Take Out

A young shut-in takes an imaginary road trip inside his apartment, based on mementos and memories of a European trek from years before.

Under the pretense of having a picnic, a geologist takes his teenage daughter and 6-year-old son into the Australian outback and attempts to shoot them. When he fails, he turns the gun on himself, and the two city-bred children must contend with harsh wilderness alone. They are saved by a chance encounter with an Aboriginal boy who shows them how to survive, and in the process underscores the disharmony between nature and modern life.

A mentally disturbed young woman takes a job at a posh country club and falls in with a clique of wealthy college kids where she's taken under the wing of the clique's twisted leader, who harbors some dark secrets too terrifying to tell.

Judy Berlin is an aspiring actress whose idealism is at odds with her small suburban community, where a solar eclipse induces town inhabitants (a lonely housewife, a frustrated schoolteacher, and a struggling filmmaker) to search for solace and understanding in themselves and one another.

A coming-of-age tale centered on Hannah, a young girl who is living a troubled family life. Set in 1963, Hannah develops a fascination with Jean-Luc Godard's then-recent film "Vivre sa vie". As she begins to model herself after the film's lead role, Hannah slowly begins to explore the confusing nature of her sexuality.

Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.

Axl wants to find his long-lost father and rediscover his past. Vera just wants to forget hers as she tries to move on from heartbreak. Their stories come together in the melting-pot of 21st century London.

Using almost no dialogue, the film follows a number of residents (both human and animal) of a small rural community in Hungary – an old man with hiccups, a shepherdess and her sheep, an old woman who may or may not be up to no good, some folk-singers at a wedding, etc. While most of the film is a series of vignettes, there is a sinister and often barely perceptible subplot involving murder.

Four overweight friends from the Israeli city of Ramle are fed up of dieting and the dieting club they belong to. When Herzl (155 kilos), the main protagonist, loses his job as a cook and starts working as a dishwasher in a Japanese restaurant in Ramle he discovers the world of Sumo where large people such as himself are honored and appreciated. Through Kitano (60 kilos), the restaurant owner, a former Sumo coach in Japan (who is supposedly hiding from the Yakuza in Israel), he falls in love with a sport involving "two fatsos in diapers and girly hairdos". Herzl wants Kitano to be their coach but Kitano is reluctant - they first have to earn their spurs. "A MATTER OF SIZE" is a comedy about a ‘coming out’ of a different kind - overweight people learning to accept themselves.

After ten years, Sheldon returns from New York City to Paris, Georgia. His mother Evelyn, a laundress who is stubborn, ornery, opinionated, mean-spirited, insulting, and inflexible, has sent a ten-year-old boy who says he's Sheldon's son up to see Sheldon. Sheldon comes home to straighten things out. Old arguments flare up - between mother and son and between brothers. Sheldon wants no part of fatherhood or family. Then, someone else from New York shows up at Evelyn's door, bringing a new set of challenges. Will this family ever stop airing its dirty laundry? And what of Sheldon: where is his pride? Can he, in the words of James Baldwin, go where his blood beats and live the life he has?

A tale about Vietnamese refugees sent to an orientation camp on the Camp Pendleton Marine Base in California, 'Green Dragon' focuses on a young boy and his sister. Set in 1975, the film chronicles the stories told to the two children by other refugees in the camp and of Tai Tran, who dares to introduce himself to Sergeant Jim Lance. In developing a relationship with Lance, Tran is able to improve

Popoy and Basha had been together forever. Their love story began when they first met as students at university. They had been inseparable and did everything together—eating, studying and attending parties. However, Popoy's incessant planning and nagging took a toll on their relationship leading Basha to break-up with him.

Moa is in her early 20s, works at a factory and lives by herself in a cottage in the forest. She is a vegan and follows her friends and demonstrations, mostly to fit in. But at home, by herself, she listens to pop music and use make-up.

A princess is determined to restore her homeland's throne to its rightful heir, a young prince with whom she falls in love.

A ski instructor tries to teach a bunch of insanely eccentric people how to ski while dealing with everyone wanting his attention.

When Jill Godmilow’s movie Roy Cohn/Jack Smith premiered at the 1994 Toronto International Film Festival, the number of AIDS-related deaths was reaching an all-time high in the United States (over 270,000). In New York City, the epicenter of the AIDS epidemic, many artists and filmmakers were grappling with the disease. While Broadway was hosting the second part of Tony Kushner’s award-winning play Angels in America, downtown New Yorkers were fondly recalling another recent production, Ron Vawter’s one-man show Roy Cohn/Jack Smith, in which the actor, who died of AIDS in April 1994, performed two monologues, first as Cohn, the conservative lawyer, and secondly, as Smith, the flamboyant experimental filmmaker—both of whom died of AIDS-related causes in the late 1980s.

Four fragile young people flee London to start an unconventional utopia, creating a world of fantasy that overwhelms them.

The story of a young girl who escapes her reality by immersing herself in a watery version of the world.

A story through a child's eyes about living through a drought.

Two teenagers are drawn together by the Buzzcocks' single 'Love You More' during the summer of 1978.