Monsieur Feydeau has writer's block and he needs a new play, so he takes an opportunity to observe his upper class neighbors of 1900 Paris. There is Monsieur Boniface with hard domineering wife Angelique; also, Monsieur Cotte with beautiful but neglected wife Marcelle. Henri Cotte traces architectural anomalies (mostly "ghost" sounds in the drain pipes) and plans a night at the Hotel Paradiso, which happens to be the chosen romantic rendezvous spot of Marcelle and Monsieur Boniface. One wife, two husbands, a nephew, and the perky Boniface maid, all at this 'by the hour' hotel and consummation of the affair is, to say the least, severely compromised (not the least by a police raid). All of this is under Feydeau's eye, and his play is the 'success fou' of the next season.
When Madea gets sick, her family comes to her aid. What they don't realize is that they're the ones who need her help. As always, Madea's cockeyed outlook on life saves the day and guarantees side-splitting laughs along the way.
In rural 1840's Scotland, Gavin Dishart arrives to become the new "little minister" of Thrums's Auld Licht church. He meets a mysterious young gypsy girl in the dens and to his horror Babbie draws him into her escape from the soldiers after she incites a Luddite riot. But unknown to Gavin, Babbie is more than she seems. And they must overcome her secret, the villagers' fears of her, and worst of all, Gavin's devotion to his mother's sensibilities, before they can openly declare their love.
Timon loves to give parties and objects to friends, but when he cannot pay his creditors, his "friends" refuse to help him, and he becomes a misanthropic hermit.
Everyman is successful, popular and riding high when Death comes calling. He is forced to abandon the life he has built and embark on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out. One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, it now explodes onto the stage in a startling production with words by Carol Ann Duffy, Poet Laureate, and movement by Javier De Frutos.
A Kuwaiti play talks about the life of Kuwaitis in the years of poverty experienced by Kuwaitis before the economic boom in the seventies, and discusses work in a comic framework of economic and social problems, including poverty, education, and health, by dealing with the stories of work heroes.
A Kuwaiti comedy play that talks about the period that followed the liberation of Kuwait from the Iraqi invasion. The play cynically dealt with the issue of women entering the political battlefield through Umm Ali (Ansar Al-Sharah) mother, wife and housewife who decides to run in the parliamentary elections and faces many problems and strange situations .
The play deals with two characters of the Thousand and One Nights, from which the author formulated a separate story to address a specific purpose
An artist struggles to finish his work while a storyline about a cult plays in his head. As the cult spirals towards a fundamentalism that will destroy the world, the artist decides to destroy his muse to redeem the world.
The play tells the story of a Bedouin family consisting of the father of Umbriek, the mother of (Intisar Al-Sharah) and the sons of (Abdul Rahman Al-Aql) and (Muhammad Al-Ajimi), waiting for their elder son Sanhaat (Ahmed Jawhar [?]) Who was sent abroad to study for the doctorate, but was surprised by his return and accompanied him His foreign wife (Abeer al-Jundi), which is difficult to adapt to customs and traditions, the family always relies on consulting uncle Abu Muslafah (Ghanem Al-Saleh) who, along with Dr. Sunhat's father, is trying to find a suitable job for their son, Dr. Sunhat, to be shocked by obstacles that prevent him from the job.
To reject sectarianism, and called for non-discrimination. In this play that presented in the theatrical season 1985-1986 and embodied the character of Abu Abdullah,two students struggle at the university (Jassem Al-Nabhan and Abdul Nasser Al-Zayer), one of whom is from the Sunni and the other is Shiee.
A political and social play in which the old narrator preaches and guides during the Iran-Iraq war, the bombings that occurred in Kuwait and the attempted assassination of the Emir of the State of Kuwait during that period, and the clear difference in opinions between support for stopping the war on Iran and the positions of the President of Iraq.
Her Excellency the Minister wife , a black comedy that reflects aspects of our bitter reality. There is no doubt that the theatrical drama since the first manifestation of its manifestation until now has not changed the law that Aristotle planned and codified for him, in addition to its dependence on the availability of the requirements of the dramatic conflict whereby he adopted the necessity of events and drew visions through beauty tools The technician is known, however, that the concept of conflict is beginning to change
A Kuwaiti social comedy play presented to the leaders of the Gulf states at the Gulf Summit in 1985, which was written by Abdul-Hussein Abdul-Ridha, a satirical play that discusses family issues, family bonding and religious extremism, the play talks about the loss of children and the home, neglect of parents, and who is responsible for that.
The play takes place in a romantic comedy about the spoiled girl (Dalal), who falls in love with the pharmacist (Fahd), and her father asks him to trick her into loving her for thirty days.
Hilal Haji Ramadan is a single person in Salmiya who is a reckless and wasteful person, which leads not to multiply debts on him and chasing his debtors, and he has a friend who is a doctor close to him, but on the contrary, he is a human being, a messenger and a shark lover. A day will come and meet Hilal his princess while she falls in the Salmiya market, and her princess is the beautiful rich girl. He falls in love with her, and the irony lies in that she herself is his fiancée, his close friend, and the events continue until the princess admires Hilal and his opposite personality of his friend and falls in love with Hilal.
A dark Kuwaiti comedy that follows "Arab," an idealist who embarks on a fantastical journey with "Marjan the Genie" to unite the Arab world—only to confront a reality far from his hopes.
A social comedy play that shows what some young people do when traveling to some countries, where Saleh traveled with his owner - Bo Obaid to Bangkok, lying to his father Bousaleh on the pretext of searching for his son, but the son comes from London as soon as the father goes to the airport Bou Saleh and his grandson travel with the family of Sahib Saleh - Bou Obeid. Upon their arrival, the police in Bangkok arrest the grandson of Abu Saleh, why did the Bangkok police arrest the grandson of Bou Saleh? Is what Saleh said is true?
The play deals in a social comic framework, the period of the Iraqi invasion of Kuwait in 1990, and what was experienced by Kuwaitis and Iraqis alike during the aggression period, through the social changes that occurred in both societies in that period.
A Kuwaiti comedic romance drama following the story of an accountant that fell in love with the daughter of his employer.