How does a nation slip into war? Dateline-Saigon profiles the controversial reporting of five Pulitzer Prize-winning journalists -The New York Times' David Halberstam, the Associated Press' Malcolm Browne, Peter Arnett, and legendary photojournalist Horst Faas, and UPI's Neil Sheehan -- during the early years of the Vietnam War as President John F. Kennedy is secretly committing US troops to what is initially dismissed by some as 'a nice little war in a land of tigers and elephants.' 'When the government is telling the truth, reporters become a relatively unimportant conduit to what is happening,' Halberstam tells us. 'But when the government doesn't tell the truth, begins to twist the truth, hide the truth, then the journalist becomes involuntarily infinitely more important.'
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The free, almost naive view from the perspective of a child puts the "68ers" in a new, illuminating light in the anniversary year 2008. The film is a provocative reckoning with the ideological upbringing that seemed so progressive and yet was suffocated by the children's desire to finally grow up. With an ironic eye and a feuilletonistic style, author Richard David Precht and Cologne documentary film director André Schäfer trace a childhood in the West German provinces - and place the major events of those years in completely different, smaller and very private contexts.
Against the backdrop of a world on the brink, the Montford Point Marines transcended enemy lines and formidable barriers of racial segregation. Beginning in rural Virginia, their journey to the front lines of World War II, the Korean War, and the Vietnam War is more than a testament to their bravery - it's a reflection of their indomitable spirit and unyielding resolve. Confronting racial prejudices, the heartbreaks of war, and the turbulent transition to civilian life, these men never wavered in their commitment. "Triumph Over Prejudice" dives deep into the uncharted terrains of the Black experience in the early 20th century Marine Corps, illuminating stories often shadowed in history's corners. With cinematic finesse fit for a global streaming audience, the film weaves personal narratives into a rich tapestry, culminating in an epic saga of heroism, perseverance, and the enduring legacy of the American veteran.
Archival footage, animation and music are used to look back at the eight anti-war protesters who were put on trial following the 1968 Democratic National Convention.
Sir! No Sir! is a documentary film about the anti-war movement within the ranks of the United States Military during the Vietnam War. It consists in part of interviews with Vietnam veterans explaining the reasons they protested the war or even defected. The film tells the story of how, from the very start of the war, there was resentment within the ranks over the difference between the conflict in Vietnam and the "good wars" that their fathers had fought. Over time, it became apparent that so many were opposed to the war that they could speak of a movement.
A documentary about militant student political activity at the University of California, Berkeley in the 1960s.
In April 1975 -- despite a ceasefire agreement -- the North Vietnamese communists took Saigon and the world by surprise, mounting an offensive that ousted the South Vietnamese government. This enlightening documentary recounts the last two years of America's military engagement in the country and the U.S. role in Saigon's fall. Interviews with former National Security Adviser Henry Kissinger and North Vietnamese officers provide context.
Hosted by Louis Gossett, Jr., this film examines the struggle it took to create the Vientnam Veterans Memorial in Washington, D.C. Released upon the Memorial's fifteenth anniversary, it includes interviews with veterans, senators, businessmen, and supporters.
Mondo-style docudrama about a war correspondent who comes back home and has a spiritual crisis about his own mortality. Surreal fantasy sequences are mixed with graphic real autopsy footage.
A German Documentary about the “village of friendship” that was created by American Veteran George Mizo to help the Vietnamese kids suffering from the Vietnam War.
The Tet Offensive during the Vietnam War, the Civil Rights Movement, the May events in France, the assassinations of Martin Luther King and Robert F. Kennedy, the Prague Spring, the Chicago riots, the Mexico Summer Olympics, the presidential election of Richard Nixon, the Apollo 8 space mission, the hippies and the Yippies, Bullitt and the living dead. Once upon a time the year 1968.
Tom Savini is one of the greatest special effects legends in the history of cinema, but little is known about his personal life until now. For the first time ever a feature length film has covered not only Tom's amazing career spanning over four decades, but his personal life as well.
Both sober and sobering, producer-director Emile de Antonio’s In the Year of the Pig is a powerful and, no doubt for many, controversial documentary about the Vietnam War.
Real-life letters written by American soldiers, sailors, airmen, and Marines during the Vietnam War to their families and friends back home. Archive footage of the war and news coverage thereof augment the first-person "narrative" by men and women who were in the war, some of whom did not survive it.
Skip Liberty enlisted in the Army in 1968. During his tour in Vietnam he shot 3,100 feet of Super 8 film, over 3 hours worth. Upon returning to the states the film was placed in storage, Skip had never seen the footage he shot. Until now.
Using obscure archival footage, animated illustrations and interviews, this film tells the story of the Vietnam War from the perspective of five Vietcong veterans: a soldier, an officer, an informant, a guerilla, a My Lai survivor, and the leader of the Long Hair army.
Over the period of 25 years the director met General Võ Nguyên Giáp, a legendary hero of Vietnam’s independence wars, a number of times. She was the first American who entered the home of the “Red Napoleon”. The fruit of this friendship is a film, personal and politically involved at the same time. Travelling across the country and talking to important figures as well as ordinary people, the director finds out more about her roots and offers the audience a unique perspective on Vietnam’s present and past.
For three days in 1971, former US soldiers who were in Vietnam testify in Detroit about their war experiences. Nearly 30 speak, describing atrocities personally committed or witnessed, telling of inaccurate body counts, and recounting the process of destroying a village.
In 1975, soon after the end of the Vietnam War, Hoa Thi Le and Hue Nguyen Che fled the country on a small boat. After nine days at sea, they docked in the Philippines, where they were utilized as background extras for “Apocalypse Now.”