Der Zweite Weltkrieg - Amerikas Eintritt in den 2. Weltkrieg gegen Deutschland und Japan

French film and WWII historian Sylvie Lindeperg analyzes Alain Resnais's seminal 1956 film, "Night and Fog", and attempts to place it in the context of the historical treatment of WWII, and specifically of the Holocaust, in the decade following those harrowing events. Oddly, she argues that the images of Resnais's famous film are "powerless", in her words.

We Are Not Princesses is a documentary film about the incredible strength and spirit of four Syrian women living as refugees in Beirut as they come together to tell their stories of love, loss, pain and hope through the ancient Greek play, Antigone.

On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).

In 1946, just after the end of World War II, a secret organization of Holocaust survivors plans a terrible revenge: since the Nazis have killed millions of Jews, they will kill millions of Germans.

In September of 2017 German writer and director Daniel Raboldt accompanied a group of German and Polish scientists and students into the woods of Masuria, Poland. The expedition aimed to find traces of the so-called "lost villages", left by the Masurians around 1945 by the end of the Second World War. Today only some of the old graveyards can be found deep in the woods of the beautiful Masurian landscape. The documentary "In the back of history - The lost villages of Masuria" shows the students at their work in the historic archives and in the woods. How conclusive can this kind of historic research be? How much can we really learn by looking through old files or other sources? And what can we learn from the vanishing of the Masurians? Do we face similar problems today? The film dives deep into themes like the rise of nationalism and identity and uncovers the tragic end of a population that was asked one simple question in the early 20th century: Stay or Leave?

Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish contemporary artist Richard Mosse. Partly inspired by Joseph Conrad’s modernist literary masterpiece Heart of Darkness, the visceral and moving work was filmed in the Democratic Republic of Congo using 16mm colour infra-red film, which captures otherwise invisible parts of the spectrum. The resulting imagery in Mosse’s work is hallucinatory and dream-like with the usual greens of jungle and forest replaced by shimmering violet. The Enclave depicts a complicated, strife-ridden place in a way that reflects its complexity, using a strategy of beauty and transfixion to combat the wider invisibility of a conflict that has claimed so many.

Khawla's Goal

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Tells the story of probably the world's greatest pilot through an extensive and in-depth interview: Capt Eric "Winkle" Brown CBE, DSC, AFC. From his flight with WW1 German fighter ace Ernst Udet in 1936 through to commanding a squadron of Buccaneers at the height of the Cold War, we hear how "Winkle" Brown experienced the rise and fall of Nazism; how he flew the most dangerous, uncontrollable aircraft, how he cheated death countless times.

On the morning of December 7, 1941, aircraft and midget submarines of the Imperial Japanese Navy began a surprise attack on the U.S. Despite long standing assertions that this attack could have been predicted and prevented by the U.S. military, the U.S. forces at Pearl Harbor appeared to be utterly unprepared. This is the story of the attack that drew the U.S. into World War II. This exclusively licensed series contains a plethora of compelling images and film footage from before and after this historic battle.

This documentary is a captivating account of the defense of Wake Island by a small contingent of United States Marines and civilian contractors. From December 8th until December 23rd, 1941 the defenders thwarted an aerial attack and an attempted amphibious landing from a naval task force before finally being overwhelmed by the third attempt by the Japanese Imperial Navy.

An examination of the how television news in the US has covered war from Vietnam to the present day

A remarkable film that takes a special look at the first war to be truly reported and recorded by one of the more unsung heroes of World War II: the combat photographer. Through the unflinching eye of their camera's lenses, these courageous soldiers continually risked their lives in their brave attempts to capture history.

This FitzPatrick Miniature visits the Union of Soviet Socialist Republics (USSR), the largest geographically unbroken political unit in the world, covering one-sixth of the world's land mass.

39-45 : Les policiers dans la résistance

This is the story of survivors of the Srebrenica genocide, the only holocaust in Europe since WWII. 8,372 Bosnian men and boys were killed in one week.Heartbreaking and mind blowing testimonials - the story told by survivors, contrasted by hauntingly beautiful landscapes and horrifying archive. The film portrays extraordinary characters, people who have been struggling to come to terms with the past as well as dealing with the harsh realities of living in one of the poorest countries in Europe. Their stories raise serious and profound questions about the nature of human existence, war and forgiveness.

The Unknown Woman is a documentary film scripted and directed by Elina Kivihalme. It depicts the reality of Finnish agriculture and forestry during the war years, when the home front relied entirely upon the work and endurance of the women. All farm work, caring for the children, woodcutting and other forestry operations were undertaken by the civilians, as the men in their prime were on the front.

Scholars and eyewitnesses provide a picture of the 75 hours between the atomic bombings of Hiroshima and Nagasaki and document the contradictions, interrelationships, and ambiguities of politics and military strategy in time of war.

Drawing upon eye-witness accounts from survivors and participants in the bombing of Hiroshima, this programme shows how both Japan and the United States are still facing enormous problems in coming to terms with the legacy of that fateful August day.

Borrowed From Nature explores the rich and complex history of Japanese gardens in western Canada. Through the principles and design philosophy of famed Japanese Canadian designer Roy Tomomichi Sumi, we visit Japanese gardens in Lethbridge, AB, Vancouver, BC, and New Denver, BC, revealing hidden testaments to an enduring Japanese influence in our country