Alice at the Rodeo

Popeye and Olive are at the rodeo, starring Badlands Bluto. Olive is impressed by Bluto's stunts, many of them designed to make Popeye look bad. Dynamite, the bronco that's never been ridden busts out and Popeye, seeing his chance, downs some spinach and manages an impressive series of tricks, culminating in firing a bullet at Bluto and lassoing it just in time. Bluto's had enough, and he substitutes loco weed for Popeye's spinach, then challenges him to throw the bull. Popeye's fried brain sees the bull as a beautiful woman; he tries to dance with it. The bull throws Popeye against the box where Bluto is now sitting and throws the remaining loco weed into Bluto's open mouth; he sees Olive as a bull and grabs her. He tries to brand her; her cries of help arouse Popeye, who pulls out a fresh can of spinach and goes to work.

This was a Krazy Kat cartoon made for Charles Mintz and distributed by Columbia. While the studio originally based the character on the comic strip created by George Herriman, by 1931 he was changed in design and personality to be more like Walt Disney's popular Mickey Mouse (whose cartoons, ironically, were also distributed by Columbia at the time).

Teenage Callie has a wild streak. When her mother goes to London on business, she sends Callie to her sister's ranch for a dose of hard work and responsibility. Callie is sullen, at first, naturally, but perks up at the sight of a beautiful but wild black horse. When she overhears of the horse's destruction, due to his inability to be tamed, she arranges to steal the horse with a fellow ranch hand named Rafe. In hiding, the two begin to calm the horse and start his training. It works. But, will their hideaway be discovered?

A western rodeo rider is cast in a starring role in a new Hollywood film, but his temperamental and spoiled leading lady proves difficult to tame.

In the city of Cajamar, in the middle of ruined nature, lonely characters deal with the police, rodeos and mysterious fires.

Sharks attack a fish rodeo on the Mississippi River, and it is up to a group of locals to stop them.

Two peanut vendors at a rodeo show get in trouble with their boss and hide out on a railroad train heading west. They get jobs as cowboys on a dude ranch, despite the fact that neither of them knows anything about cowboys, horses, or anything else.

A former champion rodeo rider is reduced to using his saddle skills to promote a breakfast cereal in a gaudy Las Vegas show. When he's asked to perform with a $12 million horse, he discovers it is being doped to remain docile. He flees into the desert astride the beast in an act of defiance. A story-hungry female reporter gives chase.

While filing for a divorce, beautiful ex-stripper Roslyn Taber ends up meeting aging cowboy-turned-gambler Gay Langland and former World War II aviator Guido Racanelli. The two men instantly become infatuated with Roslyn and, on a whim, the three decide to move into Guido's half-finished desert home together. When grizzled ex-rodeo rider Perce Howland arrives, the unlikely foursome strike up a business capturing wild horses.

Dusty Chandler is a super star in the country music world, but his shows have the style of a '70s rock concert. One day he takes a walk - out of his overdone concerts to find his real country roots. He's helped and hindered by friends and staff, but pushes on in his search for a real music style as well as a real romance.

Two championship rodeo partners travel to New York to find their missing friend, Nacho Salazar who went missing there.

In a tale set in the rough and tumble world of professional rodeo, an over-the-hill former champion broncobuster and a young hitchhiker develop a special friendship.

This film chronicles the life of Lane Frost, 1987 PRCA Bull Riding World Champion, his marriage and his friendships with Tuff Hedeman (three-time World Champion) and Cody Lambert.

With his bronco-busting career on its last legs, Junior Bonner heads to his hometown to try his luck in the annual rodeo. But his fond childhood memories are shattered when he finds his family torn apart by his greedy brother and hard-drinking father.

An elderly rodeo rider becomes mentor to a young man attempting to make his own name in the business.

A man and a woman running from their pasts are trapped on a collision course with the future. Frank T. Wells, a newly-released ex-con looking for a few acres of freedom on the rodeo circuit. Scarlett Stuart, a wild beautiful woman on the run from a bank robbery gone desperately wrong. Together they will explore their own personal vision of the American Dream.

Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud's nephew Lon admires Hud's cheating ways, though he soon becomes too aware of Hud's reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He's a cheat, but, he explains, "I always say the law was meant to be interpreted in a lenient manner."

Ben (Glenn Ford) and Marion (Henry Fonda) are two cowboys who make a meager living breaking wild horses. Their frequent employer Jim (Chill Wills), who always gets the better of them, talks them into taking a nondescript horse in lieu of some of their wages. Ben finds that the horse is un-rideable, he comes up with the idea of taking it to a rodeo and betting other cowhands they cannot ride it.

New Yorkers Paul and Meryl Morgan seem to have it all -- except that their marriage is crumbling around them. But their romantic woes are small compared to the trouble they find themselves in after witnessing a murder. To protect them from an assassin, federal agents whisk away Paul and Meryl to a small town in Wyoming, where their marriage will crash and burn, or their passion will reignite.

CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.