This was a Krazy Kat cartoon made for Charles Mintz and distributed by Columbia. While the studio originally based the character on the comic strip created by George Herriman, by 1931 he was changed in design and personality to be more like Walt Disney's popular Mickey Mouse (whose cartoons, ironically, were also distributed by Columbia at the time).
Popeye and Olive are at the rodeo, starring Badlands Bluto. Olive is impressed by Bluto's stunts, many of them designed to make Popeye look bad. Dynamite, the bronco that's never been ridden busts out and Popeye, seeing his chance, downs some spinach and manages an impressive series of tricks, culminating in firing a bullet at Bluto and lassoing it just in time. Bluto's had enough, and he substitutes loco weed for Popeye's spinach, then challenges him to throw the bull. Popeye's fried brain sees the bull as a beautiful woman; he tries to dance with it. The bull throws Popeye against the box where Bluto is now sitting and throws the remaining loco weed into Bluto's open mouth; he sees Olive as a bull and grabs her. He tries to brand her; her cries of help arouse Popeye, who pulls out a fresh can of spinach and goes to work.
An elderly rodeo rider becomes mentor to a young man attempting to make his own name in the business.
With his bronco-busting career on its last legs, Junior Bonner heads to his hometown to try his luck in the annual rodeo. But his fond childhood memories are shattered when he finds his family torn apart by his greedy brother and hard-drinking father.
A veteran rodeo rider takes on a young apprentice in order to "teach him the ropes", and winds up competing against him.
Cowgirls 'n Angels Dakota's Summer tells the story of Dakota Rose, a cowgirl and competitive trick rider who finds out at the age of seventeen that she was adopted. She secretly sets out to discover the truth about her adoption and meet her birth parents while visiting her grandfather, rodeo legend Austin Rose. At Austin's ranch on break from the Sweethearts of the Rodeo trick riding team, Dakota discovers that family is not defined by blood, but rather personal commitment and by the love they share. Finally at peace, Dakota trains with Austin in order to prepare to rejoin the Sweethearts for their final competition against the talented Lone Star trick riding team and become the champion trick rider she was destined to be.
Kazakh journalist Borat Sagdiyev travels to America to make a documentary. As he zigzags across the nation, Borat meets real people in real situations with hysterical consequences. His backwards behavior generates strong reactions around him exposing prejudices and hypocrisies in American culture.
Once a rising star of the rodeo circuit, and a gifted horse trainer, young cowboy Brady is warned that his riding days are over after a horse crushed his skull at a rodeo. In an attempt to regain control of his own fate, Brady undertakes a search for a new identity and what it means to be a man in the heartland of the United States.
This Columbia western starring Charles Starrett finds Steve Randall (Charles Starrett) forming a radio show with Jimmy Wakely (Jimmy Wakely) and his Saddle Pals, and are in town for a rodeo. Reporter Connie Pearson (Constance Worth) persuades them to visit Marty Jones (Elvin Fields), a fatherless boy, who has been sent to a boy's home after stealing Steve's wallet, ran by Tom Goodwin (Forrest Taylor.) Marty tells Steve that the home is a phony and is a front for cattle rustlers. Steve passes the information on to Connie, who doesn't believe him, so he and Jimmy wire the ranch for sound. They are caught and Goodwin turns them over to Sheriff Barnes (Edmund Cobb), and then plans to skip the country
Dusty Chandler is a super star in the country music world, but his shows have the style of a '70s rock concert. One day he takes a walk - out of his overdone concerts to find his real country roots. He's helped and hindered by friends and staff, but pushes on in his search for a real music style as well as a real romance.
Two punks from the big city, traveling across the country in a Volkswagen bug, embrace the western ethos when they must take revenge against a group of rednecks for killing their friend in this lighthearted road movie. Along the way, they enlist the help of a young woman who runs a wrecking service.
A man and a woman running from their pasts are trapped on a collision course with the future. Frank T. Wells, a newly-released ex-con looking for a few acres of freedom on the rodeo circuit. Scarlett Stuart, a wild beautiful woman on the run from a bank robbery gone desperately wrong. Together they will explore their own personal vision of the American Dream.
Two rival rodeo bullfighters try to save a kidnapped girl.
Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud's nephew Lon admires Hud's cheating ways, though he soon becomes too aware of Hud's reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He's a cheat, but, he explains, "I always say the law was meant to be interpreted in a lenient manner."
Ben (Glenn Ford) and Marion (Henry Fonda) are two cowboys who make a meager living breaking wild horses. Their frequent employer Jim (Chill Wills), who always gets the better of them, talks them into taking a nondescript horse in lieu of some of their wages. Ben finds that the horse is un-rideable, he comes up with the idea of taking it to a rodeo and betting other cowhands they cannot ride it.
CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.
Cowboys Beauregard Decker and Virgil Blessing attend a rodeo in Phoenix, where Decker falls in love with beautiful cafe singer Cherie. He wants to take Cherie back to his native Montana and marry her, but she dreams of traveling to Hollywood and becoming famous. When she resists his advances, Decker forces Cherie onto the bus back to Montana with him, but, when the bus makes an unscheduled stop due to bad weather, the tables are turned.
In a tale set in the rough and tumble world of professional rodeo, an over-the-hill former champion broncobuster and a young hitchhiker develop a special friendship.
Two championship rodeo partners travel to New York to find their missing friend, Nacho Salazar who went missing there.
A western rodeo rider is cast in a starring role in a new Hollywood film, but his temperamental and spoiled leading lady proves difficult to tame.