the world of metal.
A visual documentary of Einstürzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and remarkably choreographed appearance in the ruins of an old ironworks which was scheduled for demolition; footage of same was incorporated into the movie and a brief appearance on stage.
A document of Tatsumi Hijikata's Butoh dance with Kazuo Ohno as the guest dancer shot in Hijikata's early period when he was emerging as the originator of Butoh. All of the male dancers are dressed up with evening suits and move gracefully, yet an intruder breaks up the whole scene abruptly. The film is worth seeing, even if just to see a memorable gay duet of Hijikata and Ohno. Overexposed, washed out images are sandwiched among normal ones.
A selection of seemingly unconnected scenes featuring Nick Cave, Blixa Bargeld, Nina Hagen and Lene Lovich. Losely based on Voltaire's satire "Candide".
Brutto Nostra