Stavisky, l'escroc du siècle

The President is on his way to an important conference. A-Ho the gendarme, for his possible promotion, is trying all he can to avoid any disorders, keeping his watchful eyes on the protesters…

In a small village in the hinterland, three stories of love and desire are changing the emotional landscape of its residents. Characters of a romanesque world in which their conceptions of life are limited on one side by human instincts, on the other by a blind and fatalist fate.

A man stays with his father's friend Min-cheol in Seoul as he attends law school. The man has an interest in Min-cheol's young wife, Soo-kyeong, and in her best friend, Yoo-ra.

The Michigan Kid is a gambler in the backwoods of Alaska trying to make enough money to go back to his hometown and impress the girl he loves. His childhood rival for the girl happens to turn up at his casino, in trouble and doesn't want his girl to find about it.

The "David and Goliath" legend is presented as credibly as possible, while David's later disastrous romance with Bathsheba is handled with taste and decorum. Also in the cast are Anthony Quayle as King Saul, and Terence Hardiman as Bathsheba's unfortunate warrior husband Uriah.

2010 documentary film on the Armenian Genocide by the Young Turk government of the Ottoman Empire during World War I. It is based on eyewitness reports by European and American personnel stationed in the Near East at the time, Armenian survivors and other contemporary witnesses which are recited by modern German actors.

Two gay dads fumble to provide their straight son with meaningful support after the loss of his first real love.

The film Crustaceans treats itself like an impressionist picture or a Japanese Haiku. Crustaceans is a matter of reflection on an instance in life with the social-economical crisis as a landscape. The heartbreak in times of crisis. The film was filmed as demonstrations in the streets against crisis and social welfare cuts took place. For two years, it filmed street demonstrations and incorporated actors in the social landscape. The result, is a film in which the collective and the intimate come together. Both the characters and the people in the street, like identical crustaceans, take to the street to express their shame and rage for what is happening and try to find a solution. A time of anxiety, uncertainty and protest that conforms the landscape in which the characters, such as crustaceans hide their wounds under their hard shell is seen.

Archaeologist Raksha Dave and historian Dan Snow return to Pompeii to gain special access to a variety of new excavations, including two never-before-seen discoveries.

Archival footage of an American Nazi rally that attracted 20,000 people at Madison Square Garden in 1939, shortly before the beginning of World War II.

Where I've never been to live, Francesca's emotional conflicts, 50, is the only daughter of a famous Turin architect, to whom she visits only on rare occasions. For many years, Francesca lives in Paris with her teenage daughter and her husband Benoît, a financier on her sixty, apparently reserved but paternal and protective about her. Due to a domestic accident that forces the elderly father to bed, the woman flees to Turin to take her parents in the design of a villa on a lake for a young couple. At work he meets architect Massimo, his peer-minded career and engaged in an open relationship with independent Sandra. After a tough first approach, Massimo and Francesca create a strong professional tune that leads to a deep and passionate feeling. For the first time in life, both will have to really confront themselves and their most authentic destinies ...

La sirena negra

Sethumadhavan accidentally kills a criminal to save his life and is sent to prison. After completing his term, he tries to lead a happy life, but his past makes it all the more difficult.

Fortunes shift for a man stricken by tragedy when he unwittingly stumbles upon hidden treasure.

Through the eyes of a young girl suffering from mental illness, 'Caldera' glimpses into a world of psychosis and explores a world of ambiguous reality and the nature of life and death.

Fram is in a German POW camp where brutal, cold-hearted Gestapo officers like Weber or Von Steinhagen terrorize and execute their Polish prisoners. One day Fram sees a way to escape the camp and he takes it, heading out to find his fellow resistance fighters.

A family (mother, daughter and son) tries to survive their loneliness and obsessions by going through different sexual experiences and relationships with a new neighbour, a prostitute.

Lulu, a high class prostitute, receives constant visits from her neighbor Julian. He believes that she is his missing ex-girlfriend Mei Mei and begs her for a chance to start over again. Lulu rejects him, thinking that he is just making up stories to win her over. She tells him she never wants to see him again, but soon she misses him. It may be too late as she discovers that Julian is with somebody that looks exactly like her.

The film represents life in a godforsaken Russian village. The only way to reach the mainland is to cross the lake by boat and a postman became the only connection with the outside world. A reserved community has been set up here. Despite the modern technologies and a spaceport nearby the people of the village live the way they would in the Neolithic Era. There is neither government nor social services or jobs. The postman's beloved woman escapes the village life and moves to the city. Postman's outboard engine gets stolen and he can no longer deliver mail. His normal pattern of life is disrupted. The postman makes a decision to leave for the city too but returns before long with no certain reason. The script is based on real characters' stories. People from the village play their own parts in the film. The search for the protagonist lasted for over a year.

A wide-eyed young postman and a gangster in trouble with the mafia find their lives become inexplicably intertwined when a heady affair attracts danger at every turn.