Cyberspace

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

Max "Adlersson" Herzberg, 20 years of age, from Dresden decided not to spend his life working. Ever since, he reviews knives and other products, unboxes limited fan editions of mainly gangsta rap albums, gives talks about himself, drinks, swears and bawls in town, humiliates others, cracks borderline jokes and crosses every boundary he sees - Max is a YouTube creator and makes a decent living off of it. Most of Max's friends have their own channels on YouTube, some even quite successfully. Max and his gang are dubious role models but without a doubt, they are celebrities of their generation having more than 300.000 active fans. Is Max a violence-glorifying influencer with far-right tendencies or a usual adolescent, just trying to find himself and happens to be born into a time where the lines between private life and public self-display are blurring? He might be both, possibly without being overly aware of it.

It follows a group of investigators as they return to the nuclear zone in Fukushima to uncover the secrets behind the wildlife that has claimed the toxic environment as its own.

By observing the technological developments of artificial intelligence in several countries, this film sheds light on the advantages and limits of algorithms and their repercussions on the lives of citizens. Whether at the level of the State, the police, universities, or companies, artificial intelligences should be used as a tool, but very often become a substitute for the work of the individual. There are many abuses: manipulations, addictions, or centralization of power. What can governments and States do to best regulate these technological advances?

A cable system designed by controversial Chinese company Huawei Technologies enables communication between an expert and a machine. Time succumbs to space in a "New Cold War" played out in technological materials.

One of the first works by María Cañas, an excessive metadiscursive exercise on the “pig character” of current information and archive culture.

The Weight of Sight is a playful and very personal essay where director Truls Krane Meby, through a massive archive of his own material - anything from DV-tapes to 35mm - explores the last 20 years of digital development - how it’s influenced the images we make, and our bodies. What kind of images do we get of the world now that everyone is a photographer, and what does it do with how we unfold our identities? How has the internet both captured and freed us? And will Truls even dare to show this film?

We examine the unique manufacturing ecosystem that has emerged, gaining access to the world’s leading hardware-prototyping culture whilst challenging misconceptions from the west. The film looks at how the evolution of “Shanzhai” – or copycat manufacturing – has transformed traditional models of business, distribution and innovation, and asks what the rest of the world can learn from this so-called “Silicon Valley of hardware".

This is a thoughtful and mature documentary that considers whether online rage has real-world consequences. Baddiel has experienced antisemitic abuse on Twitter, where he has 785,000 followers. He has had brushes with what is called “cancel culture” and “callout culture”, when users have criticised his use of blackface on TV in the 1990s, for which he has apologised. He is also a self-confessed social media addict – by which he really means Twitter, his primary focus here – and self-aware enough to admit that while he feels he needs it to promote his work, he also understands that he has a psychological need for an audience, and by extension, for audience approval.

A cinematic exploration of the world of automated vehicles — from their technical history to the personal narratives of those affected by them to the many unanswered questions about how this technology will affect modern society. This documentary features interviews with industry pioneers and scenes with cutting-edge “AVs” in action around the world.

The biggest tech revolution of the 21st century isn’t digital, it’s biological. A breakthrough called CRISPR gives us unprecedented control over the basic building blocks of life. It opens the door to curing disease, reshaping the biosphere, and designing our own children. This documentary is a provocative exploration of CRISPR’s far-reaching implications, through the eyes of the scientists who discovered it, the families it’s affecting, and the genetic engineers who are testing its limits.

In this PBS documentary, technology experts Gina Smith and John Levine provide a light, plain English introduction to the Internet, World Wide Web and related technologies for work and home use.

Chemical engineer and inventor Maria Telkes worked for nearly 50 years to harness the power of the sun, designing and building the world's first successful solar-heated modern residence and identifying a new chemical that could store solar heat like a battery. Telkes was undercut and thwarted by her (male) boss and colleagues at MIT, but she persevered. Upon her death in 1995 Telkes held more than 20 patents, and now she is recognized as a visionary pioneer in the field of sustainable energy whose work continues to shape how we power our lives today.

The Duplex A86 is a 10 kilometer underground highway buried more than 90 meters deep. This concrete tube, measuring the equivalent of more than 30 lying Eiffel towers, is the longest tunnel in France. The result of a succession of technical prowess born from the imagination of visionary engineers, the Duplex A86 allows you to cross all of western Paris in a few minutes.

Promotes television sets and the broadcast of New York's first regularly scheduled programs by providing a clinical look at the inner workings of television, including the manufacture of the tubes, lab experiments, and an actual telecast. Shows RCA's production studios in Rockefeller Center, television demonstrations at the 1939–40 New York World's Fair, RCA's Empire State Building transmitter, and remote mobile broadcast units. One of a variety of "Reelisms" shorts produced by Frederic Ullman Jr. and Frank Donovan for RKO in the late 1930s.

The Cost Of Convenience examines how internet platforms are impacting our mental health, restructuring our communities, threatening our democracy, and violating our human rights.

Friends since high school, 20-somethings Kaleil Isaza Tuzman and Tom Herman have an idea: a Web site for people to conduct business with municipal governments. This documentary tracks the rise and fall of govWorks.com from May of 1999 to December of 2000, and the trials the business brings to the relationship of these best friends. Kaleil raises the money, Tom's the technical chief. A third partner wants a buy out; girlfriends come and go; Tom's daughter needs attention. And always the need for cash and for improving the site. Venture capital comes in by the millions. Kaleil is on C-SPAN, CNN, and magazine covers. Will the business or the friendship crash first?

The filmmaker Jeppe Rønde has invited 10 of the world's foremost researchers - and a robot! - to rethink our relationship with technology and its dilemmas from the outside. Philosophers, anthropologists, archaeologists and programmers show us through their thought experiments that our relationship with technology is just as much about our relationship with ourselves.

A look at the destruction that follows the breaking of long-neglected dikes and the measures being taken to prevent future problems.

Programming prodigy and information activist Aaron Swartz achieved groundbreaking work in social justice and political organizing. His passion for open access ensnared him in a legal nightmare that ended with the taking of his own life at the age of 26.