A Little Family Conversation

Lithuania, 1941, during World War II. Hundreds of thousands of texts on Jewish culture, stolen by the Germans, are gathered in Vilnius to be classified, either to be stored or to be destroyed. A group of Jewish scholars and writers, commissioned by the invaders to carry out the sorting operations, but reluctant to collaborate and determined to save their legacy, hide many books in the ghetto where they are confined. This is the epic story of the Paper Brigade.

Elliott Gould narrates this affectionate look at life in the shtetls of Eastern Europe in the 19th and early 20th centuries. "It's unreal that all this could have just disappeared," says Polish native Mariem Adler Stok, one of the seniors whose memories of this "Yiddish world" give this documentary its life. The hour traces Jewish history in Europe and explores Jews' focus on education, their religious customs, clothing, food, music and theater.

Set in Berlin and New York's Lower East Side, The Great Yiddish Love stars the self-exiled Marlene Dietrich and her Nazi-endorsed replacement, Zarah Leander. It is a melodrama of love, emigration, and betrayal reassembled from Hollywood, German Ufa and Yiddish films from the 1930s and 40s.

A bissele Glik

An upbeat, witty, and timely exploration of a global community of artists creating innovative work in their quest to rediscover and revitalise the endangered Yiddish language. From behind-the-scenes with an acclaimed Yiddish-language version of Yentl in Melbourne, to enjoyably transgressive punk-Klezmer musicians, and Barrie Kosky’s latest trailblazing production in Berlin – the endangered Yiddish language is alive and well in this rousing documentary. The language originated amongst the Jewish community in Eastern Europe, but almost disappeared when more than half of the world’s Yiddish speakers were murdered during the Holocaust. Most of the artists and performers (aka Yiddishists) in the film didn’t grow up speaking Yiddish, but all have found solace, identity, and inspiration in its rich traditions and culture. Ros Horin has mapped a fascinating cultural history.

An immigrant worker at a pickle factory is accidentally preserved for 100 years and wakes up in modern day Brooklyn. He learns his only surviving relative is his great grandson, a computer coder who he can’t connect with.

The Man Without a World is credited to the legendary (and imaginary) 1920s Soviet director, Yevgeny Antinov. But the film is anything but old. In fact, Antinov himself is the creation of contemporary filmmaker Eleanor Antin. Her film is a moving, comic melodrama set in a typical shtetl (village) in Poland. The Jews’ struggle against poverty and racial hatred is complicated by their own division into hostile political factions of the religious orthodoxy, assimilationists, socialists, Zionists, anarchists and survivors. While the Jews of the shtetl pursue their loves, politics, religion, business and dreams for the future, the Angel of Death is ever near...

Motel, a poor laborer, loving husband and new father, leads cloakmakers in a strike for better working conditions. When he is severely injured by strikebreakers, his wife, Esther, and infant son are left destitute. Desperate to save her starving child, Esther gives him up for adoption to a wealthy couple, and then commits suicide. The richly-rendered beautiful Yiddish songs by Sholem Secunda featuring Cantor Leibele Waldman and Joel Feig's famous choir are a good example of the bittersweet melodrama in the finest tradition of the Yiddish theater.

Based her grandfather’s boyhood in St. Louis, Yasmin Gorenberg tells a story of the pain passed from refugee parents to their children and the hope that can overcome it. “40 Nickels” captures the image of a generation of immigrants to the United States in the 1920’s and 1930’s and through that spotlights the effects of the 1919 pogroms in Eastern Europe. This is a film about parents and children: how trauma never leaves a family, and how hope and resilience is also passed down. It asks the question: Can a new generation look at the world with wonder rather than fear?

Raised in rural isolation by an extremist Hasidic sect, Chaim is torn between his devotion to his grandmother, an aging Holocaust survivor, and his attraction to a sexy blond in a Liberty car insurance ad.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

In Columbus' Cursed Colony join two scientific expeditions on a journey that takes you beneath the waters of La Isabela Bay in Dominican Republic to search for the lost fleet of Christopher Columbus.

Earthquake of Mexico

The Escape from Punta Carretas

This is the story of one of the most well known but perhaps least understood moments of conflict and controversy in the history of sport: the infamous Bodyline test cricket series of 1932 and 1933. Self-confessed cricket tragic and comedian Adam Zwar will try to discover what happened at the crease and chart the wider social and cultural implications of the controversy by enlisting historians, sports scientists, and cricket stars to simulate the actual events. Is there more to the legend of Bodyline than we think? Adam is going back in time to live out a childhood fantasy or two. He is going to use machines, fancy cameras, and the latest in computer graphics. Modern day players will help him prepare. Adam will witness the real damage a high speed cricket ball can do. In the end, Adam will be on his own - with no helmet, no modern padding, and just a bat for protection. How will he handle this ultimate test?

The film sought to portray a relatively unknown and isolated rural world and, through a highly politicized discourse, affirmed the genuineness of “folk culture.” Representative of the new documentary film movement that developed in Portugal after the revolution, the movie encouraged the local retrieval of the Caretos tradition. A ritual that seemed to be doomed by the conjoined impact of emigration, the colonial war and the crisis of agriculture was thus brought back to life. - Paulo Raposo

In 2009 a team of British cavers went on an expedition deep within the jungle of central Vietnam. To their amazement they discovered an enormous cave which they believe to be the biggest in the world. The team, the first humans ever to enter the cave, traveled 6 kilometers underground until their way was blocked by a gigantic rock face they dubbed 'The Great Wall of Vietnam'. Now they have returned, but this time with the right equipment to climb the wall and with a geologist and zoologist to discover if this is indeed the Biggest Cave in the World and what secrets lie deep within?

During the last half-century, Cambodia has witnessed genocide, decades of war and the collapse of social order. Now, documentary filmmaker Rithy Panh looks at an irreparable tragedy that is less visible, yet no less pervasive: the spiritual death that results when young women are forced into prostitution. Angry and impassioned, PAPER CANNOT WRAP UP EMBERS presents the searing stories of poor Asian women whose lives were violated and their destinies destroyed when their bodies were turned into items of sexual commerce.