A young man discovers the reason his new bride killed herself.
A look into the effects of domestic violence and alcohol abuse in same sex relationships as we follow Mollie as she battles to live a normal life with her abusive lesbian partner Ashley.
Zia, distraught over breaking up with his girlfriend, decides to end it all. Unfortunately, he discovers that there is no real ending, only a run-down afterlife that is strikingly similar to his old one, just a bit worse. Discovering that his ex-girlfriend has also "offed" herself, he sets out on a road trip to find her.
Based on a local legend and set in an unknown era, it deals with universal themes of love, possessiveness, family, jealousy and power. Beautifully shot, and acted by Inuit people, it portrays a time when people fought duels by taking turns to punch each other until one was unconscious, made love on the way to the caribou hunt, ate walrus meat and lit their igloos with seal-oil lamps.
The film begins with a flashback from the titular character, Antoine. We are introduced to his fixation with female hairdressers which began at a young age. The film uses flashbacks throughout and there are frequent parallels drawn with the past. We are unsure what Antoine has done with his life, however, we know he has fulfilled his childhood ambition, to marry a hairdresser.
Edwardian England. A precocious girl from a poor background with aspirations to being a novelist finds herself swept to fame and fortune when her tasteless romances hit the best seller lists. Her life changes in unexpected ways when she encounters an aristocratic brother and sister, both of whom have cultural ambitions, and both of whom fall in love with her.
Sylvi's child is run over by a bus, prompting her to drink poison. She goes blind in the process, causing her husband to lust after her much younger sister. After undergoing a dangerous operation to regain her sight, she hides her repaired vision behind dark eyeglasses, so she can spy on her sister and husband as they carry on their affair.
A young woman who has been in and out from rehab for the past 10 years returns home for the weekend for her sister's wedding.
When a dinner party descends into a vicious sibling argument between Tom and Emily, their partners Jade and Norman can't wait to escape, but clumsy revelations quickly expose that the one thing they have in common is a truly awkward secret.
When George and her colleagues get a new boss whose focus is on moving souls quickly and enjoying life without consequences, the team begins to break the strict reaper rules. While her friends fall victim to their desires for money, success, and fame, George breaks another rule by revealing her true identity to her living family.
Brother and sister meet again after 15 years and fall in love with each other.
Sussex, England, 1938. Shortly before the outbreak of World War II, Thomasina and Martha Hanbury, two ingenious sisters, create LOLA, a miraculous machine.
An old woman has died and her widower with dementia confesses to killing her. After this, the story goes back in time to show the events leading up to her death.
After the death of her husband, the mother of Julie, Jack, Sue and Tom begins to suffer from a mysterious illness. Aware that she is going to have to go into hospital she opens a bank account for the children, so that they can be financially self-sufficient and will be able to avoid being taken into care by the authorities. Unfortunately she also dies and Julie and Jack (the older, teenage children) decide to hide her body in the basement so that they can have free reign of their household. Soon Tom has taken to dressing as a girl whilst Sue has become increasingly reticent, confiding only to her diary, meanwhile Jack and Julie sense an attraction developing for each other. However Julie's new beau, Derek, threatens to unearth the many dark secrets within this family as he becomes increasingly suspicious of Jack.
Eddie is an old rock'n'roller who lives tormented by his memories, which make him unable to live in the present.
The King is the story of Graham Kennedy, Australia's first and greatest home grown TV superstar. It traces his rise from working class Balaclava kid, through radio, TV, film, and back to TV again. It also tracks Kennedy's personal tragedies - the loneliness, the unrealised ambitions and the terrible pressures of being Australia's first homegrown superstar in the 1950s and 60s.
The Chumscrubber is a dark comedy about the lives of people who live in upper-class suburbia. It all begins when Dean Stiffle finds the body of his friend, Troy. He doesn't bother telling any of the adults because he knows they won't care. Everyone in town is too self consumed to worry about anything else than themselves. And everybody is on some form of drug just to get through their days.
Local baron decides to take poor Kikola’s land and orders a local witch Babale to persuade Kikola’s wife that non-compliance will bring suffering to their children Kato and Kajana. On the day of the Bonfire, Kato plays a wicked trick on her brother by dressing up as an evil imp. The shock makes Kajana dumb. The parents take him to a distant village where he has to "meet the miraculous icon" in hope of recovery.
Sabu and his pals hold a pauper's funeral for Sabu's mother. His brother Jiro arrives home, fresh out of jail, and Sabu pointedly states that Jiro is not invited. Jiro meanwhile is planning a big job - steal 40 million in cash and drugs, and he invites Sabu and gang to act as decoys, for 50,000 each. The sting is a success, but the double-crossing starts almost immediately. Sabu discovers how little of the take they were promised and hides the stash. Jiro and his slimy partner pressure the kids to fess up. Meanwhile, their respectable elder brother Ichiro is being leaned on by the town's big boss, whose money it was.
Seven episodes, each taking place on a different day of the week, on the theme of suicide and violent death.